Soul — All

XGreat music in many modes -- northern soul, deep soul, harmony soul, modern soul, and group soul -- plus disco, funk, club, electro, rare groove, and more!

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Douglas Edit search

 
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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Carl DouglasCrazy Feeling ... CD
Acid Jazz (UK), New Copy ... About November 1, 2017
... CD

Exact matches2
CD, LP, Vinyl record album cover art
Carl DouglasCrazy Feeling ... LP
Acid Jazz (UK), New Copy ... About November 1, 2017
... LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Last PoetsLast Poets (Douglas pressing) ... LP
Douglas, 1970. Used Gatefold ... Temporarily Out Of Stock
The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the ensemble of wordsmiths – comprised of Abiodun Oyewole, Alafia Pudim, and Omar Ben Hassan, plus the percussionist Nilaja – and most cuts feature only spare percussion backing over the spoken protest poetry – delivered with a brutal edge that really sums up the righteous politics of the time. Titles include "Run, N*gger", "On The Subway", "When The Revolution Comes", "Jones Comin' Down", "Black Thighs", "N*ggers Are Scared Of Revolution", and "Wake Up, N*ggers" – all of which should give you a good picture of what's going on with the record! LP, Vinyl record album
(Cover has light wear.)
 
Close matches: 2
Close matches4
CD, LP, Vinyl record album cover art
Luther Johnson with Muddy Waters Blues BandCome On Home ... LP
Douglas, Late 60s. New Copy (reissue)... $11.99
Wild guitar from Luther Johnson – an obscure earlier session recorded with a nicely gritty feel, and a fair bit of funk in the rhythms too! The group's billed as the Muddy Waters Blues Band – and Muddy appears to be on the record, although the notes are a bit lean – and the album features a number of great instrumentals, with really ripping guitar solos – plus a few vocal tracks too. The record's got a raw sound that's more of a Delmark Chicago blues vibe than a Chess Records one – and titles include "Top Of The Boogaloo", "Sting It", "Natural Wig", "Blues For Hippies", "Remember Me", "Snake", and "Sad Day Uptown". (Blues, Soul) LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
✨✧ Full MoonFull Moon (1972) ... LP
Douglas, 1972. Used ... Out Of Stock
Rare bit of lost rocky funk, recorded by Alan Douglas for his short-lived 70s label. The record includes a lot of nice keyboards by Neil Larson, funky drums by Phillip Wilson, and some heavy guitars by Buzz Feiten. There are also some guest playing by Airto, Ray Barretto, and Randy Brecker – but the core sound's by the funky Full Moon. Some tracks have vocals that are a bit weak, but there are some nice fuzzy funky moments to make up for them. Titles include "The Heavy Scuffle's On", "To Know", "Midnight Pass", "Selfish People", and "Need Your Love". (Rock, Soul) LP, Vinyl record album
(Cover has ring & edge wear and clear tape on the top seam.)
 
Possible matches: 8
Possible matches6
CD, LP, Vinyl record album cover art
BaysidersBaysiders & Friends ... CD
Everest, Used ... $7.99
Features music from The Baysiders as well as The Boulevards, The Danleers, The Lions, Chuck Baker, JJ Jackson, Jimmy Holiday, and Ronny Douglas. CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
KainBlue Guerrilla ... LP
Juggernaut, Early 70s. New Copy (reissue)... $9.99
One of the rawest, hardest-hitting albums of soul poetry of the 70s! Kain – aka Gylan Kain – was a member of the original Last Poets, a group who emerged in New York during the late 60s, but were eclipsed by the second (more famous) ensemble sharing the name who recorded for Douglas Records. Kain's anger and passion is incredible – far stronger than anything you'd hear on any of the better-known Last Poets records of the early 70s – and this solo record is completely over the top, both politically and performance-wise. The record has a hard hard hard sound – with over-the-top spoken bits that almost make the other Last Poets seem like they're kind of mellow. Cuts include "Silly Sh*t", "Harlem Preacher", "I Ain't Black", and "Constipated Monkey". Juggy Murray produced – and the album's a wild wild trip! LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
Last PoetsRight On! ... LP
Juggernaut, 1968. Very Good Gatefold ... $6.99
One of the wildest albums ever by the mighty Last Poets! Billed as "a woodstock in poetry", this is the soundtrack to the obscure film Right On (billed as "the hit film" on the cover), which was shot using the first version of the Last Poets that included Felipe Lucianao, David Nelson, and the wild card Gylan Kain – a group who originally had the name and style of protest poetry, but who had been eclipsed when the poet Abiodun left them and formed the group that first recorded for Douglas Records. The album, sort of a "we're back" effort, was produced by Juggy Murray, and apparently all recorded at the Cubiculo Theatre in New York – and it's one of two albums on the Juggernaut label, which also featured Kain's solo record. Most of the record is spare percussion, with the band shouting over the top – and the sound is even rawer than the group's first LP on Douglas. The titles should say it all – as the record features "My Pretty N*gger", "Tell Me Brother", "Die Nigga!", "James Brown", "Soul", "Poetry Is Black", "Into The Streets", and "Library", clearly a big influence on KRS-1. LP, Vinyl record album
(Original pressing. Cover is stained on the bottom half, with some wrinkling and flaking.)

Possible matches9
CD, LP, Vinyl record album cover art
VariousDisco Fantasy – Songs Inspired By Stage, Screen, & Superheroes ... CD
Essential, Late 70s. New Copy ... $11.99 14.99
Some of the most playful tracks of the disco generation – songs that draw a heavy inspiration from film and TV – sometimes by offering up clubby covers of the original versions, sometimes by taking off in great new directions of their own! There's a decidedly camp vibe to the set – as some older themes are updated with disco rhythms and soaring strings – or other tracks take off into the "fantasy" territory of the title, by bringing a strong 70s vibe to subjects that you might not expect. Our all-time favorite cut here is the wonderful "Superman" by Celi Bee & The Buzzy Bunch – and other cuts include "Night Fever" by Carol Douglas, "Star Wars" by Boris Midney, "Star Trek (ext)" by Shufflin Tymes, "The Entertainer" by JR Bailey, "Love Boat" by Jack Jones, "Theme From Swat" by Inner City Symphony, "More" by Carol Williams, "Don't Cry For Me Argentina (12" mix)" by Festival, and "Secret Agent Man (ext mix)" by Ultimate. (Funky Compilations, Soul) CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ VariousHarp Blues – Stompin, Wailin Amplified Harmonica Blues From The Classic Postwar Masters ... CD
Ace (UK), Late 40s/1950s/1960s. New Copy ... Temporarily Out Of Stock
One of the best collections of harmonica blues we've ever heard – a totally smoking set that focuses on the hippest material of the postwar years – filled with obscure tracks that go way past some of the overplayed tracks in the genre! Almost all the tunes here have the instrument blown boldly, and through a microphone with really great force – as you'd guess from the image on the cover – with a sound that's still pretty darn amazing all these many years later, as the instrument is taken from a rootsy role into a very powerful mode of expression during the years in which the electric guitar was also having a huge influence on the music too! Most of the numbers mix soulful vocals with searing harp blues solos – and titles include "A Fool No More" by Eddie Hope & Manish Boys, "Ride With Your Daddy Tonight" by Frank Frost, "Wine Women Whiskey" by Papa Lightfoot, "Walking By Myself" by Jimmy Rogers, "Chicago Breakdown" by Doctor Ross, "Up The River" by Cousin Leroy, "Steady" by Jerry McCain, "Monkey Doin Woman" by Shy Guy Douglas, "Western Union Man" by Chicago Sunny Boy, and "Boogie Twist" by Snooky Pryor. (Blues, Soul) CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ VariousPied Piper Finale ... CD
Kent (UK), Late 60s. New Copy ... Out Of Stock
Rare soul from the Detroit underground of the 60s – all of it from the vaults of Pied Piper Productions – a fantastic company who flourished in the shadows of Motown! Pied Piper was headed by Motown percussionist Jack Ashford – who contributed to many better-known Detroit soul tracks of the period – and the music here draws on all the experience that Ashford had with that bigger label, and sometimes borrows a bit of Motown talent as well! Yet the music is also more in the indie mode, too – similar to excellent Detroit singles on imprints like Groovesville or D-Town, both of which would be good comparisons to the Pied Piper sound. Some tracks are instrumental, but the majority of the work is vocal – and features some top-shelf singers and groups – all documented in the wonderful notes in the package. You'll recognize a few of these tracks from titles that Pied Piper placed with bigger labels, but there's also some small imprint singles, and even some unreleased tracks as well – 24 titles that include "It Takes Two" by The Four Sonics, "No Baby" by The Metros, "Ease My Mind" by Lorraine Chandler, "I Can't Change" by Yvonne Baker & The Sensations, "I Like Your Style" by Freddy Butler, "Crazy Things" by Joseph Douglas, "I'd Like To Know" by The Pied Piper Players, "American Dollar" by Willie Kendrick, "It's Better" by Reggie Alexander, "Soul Superman" by The Hesitations, "She Don't Want You" by Lorraine Chandler, "We Go Together" by The Cavaliers, "That Girl Of Mine" by The Persians, "Deserted" by Freddy Butler, "I'm With You" by September Jones, "Sweetest One" by The Metros, and "Gambler's Blues" by Nancy Wilcox. CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ VariousNo Jive – Authentic Southern Country Blues ... CD
Ace (UK), Late 50s. New Copy ... Out Of Stock
Rootsy blues from the great Excello Records – most of it recorded not too far from the Tennessee city in which the label made its home! The southern scene in the 50s was going through plenty of changes – partly because of all the migration northwards that started during the wartime years, partly because of the way that radio and growing indie labels were helping criss-cross sounds and scenes through their musical efforts – with a huge run of changes that were taking place in the urban scene. Even out in the sticks, stronger use of the electric guitar really transformed rural blues – even in spare recording settings that might have mirrored blues records of the 20s and 30s – and the use of new ideas, new inflections, and new ways of putting over a tune are perfectly captured here in a batch of rare tracks done by the Excello label. Most of the cuts are super-rare singles, issued here with excellent sound – and there's a few other numbers on the set that are issued here for the first time ever – with great sound and excellent notes. Titles include "I'm Bad" by Good Rockin Bob, "No Jive" by Little Al, "Honey Babe" by Arthur Gunter, "The Natural Facts" by Leroy Campbell, "Wasted Time" by Shy Guy Douglas, "Dirty Britches" by The Leap Frogs, "Welcome Home Baby" by Slim Hunt, and "Quit My Drinkin" by Robert Garrett. (Blues, Soul) CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Lor CraneHaunted ... LP
Midsong, 1977. Used ... Out Of Stock
Although billed as a horror soundtrack – with a creepy cover to prove it – this one was also issued on the disco powerhouse Midsong International, and has one full side of disco-styled tunes that all feature vocals! Lor Crane arranged, composed, and produced – and gets his full due on side two, which features shorter tracks more in keeping with a 70s horror flick – a few of which feature Goblin-like guitar bits. But side one features all vocal numbers – mostly disco, plus a ballad or two – with Billy Vera singing "Indian Woman", Carol Douglas singing "You Make Me Feel The Music", Herb Oscar Anderson singing "How Can I Tell Judy", Ronald Romano singing "Lifetimes", and Freya Crane singing "A Distant Time". Instrumental tracks include "Patrick & Jennifer Walking", "Lake", "Beach", "Love Scene", "The Chase", and "Dining Room". (Soundtracks, Soul) LP, Vinyl record album
(Cover has a promo stamp & some wear.)
 
 
 



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