Check out the titles we have coming soon !
Sonorama (Germany), Late 50s/Early 60s.
Swedish saxophonist Lars Gullin made some amazing records in the 50s and 60s, but most folks have never heard these tracks before – as they represent some lost tapes that are surprisingly great, and which will be a key addition to his catalog! Gullin's baritone is wonderful here – ... (Jazz)
Capitol/Dusty Groove, 1971.
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful ... (Jazz)
MPS (Germany), Late 60s/1970s.
The magic sunshine here is all from the legendary catalog of MPS Records – unusually groovy jazz tracks from the 60s and 70s, all hand-picked by the equally legendary DJ Gilles Peterson! Peterson first turned many ears onto MPS back a few decades ago – with his excellent Talkin Jazz ... (Funky Compilations)
Continental/Soul Patrol (France), 1971. (reissue)
A funky samba gem from the 70s – the only album we've ever seen from Jorginho Pessanha, and a set that grooves with plenty of bassy percussion – in an all-acoustic mode that's nice and raw! Jorginho's got wonderfully soulful vocals – raspy, with a real charm that totally gets us, ... (Brazil)
Athens Of The North (UK), Mid 70s.
A huge discovery in funky soul – unreleased tracks that were supposed to form the never-issued third album by Rasputin's Stash – after their classic Devil Made Me Do It for Curtom! The group are the stuff of legend – a heady funk ensemble who grew out of Chicago's Fantastic Epics ... (Soul)
Capitol/Dusty Groove, 1970.
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – ... (Jazz)
Shola Adisa-Farrar & The Florian Pellissier Quintet
Hot Casa (France), 2016.
We already love the music of Florian Pellisier from his excellent albums on the Heavenly Sweetness label – but we're really over the moon with the group here as they work alongside American singer Shola Adisa Farrar! Shola hails from Oakland, but has a globe-spanning sound to her music that ... (Vocalists)
Kent/Mainstream (UK), Early 70s.
A huge array of soul tracks from the Mainstream label – an imprint that was probably best known for its jazz work of the early 70s, and as the launching pad for a few key rock groups – but one who also cut some killer soul tracks in the best New York and Philly styles of the period! ... (Soul)
Crammed (Belgium), 2016. Gatefold
Two powers of the contemporary global scene – coming together in a really amazing way! Percussionist Batida joins the amazing Konono No 1 – adding in some extra rhythms, both live and programmed, to their stunning mix of electrified percussion, likembe, and other instruments – ... (Global Grooves)
WRWTFWW (Italy), 1972. (reissue)
A very cool soundtrack from the great Piero Umiliani – done during a period of great electronic exploration! The record is credited to "Piero Umiliani & I Suoi Oscillatori" – an instrument you can definitely hear at work here – as Piero uses lots of cool keyboard ... (Soundtracks)
Favorite (France), 1976.
A rare smooth 70s set from Hawaii – and a record that's even better musically than it is obscure! Greg Yoder had already won us completely when we flipped the album over and saw that he does a version of Stevie Wonder's "Golden Lady" – alongside really fresh remakes of "M ... (Rock)
Inflamable (France), 2016.
A wonderfully jazzy session from DJ Cam – not the Soulshine album of many years back, but an all-instrumental record that may be one of Cam's warmest in years! There's a great small combo vibe to the record – which features a sextet with lots of great keyboards from Eric Legnini, plus ... (New Grooves)
Born Bad (France), Early 70s. (pic cover, reissue)
A sweet French soundtrack from the start of the 70s – one that's got a really great title track with a heady, bassy sort of vibe! There's a rumbling sound to "Generique Debut" that's totally great – almost in the best funky mode of Jean-Claude Vannier – with bass right ... (Funky 45's)
Debut/Jeanne Dielman (Italy), 1965. (reissue)
A key early album by Albert Ayler – a mindblowing record even all these many years later, and a key introduction of Ayler's music to the rest of the world! The set begins with a compelling spoken introduction from Albert – really taking the time to introduce himself and his new ... (Jazz)
Impro/Sun Records (France), 1977.
Bold, raw live work from Archie Shepp – mostly inside, but played with a heck of a lot of soul and feeling throughout! The set features Archie's quartet with Siegfried Kessler on piano, Cameron Brown on bass and Clifford Jarvis on drums – a really no-nonsense group that's perfect for ... (Jazz)
Drummer Jaimeo Brown returns to the territory of his previous well-received Transcendence album – but shifts the sound slightly here – by mixing in inspiration from older work songs, instead of the gospel elements of the previous set – while creating music that's equally powerful ... (Jazz)
RCA/Expansion (UK), 1977.
An overlooked late 70s moment from the great Garland Green – a set that's quite different than his earlier Chicago soul – thanks to production from Leon Haywood in a sweet west coast mode! The record's got an easygoing vibe that really fits the cover – a mix of mellow and ... (Soul)
A really unusual performance from the mighty John Coltrane – recorded in Germany in 1960, with an amazing group that features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – stepping out from Miles Davis to give Trane a very special groove! These guys give the ... (Jazz)
Mercury/Zeitgeist (UK), 1969.
A really groovy little vocal jazz record – cut by an American singer on the London scene of the late 60s – working here with tight backing from the Laurie Holloway Quartet! Bryony James has this way of going deep with her range that's a bit like Morgana King, but she's also a bit less ... (Vocalists)
Columbia (Japan), 1980.
One of Charles Earland's sweet albums from his years at Columbia Records – done in a mode that's much more R&B than his earliest work, but in a style that's still A-OK with us! The groove here is greatly helped out by arrangements from Tom Washington, Weldon Irvine, and Marcus Miller ... (Jazz)
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