Orange/Sonorama (Germany), 1969. New Copy (reissue)
A little bit funky, and a lotta bit groovy -- a really wonderful little record that's an odd melange of soul, funk, and bossa elements! The pair at the front -- Daniela and Ann -- sing together in a harmonic style that's a bit like the female voices in Sergio Mendes & Brasil 66 -- but the
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CBS, 1976. New Copy (reissue)
An obscure album by this enigmatic European singer, and one with a few nice moments! Asha's got one of the oddest voices in soul music -- with a sound that's both produced in a weird compressed way, and also a bit flat and campy -- but at the right moments, this vocal style works well with funky
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Mercury, Early 70s. Very Good-
Cut on the heels of Melba's run in the musical Hair, this early set features versions of the tunes "The Flesh Failures", "Easy To Be Hard", and "I Love Making Love To You", all from the Rado/Ragni/MacDermot team. Arrangements are by Charlie Calello and Jimmy Wisner,and
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Veep, Late 60s. Near Mint-
With a name like the Jubilators, it's gotta be gospel -- but with a title like Togetherness, it's also gotta be that hip kind of late 60s gospel that was borrowing a lot back from soul music -- or a least the core elements that soul had been taking from gospel during the course of the 60s. The
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Charly (UK), 1940s. Very Good+ 2LP Gatefold
An excellent collection of some of Louis Jordan's best work -- his seminal 40s sides for Decca, recorded with his hard-swinging Timpany Five combo! The tracks are short and swinging, a key precursor to R&B and later soul -- delivered with an undeniable groove and plenty of good nature from
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Motown, 1974. New Copy (reissue)
A monster! Foxy Brown is Willie Hutch's magnificent soundtrack for Foxy Brown -- a Pam Grier blacksploitation film from the early 70s -- and it's pure genius all the way through, a record filled with some of the best funky soundtrack cuts of the era! Willie's got a real Curtis Mayfield sound here
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Blue Thumb, 1977. New Copy (reissue)
One of the greatest albums of all time -- a masterpiece of moody soul, spacey vocals, and jazzy vibes -- all produced by the legendary Roy Ayers! Ramp take their name from the anagram Roy Ayers Musical Productions -- and in a way, the group's the summation of all the genius that Roy had been
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Motown, 1973. New Copy (reissue)
Long-overdue reissue to Willie Hutch's classic score about pimpin' & mackin'! The album (and film) is virtually a handbook for junior grade hoods, and we can remember back around '90 when the first wave of candy-ass hardcore hip hoppers were coming up, and this was sort of a holy grail. Still
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Celluloid, 1974. New Copy (reissue)
Fantastic stuff -- incredibly hard and incredibly funky, and a masterpiece all the way through! Long before there was any talk of gangster rap, Jalal of the Last Poets recorded this album of gamblin', pimpin', and hard double dealin'. It's a fantastic album-long ride through the dark side of the
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Mio, 1972. New Copy (reissue)
One of the coolest covers we've ever heard of "Jungle Fever" -- supported by a bunch of Latin tracks that are also pretty darn great too! The set's something of a knockoff album, designed to cash in on Chakachas' big title hit -- but like most of the best albums of this nature, there's
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Twinight, Late 60s. New Copy (reissue)
Amazing stuff! This is one of the best ever soul albums to come out of Chicago -- and it may well be one of the best soul albums to ever come out of the 60s! Syl Johnson mixes west side bluesy soul with some great Chicago soul arrangements by Jimmy Jones & The Pieces Of Peace -- and the
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Casablanca, 1975. New Copy (reissue)
Here's where it all happens! George Clinton lands the mothership, forges the space-funk image, and blows the P-Funk empire into an arena-filling mega-star act! The record's got some extremely tight numbers that mix the best of the group's new slick playing with the edginess and naughtiness of the
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Motown, 1973. New Copy Gatefold (reissue)
An amazing record that stunned the world almost as much as Marvin's previous effort, What's Going On. Like that one, this album's an amazingly unified batch of tracks -- with a visionary message about sex and love that is as honest and bracing as the politics and social commentary of his previous
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Polydor, 1976. New Copy (reissue)
One of Roy Ayers' greatest albums of the 70s -- a set that tightens up the groove from previous Polydor productions, yet still keeps all the soul intact! The record picks up the style begun with the Mystic Voyage album, and pushes it to some slightly tighter territory -- a more focused Roy Ayers
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Sugar Hill, 1980. New Copy (reissue)
Great lost funky soul material from one of the few non-rap acts on Sugarhill. The group maintain a very strong jazzy club sound -- with a bit of a Wayne Henderson/At Home groove, and a nice polished finish. Some tracks even have a strong positive vibe, and the kind of righteous mellow soul that
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AKT, New Copy (reissue)
A fantastic bit of tripped out funk! Cane & Able were one of the many groups that came out of the collective surrounding the Lafayette Afro-Rock Band in the early 70s -- and like that group, Cane & Able draw on a wide range of influences to create a heavy funky sound. The album mixes the
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Arista, 1978. New Copy (reissue)
One of the least-remembered P-Funk links of the late 70s -- a great little side project from the team of Glenn Goins and Jerome Brailey, and one with heavy, bassy, partyful groove! The style here is almost even tighter than that of Parliament or Funkadelic at the time -- in a similar George
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Gamble, 1973. New Copy (reissue)
An excellent bit of spacey funk -- and one of the most obscure Gamble/Huff records ever recorded! Yellow Sunshine are a hip funky jazz group, very tight in the riffing department, with a sound that would be more at home on Fantasy Records than Philly International. Dexter Wansel's in the group
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CRS, 1974. New Copy (reissue)
A funky holy grail -- one of the rarest of the rare, and the only album ever cut by funky guitarist Carl "Sherlock" Holmes! Carl's work on the guitar is incredible -- fast riffing and jazzy, with a style that's dirtier and messier than some of his 70s jazz funk contemporaries, but which
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Atco, 1968. New Copy (reissue)
Dr. John's second record, cut back in the days when there was a lot more freakiness to his bag -- as you'll notice by his eyeballs in the photo on the back cover! The tracks are wild, funky, and messed-up New Orleans R&B filtered through a heavy dose of psychedelics -- a unique little mix that
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