Stax, 1973. Very Good+
One of the best of Rufus Thomas' funky LPs from the early 70's. It's got 2 of his best funky tracks "Funky Robot" and "Funky Bird", plus a lot of other cuts without the word "funky" in the title, such as "I Wanna Sang", "Steal a Little", and "G
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AVI, 1979. Very Good-
Excellent solo work by Lowrell Simon -- once a singer with Lost Generation, but opening up a whole new style of Chicago soul here on his own! The album's a tasty batch of smooth soul tracks with a midtempo club groove -- not disco, but with the kind of large production and loping groove that you'd
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Gordy, 1978. Very Good
Excellent smooth seventies harmony soul from the DeBarge brothers and the early Switch group. This album's the best realization of their sound, and emphasizes the ballads over the funky numbers -- which is a great move in our mind. Titles include "It's So Real", "I Wanna Be With
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Blue Thumb, 1973. Very Good- Gatefold
One of Phil Upchurch's best records -- and one that's a no-nonsense batch of funky instrumentals that feature some really great guitar! Phil's dropped the Hendrix fuzz of some of his Cadet sides of the late 60s -- and instead, he's working in a stretched-out chromatic mode that has bits of Wes
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King, 1970. Very Good- Gatefold
A different James Brown album -- but a nice one! James doesn't sing soul, so much as jazz -- in front of large backings by Louis Bellson, with arrangements by Oliver Nelson that are in his best 60s soul mode -- and which give the album a very very groovy feel overall! The record's not funky, but
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Sussex, 1973. Very Good-
Excellent early work by Zulema -- high-minded and righteous soul, with a really expansive sound that's in keeping with the best on Sussex at the time! The arrangements are nicely complicated -- arranged by Bobby Taylor and Gene Page with a good blend of funk, righteous soul, and some heavier
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Atlantic, 1976. Good+
Quite possibly the best record ever by The Trammps -- halfway between their roots in the early 70s east coast indie club scene, and the smoother approach of their later disco hits! The set is prime Sigma Sound disco -- with strong harmonies by the group in a post-Spinners mode, and plenty of help
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Arista, 1981. Very Good-
Beautifully smooth soul from Robert Winters & Fall -- a great mix of 80s groove and modern mellow -- handled with lots of warm touches that make Winters' vocals come off wonderfully! The feel here is a bit like some of the smoother sets from DJ Rogers -- as Winters' voice has a deeply soulful
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Mercury, 1980. Very Good+
This album and the following really took the Gap Band over the top, and was once a common enough record that's getting harder and harder to come by, at least on vinyl anymore. "Burn Rubber" and "Humpin" packed 80s dance floors and put the band in steady rotation on Soul Train,
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Arista, 1975. Very Good-
A landmark bit of jazz funk -- from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light -- working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers -- using their sound to give his work the
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Capitol, 1985. Very Good
An obscure early 80s electro effort from George Clinton -- all the more surprising, given how much he pretended to hate hip hop! At some level, Jimmy G & The Tackheads are mostly an 80s groove outfit -- using lots of bass and keys to pop and lock the groove, while throwing in plenty of wikki-wi
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Atlantic, 1966. Very Good+
Always exciting work from the Wicked Pickett -- a set that's filled with sharp-edged soul tracks throughout -- and which perfectly shows why Wilson was a key link between funk and soul back in the 60s! The album was recorded at the two great hubs of southern soul production in the 60s -- Memphis
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Epic, Late 60s. Very Good
Excellent funky LP cut by Johnny Otis and his late 60's version of "The Johnny Otis Show". Shuggie's playing guitar, Delmar Evans is singing, and Sugarcane Harris even shows up on a few tracks. The LP contains two excellent funky 45 cuts, "Cuttin Up", an instrumental with
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Cadet, 1974. Very Good-
Excellent later album by the Dells that has them working with Don Davis on production, and singing in an excellent smooth soul setting that still lets their raspy soulful harmonies shine through, but which also gives them some excellent seventies grooves in the background. Nearly every cut's a
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Stax, Early 70s. Very Good
Jean Knight's classic -- and a monumental album of funky female soul that was one of the best albums in the "second generation" Stax era! You probably know the title cut, as it was her biggest hit, and the inspiration for loads of "answer" songs (some of which came from the
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Cotillion, 1980. Good
We couldn't think of a better way to describe the sound of Slave than "stone jam"! The band's got a bass-heavy groove, mixed with a lot of soul, in a style that was often copied by many groups in the 80s, but never equalled. The real strength in the band was their songwriting -- always
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Profile, 1988. Very Good+ 2LP
A pretty nice little set of house tunes -- issued by Profile in the late 80s, but featuring tracks licensed from a number of different labels. 12 tracks in all including: "Let's Work It Out" by Exit (produced by Blaze!), "Do It Properly" by 2 Puerto Ricans, A Blackman, & A
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Warner, 1980s. Very Good 2LP
A big album for Chaka -- as her hits of the late 70s and 1980s are remixed into new club versions for the 90s -- although oddly, those versions, which were "fresh" at the time, sound almost a bit dated next to some of the originals! Remixers include Hank Shocklee & Eric Sadler,
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Philadelphia International, 1972. Very Good+
Beautifully sweet soul by Billy -- perhaps a bit more pop soul than some of his other albums, but no less great! Gamble & Huff were firmly in the control room on this one -- and the results show on excellent cuts like the huge hit "Me & Mrs. Jones", the funky groover "Am I
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MCA, 2001. Very Good+ 2LP
17 tracks in all, including "Family Affair", "Love", "Steal Away", "No More Drama", "Testimony", "Dance For Me", "Flying Away", and "In The Meantime".
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