CTI (Japan), 1972. New Copy
An excellent 70s set by Jackie & Roy -- very different than their work of the 50s and 60s, with an approach that's much more far-reaching and complicated -- a style that opens up their vocal talents majestically! Gone are the simplier ditties of earlier years, and in their place are warmly
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AMJ (Japan), 1973. New Copy
A lost gem from European jazz singer Ann Burton -- recorded in Tokyo in the early 70s, and featuring a batch of really unusual tunes done with a lively feel! There's an easygoing groove to most of the work in the set -- a lightly rhythmic pulse brought to the record by the Ken McCarthy trio, and
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AMJ (Japan), 1987. New Copy
An easygoing live set from vocalist Ann Burton -- one that has her working with the trio of pianist Rob Agerbeek, and which features a few guest appearances from Mark Murphy! The whole thing's got an approach that makes you feel like you're right in the club with Ann -- as Rob's trio handle a few
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A&M/Hip-O Select, 1960s/1975. New Copy
The team of Jerry Lieber & Mike Stoller are usually best associated with older rock and roll tunes of the 50s and 60s -- but they also deserve a heck of a lot of credit for re-igniting Peggy Lee's career! Peggy had sung a few of the pairs tunes on earlier Capitol records, but at the end of the
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Argo/Dusty Groove, 1963. New Copy
One of the greatest albums ever from Lorez Alexandria -- an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title -- a jazzy, bouncy sort of rhythm that's
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Bethlehem/JVC (Japan), 1957. New Copy
A rare and exceptional vocal jazz LP -- cut by the obscure Marilyn Moore, then the wife of Al Cohn -- who's pictured in profile on the cover of the record! Marilyn's got a style that's somewhat raspy -- clearly inspired by Billie Holiday at times, and not what you'd expect in comparison to some of
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Columbia, 1964. New Copy
A 60s classic from Tony Bennett -- a record that sported a huge title hit, but which also stands strongly as a really unified album! Tony's at his maturing best here -- still working with core jazz inspiration from the Ralph Sharon Trio, but also getting fuller strings from George Siravo -- who
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Columbia, 1956. New Copy
Fantastic stuff, and proof that Rosemary Clooney was always one heck of a great singer -- with strengths in jazz that you didn't always hear in her pop work! As you'd guess from the cover, Duke Ellington's leading the group on the album -- and most of the tracks here are older Ellington standards,
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Ratspack (Japan), 1978. New Copy
A late 70s set from Anita O'Day -- recorded live in Japan, where she seemed to do some of her best work of the decade! The style here is simple, swinging, and soulful -- backings from the trio of pianist Dwight Dickerson, who seem to give Anita a groove that's slightly hipper than in years past --
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Columbia, 1958. New Copy
Sublime early work from Johnny Mathis -- a session that really shows the jazzy charm he had at the start! The setting is as spare as you might guess from the title -- no large orchestra, and instead just two guitars (played by Tony Mottola and Al Caiola) supporting Johnny's vocals in a very open-en
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Groove Merchant/LRC, 1970s. New Copy
Great 70s live work from Sarah Vaughan -- material that easily stands alongside her best for the Pablo label at the same time, but which is far more obscure overall! The notes on the CD aren't much -- and obviously help enforce the obscurity of the sessions -- but we can say that all the
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Universal (Japan), 1963. New Copy
There's few singers we like better than Blossom Dearie -- and this great little record captures Blossom at her unfettered best, working live before an intimate crowd at London's Ronnie Scott's nightclub in the 60s! The performance is in the same small combo mode as some of Dearie's Verve albums
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Mercury/Fresh Sound (Spain), 1955/1958. New Copy
Kitty White's first album for Mercury -- packaged here with a bonus album recorded a few years later for Roulette! First up is New Voice In Jazz -- a sublime set recorded right at the height of Mercury's jazz years -- and done in a personal, unfettered style that's really great -- right up there
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Dauntless (Spain), 1963. New Copy
A mad mad afternoon with the great Babs Gonzales -- one of the hippest jazz singers ever! The set is one of Babs' best on records, and it features a mix of jazz vocals and hipster monologues that shows perfectly the mixture of talent and hustling that Babs used to make a name for himself in the
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Universal (France), 1956. New Copy
Excellent vocal jazz from postwar Paris! The Blue Stars were a legendary combo that were led by Blossom Dearie, and which featured a host of great vocal talents that would later go onto form groups like Les Double Six or The Swingle Singers, including Mimi Perrin and Christine Legrand, as well as
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Advance/Fresh Sound (Spain), 1957. New Copy
Lorry Raine may not be one of the biggest names on the LA scene of the 50s, but she's working here with top-shelf backings from arrangers Nelson Riddle and Russ Garcia! The album's a bit jazz, but also a bit more of a fuller vocal affair -- similar to the sort you might find on Capitol from the
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Groove Merchant/LRC, 1973/1974. New Copy
A great little CD -- not only for the very nice price, but for the fact that the double-length set brings together two albums' worth of work that Carmen McRae recorded for the Groove Merchant label in the early 70s! The style here is strongly jazzy, but with a firm dose of soul too -- all in a
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MCA/Blue Thumb (Japan), 1972. New Copy Gatefold
Wonderful early work from Ben Sidran! The album's got a hip jazzy vocal style -- similar to some of the best late 60s work by Bob Dorough or Dave Frishberg, but also with New Orleans touches -- as in the work of Mose Allison or Dr John! Sidran brings in a smoother, groovier feel than those
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ABC/Jasmine (UK), 1956. New Copy
2 ABC classics from Jackie & Roy -- back to back on a single CD! Bits & Pieces is incredible early work from the duo -- one of their sublime 50s classics on ABC, done in a style that's even groovier than their sessions for Storyville! The whole thing's upbeat, lively, and extremely cheery
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Universal (France), 1958. New Copy
A lush album by Sarah Vaughan -- recorded in Paris in 1958, with orchestrations by Quincy Jones -- and large group backing that includes some nice tenor work by Zoot Sims! The session's one of Vaughan's most cohesive albums of the period, and although it's got "violins" in the title, it's
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