Up Front, Mid 60s. Very Good+
Pretty good speech from the early 60's, and a good example of how powerful Malcolm X could be in person. The recording quality's a little tinny, but the album's still a good document of his words and knowledge.
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RAW, Early 70s. Very Good
Adult comedy from Wild Man Steve. Like a lot of party albums issued at this time there's no titles for the skits or track listing, or really any indication as to what topics he gets into, but it's Wildman Steve, so like a Redd Foxx set or some of the Richard Pryor records or other blue comedy
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Warner, 1977. Very Good+ 2LP Gatefold
Quite an unusual double-length set for the time -- and a great example of the way that records often filled in on the market in the days before you could make money selling videotapes and DVDs! The 2LP set features Alex Haley telling the story of the material that went into Roots -- his research
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All Platinum, Early 70s. Good+ 2LP Gatefold
Billed as "The Last Message" from Malcolm, but not exactly credited to any specific date or location. Still, the set's a nice package, with a striking cover, and 2 LPs of heavy vinyl with relatively good recording quality. One of the best of the less-than-legitimate Malcolm X releases.
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Chess, Early 60s. Very Good-
Pigmeat Markham's first album -- recorded live at the Regal in Chicago, and featuring his then-famous "trial" routine -- plus a number of other similar gigs that come off equally well. There's a very nice balance here between the live, "party" type style of comedy -- and some
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Buddah, 1975. Very Good+
Not music, but an LP of comedy from one of the funkiest TV stars of the seventies! Plenty of great stuff to sample here, including "The Black Prince Has Arrived" and "Show Biz", a good bit on blacksploitation films.
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Laff, 1978. Near Mint-
Pre Jo Jo Dancer, pre-sobriety Richard Pryor, delivering the goods with skits like "Rumplestiltskin", "Country & Western Show", "Japanese Movies", "Swagger Stick", "Worms", "Churches" and "Heart & Brain".
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Twenty Grand, 1965. Very Good-
One of the earliest issues of the words of Malcolm X -- featuring speeches on the topics "The Ballot Or The Bullet", "Black Nationalism", "Birmingham Sunday School Bombing", "Human & Civil Rights", and "Violence & Non Violence".
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Laff, 1982. Very Good+
We're sure we don't need to remind you that in his coke addled prime, Richard Pryor was one funny m*therf*cker. This album includes "Supern!gger", "Girls", "The Bully", "Fighting", "Churches", "God Was A Junkie", "Boxing", "
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Respect, 1969. Very Good+ Gatefold
A classic speech by Jesse Jackson -- one that became quite a hit for Stax's Respect subsidiary, and which was one of the better selling albums of its type in the early 70s. The album was recorded back in the days before Jesse had become a bit of a cliché, when he appeared to be emerging as
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Warner, 1972. Near Mint-
Speech excerpts from the 1972 documentary film, these are all short sound bites, all under a minute: "By Any Means Necessary", "Who Taught You To Hate Yourself?", "Pickin Cotton" & "American Nightmare" and half a dozen more.
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RAW, Early 70s. Good
Raunchy party comedy, of the sort that was made famous by Rudy Ray Moore, Blowfly, and others. Steve raps his way through a live set, with backing by a nice little jazz combo, which vamps behind him during most of the monologue.
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Warner, 1974. Very Good
Pryor really busted into the mainstream with this one -- as the album secured him a grammy for best comedy LP in the year it was released. Recorded live in San Francisco, at Don Cornelius' Soul Train -- with tracks that include "Wino & Junkie", "Flying Saucers", "Black
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Warner, 1978. Very Good- 2LP Gatefold
It's 1978 so that means Richard's heavy into the basing backstage, right? We can't tell for sure, but he cuts loose with the reckless abandon that we love about his late 70s records. Loads of hilarious skits, including 'White & Black People", "Black Funerals", 'Discipline"
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Laff, 1976. Very Good+
A very "current events" oriented set -- one that sums up a variety of bigger news stories of the time, spinning them all out with a hip, underground take on the events. Richard and Willie (mostly Willie) dominate, but Richard Pryor gets in a bit too -- and the language on the album is
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