19 tracks in all – including some classic Roxy Music work from the 70s, plus both solo Ferry and revival Roxy from the early 80s! CD

... LP, Vinyl record album

The kind of Roxy Music album that nobody would have expected back when Brian Eno was in the group – but a set that really helped expose the group to a whole new generation, and find a way to develop that special style that Bryan Ferry had brought to the group in the previous decade! There's a leaner vibe going on here – with the core trio of Ferry, Andy Mackay, and Phil Manzanera finding a way to be a bit more subtle than before, both instrumentally and lyrically – while still having Bryan do that oddly sinister thing with his vocals, almost in a way that undercuts all the new young stars that were emerging in the younger generation. The recording quality is superb – especially on the vocals and Manzanera's work – and titles include "More Than This", "Take A Chance With Me", "India", "The Space Between", and "To Turn You On". LP, Vinyl record album

The kind of Roxy Music album that nobody would have expected back when Brian Eno was in the group – but a set that really helped expose the group to a whole new generation, and find a way to develop that special style that Bryan Ferry had brought to the group in the previous decade! There's a leaner vibe going on here – with the core trio of Ferry, Andy Mackay, and Phil Manzanera finding a way to be a bit more subtle than before, both instrumentally and lyrically – while still having Bryan do that oddly sinister thing with his vocals, almost in a way that undercuts all the new young stars that were emerging in the younger generation. The recording quality is superb – especially on the vocals and Manzanera's work – and titles include "More Than This", "Take A Chance With Me", "India", "The Space Between", and "To Turn You On". CD

The fourth album from Roxy Music – a brilliant statement of their early genius through and through! The album has the group moving strongly past the Eno years, into a tighter framework that still contains many of the darker themes of earlier records. Ferry's lead vocals are incredibly majestic – rising to heights to match the European greats of years past who were his inspiration – and the group's tight blend of reeds, guitar, and moody keyboards gives the whole album an off-kilter sense of instrumentation that really sets it apart from the pack. There's an artfulness here that's never overdone, and the whole thing comes together with a magic that's impossible to describe, but which is Roxy at their best. Titles include "Out Of The Blue", "The Thrill Of It All", "Three & Nine", "Triptych", "Casanova", and "Prairie Rose". CD

A fantastic start to the second chapter of Roxy Music – a time when the group was stripped down to a trio, and almost seemed to arise as a way to answer the newer music that was coming up from all the younger groups that Bryan Ferry had influenced with his work in the 70s! Things aren't as weird and wild as at their start, but the instrumentation is impeccable – thanks to guitars from Phil Manzanera and saxes from Andy MacKay – and an approach that has the group bringing in some key other players from track to track, expanding the sound but never going too far. The vibe is a bit like the feel of some of Bryan Ferry's best solo work from the years before – but more Roxy-like too – and still head and shoulders above anything the new romantics had to offer. Titles include "Same Old Scene", "Flesh & Blood", "My Only Love", "Oh Yeah", "No Strange Delight", and "Running Wild". LP, Vinyl record album

... LP, Vinyl record album

A brilliant little comeback album for Roxy Music – their first album in 4 years after Siren, and a well-done departure that takes off from older records without losing any of their greatness! In a way, the set's almost the group's Lodger – a similar effort to Bowie's record from the same time that reflects a move away from heavier styles of earlier years, but never loses the edge of the group's best work. Manifesto also reflects some of the lessons learned by Bryan Ferry on his solo records – a bit leaner and cleaner presentation of the songs – but the album itself is also strongly a group production effort, and certainly feels that way in its use of Phil Manzenera's great guitars and Andy Mackay's horn arrangements. Titles include "Ain't That So", "Stranger Through The Years", "Trash", "Manifesto", "Angel Eyes", "Spin Me Round", "Cry Cry Cry", and "My Little Girl". LP, Vinyl record album

A brilliant little comeback album for Roxy Music – their first album in 4 years after Siren, and a well-done departure that takes off from older records without losing any of their greatness! In a way, the set's almost the group's Lodger – a similar effort to Bowie's record from the same time that reflects a move away from heavier styles of earlier years, but never loses the edge of the group's best work. Manifesto also reflects some of the lessons learned by Bryan Ferry on his solo records – a bit leaner and cleaner presentation of the songs – but the album itself is also strongly a group production effort, and certainly feels that way in its use of Phil Manzenera's great guitars and Andy Mackay's horn arrangements. Titles include "Ain't That So", "Stranger Through The Years", "Trash", "Manifesto", "Angel Eyes", "Spin Me Round", "Cry Cry Cry", and "My Little Girl". CD

Roxy Music's third album, and a record that really shows that the group have found a tremendous voice of their own – quite a thing to do, given the heady brew of records that were coming out in the year of 1973! There's a style here that's familiar enough to draw the listener in – maybe some echoes of territory you might hear in work from David Bowie, Lou Reed, John Cale, or the now-solo Brian Eno – but once inside, you find yourself in a completely different world – a mad blend of guitars and strings, saxophones and electronics, all used in these ways that are tuneful enough to be catchy, but also deeply unsettling too – as are the lead vocals of Bryan Ferry, who comes across like some older European singer who's been let out of the madhouse for the sessions. This isn't a singles-heavy record, but instead an album-length journey that never gets old, even as the years move on – and which is as powerful to new ears discovering the record for the first time as to longtime fans. Titles include "Street Life", "Just Like You", "Amazona", "Psalm", "Serenade", "A Song For Europe", "Mother Of Pearl", and "Sunset". CD

... CD

The kind of Roxy Music album that nobody would have expected back when Brian Eno was in the group – but a set that really helped expose the group to a whole new generation, and find a way to develop that special style that Bryan Ferry had brought to the group in the previous decade! There's a leaner vibe going on here – with the core trio of Ferry, Andy Mackay, and Phil Manzanera finding a way to be a bit more subtle than before, both instrumentally and lyrically – while still having Bryan do that oddly sinister thing with his vocals, almost in a way that undercuts all the new young stars that were emerging in the younger generation. The recording quality is superb – especially on the vocals and Manzanera's work – and titles include "More Than This", "Take A Chance With Me", "India", "The Space Between", and "To Turn You On". CD

A mindblowing debut from Roxy Music – a record that took the world by storm in the 70s, and which is still pretty darn revolutionary all these many years later! Sure, the cover looks a bit cheesy and trashy, but the core of the music is amazing – this blistering array of guitars, electronics, and saxophone – all honed into songs that provide the perfect setting for the haunting vocals of Bryan Ferry! If you only know these guys from their later, softer work, you'll be quite surprised here – as the saxes by Andy Mackay are woven right in alongside the guitar of Phil Manzanera, and the album's laced with weird electronic and tape touches from Brian Eno. Peter Sinfield produced – as yet another mighty talent that was part of the proceedings – and titles include "Re-make/Re-Model", "Ladytron", "If There Is Something", "HB", "The Bob", "Chance Meeting", "Would You Believe", "Sea Breezes", and "Bitters End". Amazing 2CD expanded edition comes in a book-like cover, with lots of pages of notes – and CD 2 features 14 more bonus tracks – Peel Sessions recordings of "Virginia Plain", "Sea Breezes", "Remake/Remodel", "The Bob", "Would You Believe", "2HB", "Ladytron", and "Chance Meeting" – plus a live BBC In Concert Performance from March 8, 1972 – with performances of five more tracks! CD

Quite possibly the biggest early moment of US fame for Roxy Music – thanks to the classic "Love Is The Drug", which kicks off the album and is easily one of the group's best-known tunes of the 70s! The album tightens things up slightly from the sound of Country Life before – not as many dark corners, but still plenty of the offbeat styles that make these early Roxy Music albums so great – with none of the softer styles that took over during the early 80s years. Other tracks include "End Of The Line", "Sentimental Fool", "She Sells", "Could It Happen To Me", "Both Ends Burning", "Just Another High", and "Whirlwind". CD

... CD

The kind of Roxy Music album that nobody would have expected back when Brian Eno was in the group – but a set that really helped expose the group to a whole new generation, and find a way to develop that special style that Bryan Ferry had brought to the group in the previous decade! There's a leaner vibe going on here – with the core trio of Ferry, Andy Mackay, and Phil Manzanera finding a way to be a bit more subtle than before, both instrumentally and lyrically – while still having Bryan do that oddly sinister thing with his vocals, almost in a way that undercuts all the new young stars that were emerging in the younger generation. The recording quality is superb – especially on the vocals and Manzanera's work – and titles include "More Than This", "Take A Chance With Me", "India", "The Space Between", and "To Turn You On". CD

The kind of Roxy Music album that nobody would have expected back when Brian Eno was in the group – but a set that really helped expose the group to a whole new generation, and find a way to develop that special style that Bryan Ferry had brought to the group in the previous decade! There's a leaner vibe going on here – with the core trio of Ferry, Andy Mackay, and Phil Manzanera finding a way to be a bit more subtle than before, both instrumentally and lyrically – while still having Bryan do that oddly sinister thing with his vocals, almost in a way that undercuts all the new young stars that were emerging in the younger generation. The recording quality is superb – especially on the vocals and Manzanera's work – and titles include "More Than This", "Take A Chance With Me", "India", "The Space Between", and "To Turn You On". Hybrid SACD includes a multi-channel mix of the original album and stereo CD layer with one additional bonus track. CD

The fourth album from Roxy Music – a brilliant statement of their early genius through and through! The album has the group moving strongly past the Eno years, into a tighter framework that still contains many of the darker themes of earlier records. Ferry's lead vocals are incredibly majestic – rising to heights to match the European greats of years past who were his inspiration – and the group's tight blend of reeds, guitar, and moody keyboards gives the whole album an off-kilter sense of instrumentation that really sets it apart from the pack. There's an artfulness here that's never overdone, and the whole thing comes together with a magic that's impossible to describe, but which is Roxy at their best. Titles include "Out Of The Blue", "The Thrill Of It All", "Three & Nine", "Triptych", "Casanova", and "Prairie Rose". CD

The fourth album from Roxy Music – a brilliant statement of their early genius through and through! The album has the group moving strongly past the Eno years, into a tighter framework that still contains many of the darker themes of earlier records. Ferry's lead vocals are incredibly majestic – rising to heights to match the European greats of years past who were his inspiration – and the group's tight blend of reeds, guitar, and moody keyboards gives the whole album an off-kilter sense of instrumentation that really sets it apart from the pack. There's an artfulness here that's never overdone, and the whole thing comes together with a magic that's impossible to describe, but which is Roxy at their best. Titles include "Out Of The Blue", "The Thrill Of It All", "Three & Nine", "Triptych", "Casanova", and "Prairie Rose". LP, Vinyl record album

A fantastic start to the second chapter of Roxy Music – a time when the group was stripped down to a trio, and almost seemed to arise as a way to answer the newer music that was coming up from all the younger groups that Bryan Ferry had influenced with his work in the 70s! Things aren't as weird and wild as at their start, but the instrumentation is impeccable – thanks to guitars from Phil Manzanera and saxes from Andy MacKay – and an approach that has the group bringing in some key other players from track to track, expanding the sound but never going too far. The vibe is a bit like the feel of some of Bryan Ferry's best solo work from the years before – but more Roxy-like too – and still head and shoulders above anything the new romantics had to offer. Titles include "Same Old Scene", "Flesh & Blood", "My Only Love", "Oh Yeah", "No Strange Delight", and "Running Wild". CD

A mighty hefty set of photos of Roxy Music on stage – served up in a massive oversize book that's filled with fan photos from the early days onward! Photographer Jocelyn Fiske has a lifetime love of Roxy Music and Bryan Ferry – and managed to sneak some great shots of the group in the early 70s, then get very serious once their comeback years hit in the later part of the decade – served up here in hundreds of oversized, full color shots of the new romantic years, later solo Bryan Ferry, and even the 21st Century reunion as well! The images are striking – these are definitely not the polished shots of Ferry and the group on the album covers – and from the drenched look of Bryan on stage alone, the whole thing stands as a vivid testimony to the "work" that went into the music of Roxy! Hardcover edition is oversize, 317 pages, and full color throughout. Book

A landmark moment – both for Brian Eno, and for experimental music in general! Although Eno began his solo run with some searing, guitar-heavy records that were even wilder than his early work with Roxy Music – he also began experimenting with more sensitive aspects of sound on albums like Another Green World and Before & After Science – an approach he takes here to the farthest degree, by opening up himself and creating a whole new genre of ambient music in the process! Gone are the raspy, sometimes nasty vocals – and in their place is virtually nothing – just beautifully open music that uses scores that are somewhat cyclical – but at a pace that's very different than the minimalism of the period – and maybe even more minimal too. The record features four long tracks, one with piano by Robert Wyatt – really beautiful stuff, like some strange dark sonic crystal that fell out of the skies years ago, and which still remains a mystery to all ears that stumble upon it! CD

A landmark moment – both for Brian Eno, and for experimental music in general! Although Eno began his solo run with some searing, guitar-heavy records that were even wilder than his early work with Roxy Music – he also began experimenting with more sensitive aspects of sound on albums like Another Green World and Before & After Science – an approach he takes here to the farthest degree, by opening up himself and creating a whole new genre of ambient music in the process! Gone are the raspy, sometimes nasty vocals – and in their place is virtually nothing – just beautifully open music that uses scores that are somewhat cyclical – but at a pace that's very different than the minimalism of the period – and maybe even more minimal too. The record features four long tracks, one with piano by Robert Wyatt – really beautiful stuff, like some strange dark sonic crystal that fell out of the skies years ago, and which still remains a mystery to all ears that stumble upon it! LP, Vinyl record album

One of the more song-based sets from Phil Manzanera – a really wonderful record that definitely foregrounds all the magic he was bringing to early records by Roxy Music, but put out here in a nicely different way as well! Things are never too prog-indulgent – and Manzanera's got some wonderful help to make the record really come out great – including key vocal moments from Brian Eno, John Wetton, and Robert Wyatt – and a hip lineup of instrumentalists who include Andy MacKay on saxes, Eddie Jobson on keyboards, and Charles Hayward on percussion! Phil's got a wonderfully strong sense of rhythm on most numbers – almost at the level of his Listen Now album – and titles include Eno's wonderful performance on "Big Day", plus "Miss Shapiro", "East Of Echo", "Lagrima", "Alma", "Carhumba", "Same Time Next Week", "Frontera", and "The Flex". LP, Vinyl record album

A modest classic from the British scene of the mid 70s – and an album that may loom large in the history books, but which has found its way into plenty of record collections over the years! Metro features lead vocals from Peter Godwin and plenty of support from Duncan Browne – the latter of whom had some great solo work in the late 60s, the former who'd bloom more as a solo act after the breakup of this group! Sean Lyons is part of the trio, providing plenty of support on guitar – and there's a post-glam mix of cool compression and class that's very much in the Roxy Music generation – on titles that include "Precious", "Momo Messiah", "Black Lace Shoulder", "Paris", "Jade", "One Way Night", and "Criminal World" CD

A real turning point for Sparks – a set that has the duo of Russell and Ron Mael finding a whole new focus for their music on the UK scene! The style is a bit glammy at times – not in the execution, so much as the production – which has a great way of compressing the vocals up against the guitars – while still keeping all the sharpness of the group's earlier music, which is a key component in pushing forward the subtle wit of the tunes! There's also a slight warble to both the vocals and some of the melodies – which might sit nicely next to early Roxy Music in listening spirit, even though Sparks themselves are very much their own thing. Titles include "Here In Heaven", "This Town Ain't Big Enough For Both Of Us", "Amateur Hour", "Equator", "Complaints", "Thank God It's Not Christmas", and "Talent Is An Asset". 2LP pressing features some great bonus tracks – demos from 1973 that include "When I Take The Field ON Friday", "Windy Day", "Marry Me", "My Brains & Her Looks", "A More Constructive Use Of Leisure", "Barbecutie", and "Alabamy Right". LP, Vinyl record album

With King Crimson, T Rex, Roxy Music, Brian Eno, Penguin Cafe Orchestra, and more! Cassette

Features selections by Talking Heads, Peter Gabriel, Time, Gang Of Four, Laurie Anderson, Ramones, Roxy Music, Pretenders, and others! LP, Vinyl record album

Includes tracks by Roxy Music, Damned, Jan Hammer, Jackson Browne, Phil Collins, Gladys Knight & The Pips, Steve Jones, Patti La Belle & Bill Champlin, and Andy Taylor. LP, Vinyl record album

Dazzling work from John Cale – exactly the kind of record that shows why his solo years were so great! The record's got this unusual vibe – on one hand, it's put together like a more conventional rock set of the time – but on the other, it's got strange dark currents that run through the whole thing in very weird ways – a bit like some of the Roxy Music edges from the early years. No surprise, both Brian Eno and Phil Manzanera contribute strongly to the set – but the energy of the record definitely comes from Cale's great songwriting and offbeat vocals – and his great ear for a weird-sounding tune. Titles include "Mr Wilson", "Rollaroll", "Ski Patrol", "Guts", "The Jeweller", and Cale's famous version of "Heartbreak Hotel". CD

A surprising charmer from Bryan Ferry – his second solo album away from Roxy Music, and somehow even more focused than the first! The groove here is still very much in a Roxy mode, but tighter, leaner, and with more of a focus on Ferry's captivating vocals. And although a few tracks on the set are covers, there's also some killer Ferry originals that are right up there with the best Roxy Music work on the group's first 5 albums. Titles include "Casanova", "Sea Breezes", "2 HB", "Re-Make/Re-Model", and "It's Only Love" – plus a great reading of "You Go To My Head". CD

One of the more song-based sets from Phil Manzanera – a really wonderful record that definitely foregrounds all the magic he was bringing to early records by Roxy Music, but put out here in a nicely different way as well! Things are never too prog-indulgent – and Manzanera's got some wonderful help to make the record really come out great – including key vocal moments from Brian Eno, John Wetton, and Robert Wyatt – and a hip lineup of instrumentalists who include Andy MacKay on saxes, Eddie Jobson on keyboards, and Charles Hayward on percussion! Phil's got a wonderfully strong sense of rhythm on most numbers – almost at the level of his Listen Now album – and titles include Eno's wonderful performance on "Big Day", plus "Miss Shapiro", "East Of Echo", "Lagrima", "Alma", "Carhumba", "Same Time Next Week", "Frontera", and "The Flex". CD

The genius of Ziggy Stardust didn't just spring out of the blue – as David Bowie spent years listening to other music by a range of different artists – engaging them, supporting them, and absorbing them in the process – all to weave into the rich tapestry that became his own musical legacy! Bowie famously covered 60s tunes on his Pin Ups album, and did others' tracks on some other studio sides as well – and his live performances were famous over the years for surprising remakes that offered unabashed homage to those who influenced him – a few of whom would become musical partners as well. This loving package features 24 tracks that were all later performed by Bowie, but delivered here in their original versions – all with detailed notes that trace the lines between the initial takes and the remakes – with the kind of flourish we've come to love from Ace Records. Titles include "Fill Your Heart" by Biff Rose, "It Ain't Easy" by Ron Davies, "Sorry" by The Merseys, "Rosalyn" by The Pretty Things, "Dancing In The Street" by Martha & The Vandellas, "Nite Flights" by The Walker Brothers, "Alabama Song" by Lotte Lenya & The Three Admirals, "Kingdom Come" by Tom Verlaine, "Where Have All The Good Times Gone" by The Kinks, "White Light White Heat" by The Velvet Underground, "Louie Go Home" by Paul Revere & The Raiders, "If There Is Something" by Roxy Music, "Criminal World" by Metro, "Amsterdam" by Jacques Brel, "Wild Is The Wind" by Johnny Mathis, "I Took A Trip On A Gemini Space Ship" by The Legendary Stardust Cowboy, and "Pablo Picasso" by The Modern Lovers. CD

Great work from a pivotal year in modern music – a time when some of the experiments of the early prog generation were working their way into shorter, catchier work – not entirely the kind of pop that American audiences were digging on the radio in 1974, but instead some forward-thinking music that would set the tone for years to come! There's a smartness and sophistication to most of these tracks, but also a down to earth quality that makes them easy go get into too – music that came out right before the punk and disco years, but which has gone on to provide endless appeal to listeners in much later generations too. As with Grapefruit sets, the track list is superb – with a great blend of familiar and lesser-known acts, all supported with detailed notes that really help you get into the music. 67 tracks in all – a few unreleased – with music from Ron Wood, Georgie Fame, Hello, Fancy, Unicorn, Bryan Ferry, Sparks, Status Quo, John Cale, Tramp, Snafu, Bebop Deluxe, Roxy Music, Man, Fox, Holy Mackerel, Carmen, Stackridge, Farm, Dave Cousins, Slade, Sensational Alex Harvey Band, Billy Kinsley, and many others! CD

A brilliant post-Roxy Music project – odd rhythms from Phil Manzanera, Fender Rhodes from Francis Monkman, and some great electronics, tapes, and vocals from Brian Eno! Includes versions of "Third Uncle", "Miss Shapiro", "Baby's On Fire", and "Sombre Reptiles". CD

A record that blew the world away when it was first released – and still continues to delight all these many years later! Brian Eno had first rose to fame in Roxy Music – where his sonic sensibilities and ear for electronic experimentation really added a lot to their initial albums – and here, on his own, he's in somewhat side-stepped territory – mixing things up in the art/glam generation of Roxy and Bowie, but also already showing a darkness that really sets him apart from the pack! The first three songs alone are a hell of a statement from any musician in the 70s, and the titles alone almost get at their impact – "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", and "Baby's On Fire" – all songs that offer a rare blend of ferocity and humor that wouldn't emerge elsewhere until the punk movement. Yet Eno's hardly the forerunner of punk, but he's also not glam, metal, or anything else – a supremely impactful artist with this record, completely in his own space – like a rare breed that might include The Velvet Underground, Gram Parsons, or Bowie. Titles include "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", "Baby's On Fire" "Blank Frank", "Some Of Them Are Old", "Cindy Tells Me", "On Some Faraway Beach", and "Dead Finks Don't Talk". CD

A record that blew the world away when it was first released – and still continues to delight all these many years later! Brian Eno had first rose to fame in Roxy Music – where his sonic sensibilities and ear for electronic experimentation really added a lot to their initial albums – and here, on his own, he's in somewhat side-stepped territory – mixing things up in the art/glam generation of Roxy and Bowie, but also already showing a darkness that really sets him apart from the pack! The first three songs alone are a hell of a statement from any musician in the 70s, and the titles alone almost get at their impact – "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", and "Baby's On Fire" – all songs that offer a rare blend of ferocity and humor that wouldn't emerge elsewhere until the punk movement. Yet Eno's hardly the forerunner of punk, but he's also not glam, metal, or anything else – a supremely impactful artist with this record, completely in his own space – like a rare breed that might include The Velvet Underground, Gram Parsons, or Bowie. Titles include "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", "Baby's On Fire" "Blank Frank", "Some Of Them Are Old", "Cindy Tells Me", "On Some Faraway Beach", and "Dead Finks Don't Talk". CD

A record that blew the world away when it was first released – and still continues to delight all these many years later! Brian Eno had first rose to fame in Roxy Music – where his sonic sensibilities and ear for electronic experimentation really added a lot to their initial albums – and here, on his own, he's in somewhat side-stepped territory – mixing things up in the art/glam generation of Roxy and Bowie, but also already showing a darkness that really sets him apart from the pack! The first three songs alone are a hell of a statement from any musician in the 70s, and the titles alone almost get at their impact – "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", and "Baby's On Fire" – all songs that offer a rare blend of ferocity and humor that wouldn't emerge elsewhere until the punk movement. Yet Eno's hardly the forerunner of punk, but he's also not glam, metal, or anything else – a supremely impactful artist with this record, completely in his own space – like a rare breed that might include The Velvet Underground, Gram Parsons, or Bowie. Titles include "Needles In The Camel's Eye", "The Paw Paw Negro Blowtorch", "Baby's On Fire" "Blank Frank", "Some Of Them Are Old", "Cindy Tells Me", "On Some Faraway Beach", and "Dead Finks Don't Talk". LP, Vinyl record album

A very cool set of work – a box set that brings together six different pic sleeve singles from Roxy Music legend Bryan Ferry – most of which were not issued in the US! The images alone are great – shots of Ferry in his youth, including a few images with a surprisingly slick moustache – and most of the work here dovetails nicely with the classic Roxy Music material, with some of the same musicians on hand, but given a slightly different spin in Ferry's company. Titles include the original tracks "Sea Breezes", "Remake/Remodel", "2HB", "Another Time Another Place", and "Chance Meeting" – plus versions of "Smoke Gets In Your Eyes", "Hard Rain's Gonna Fall", "You Go To My Head", "The In Crowd", and "Let's Stick Together". Also features the very cool Extended Play EP – with versions of "It's Only Love", "Heart On My Sleeve", "Shame Shame Shame", and "The Price Of Love". 7-inch, Vinyl record

A rare solo project from reedman Andy Mackay – the great musician whose saxophone work was such a key part of the early Roxy Music sound! The album features work from Eddie Jobson, Brian Eno, Phil Manzanera, Roger Glover, and a larger array of unusual guests – and is an odd reworking of older rock themes, but with an odd Roxy-like twist! LP, Vinyl record album