One of the best records ever from Beaver and Krause – largely because there's not so much noodling! This one features the pair on moog and organ, with help from Dave Grusin on piano, Milt Holland on percussion, Howard Roberts on guitar, and Bud Shank on reeds. The sound isn't jazz at all – but more a mix of spacey grooves and bubbling bits, with much more of a song-like structure than on other records. There's a few nice cuts here that almost hit a groove, and even when they don't, they still have a nice stripped down moogy sound that's very pleasing. Titles include "Spaced", "Salute To The Vanishing Bald Eagle", "People's Park", "Walking Green Algae Blues", and "Another Part Of Time". CD

One of the most electronic albums that Beaver & Krause ever recorded – a set that was issued as a Guide To Electronic Music, but which has a way more to offer than just a simple demonstration record! Unlike most other B&K albums, which can feature a bit of rock mixing in with the moog, this one is almost entirely analogue electronics – often played in a stark, spare way that has plenty of spooky tones – but also works beautifully together in a mode that's similar to other experimental electronic sets from the time, such as Morton Subotnick's contemporaneous records for Nonesuch. The tracks are very short, with concentrated bursts of sound, and have titles like "White Sound", "Ribbon Controller", and "Sawtooth". Comes in a box with a very cool book that explains a lot of different properties of electronic music. Great for sample-heads or for junior knob twiddlers. 2 LPs strong! LP, Vinyl record album

One of THE electronic records of the 60s – an album so important, the Silver Apples took their name from the title – and a whole other generation of artists took strong inspiration from the electronic creations of Morton Subotnick! Before the set, much electronic music of this nature was a bit more academic, and often slightly cold – but Subotnick was able to bring things into a more organic, maybe more freewheeling style – using all sorts of cool analogue elements in ways that would run through Perry & Kingsley, Beaver & Krause, and even Stereolab! The work is billed as the "first original full-scale composition created expressly for the record medium" – a great testament to Subotnick's intentions for his creation, and a desire to get it more widely circulated than previous electronic recordings. LP, Vinyl record album