Deja Vu (Italy), Early 60s. New Copy (reissue)
Slamming Latin from drummer Frank Hernandez -- a real 60s cooker that grooves with the best from New York at the time! The group's really got the "ritmico" component of the set down strongly -- as the percussion is fast, frenetic, and really dominates the arrangements -- so much so that
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Fania, Early 70s. Very Good
A real turning point for Joe Bataan -- and the beginning of his funky Latin sound of the 70s! The album was one of the first in Joe's "Salsoul" style -- a sweet blend of Latin rhythms, late 60s Latin soul influences, and some of the hipper styles bubbling through the NuYorican scene. A
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Deja Vu (Italy), Late 60s. New Copy (reissue)
Frank's definitely got a new sound on this album -- one that's even groovier than before! The record still has Hernandez hitting that hard New York Latin groove that make all his 60s sets so nice -- but he's also working here in a more instrumental mode, and one that's got more than a few jazzy
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ABC, Late 50s. Very Good-
Candido cut sooo many great Latin records over the years, spanning a wide range of styles, we have a hard time deciding which we love the best. We like to think this may be his best album from the early part of his career, specifically because it features the master conga player amidst a tight
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Coco, 1975. Very Good-
Eddie Palmieri's work for the Coco label is some of his best of the 70s, and this album is no exception -- and while the title may call the record "unfinished", it sounds pretty darn well done to our ears -- far better than most other Latin sides of the time! The album includes a moody
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ABC, Late 50s. Very Good-
Like many albums made by Latin players during the 50s, this is kind of a straight Latin effort in parts, dressed up in Calypso guise to try to get higher sales. Johnny Carisi directed the whole project -- and it would have a nice Latin jazz sound, were it not for the occasional intrustion of
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Warner, 1973. Very Good- Gatefold
Malo may be evolving a bit, but they're still right in the pocket as far as we're concerned! This excellent west coast Latin ensemble mixes together jazz, funk, soul, and slight touches of Chicano rock -- into a heavy groove that was one of the best-conceived at the time. Jorge Santana lays down
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Atlantic, 1971. Very Good-
Sockin soul work from Mongo Santamaria -- a real killer of an album, with a dope 70s sound! The album features Mongo hitting a nice blacksploitation mode -- fuller arrangements than before, plus lots of electric touches on guitar, bass, and keyboards. Marty Sheller did most of the arrangements --
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Picante, 1987. Very Good-
Tight 80s Latin from Mongo Santamaria -- a set that still has him working with longtime maestro Marty Sheller -- in a mix of older Latin modes and a few slightly more modern touches! The group here is somewhat large, but the sound is nice and lean -- a groove that's heavy on Mongo's congas, with
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Tower, Late 60s. Very Good
Madly romping Latin from this obscure group led by pianist Phil Moore III -- a combo who effortlessly groove through a blend of boogaloo, Latin jazz, and plenty of percussion-heavy exotica -- all in a style that's very much their own! There's a loose and free feel here that's far different than
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Tico, Late 50s. Very Good
Despite the "for lovers" in the title, this is a fairly lively set of cha cha tracks by Tito Puente, with a feel that's in keeping with the best of his 50's work. Like the other Tico recordings, this record's got a harder sound than some of his RCA albums, and is much closer to the New
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Fania, Late 60s. New Copy (reissue)
A monster! If you buy one Latin record this year -- make it this one -- because it's one of the greatest ever recorded! Ray's late 60s Acid album is a landmark recording -- a sublime mixture of Latin jazz, percussion, and soul -- grooving hard in a variety of styles, and always hitting the money
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Fania, 1972. New Copy (reissue)
Killer stuff all around! This album's a monster -- one of Ray's greatest, with the same sort of Latin Soul groove heard famously on his classic Acid LP. The record has Ray cutting across many genres -- blending Latin, soul, jazz, and a slight bit of funk -- all into a set of grooves that never
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Atlantic, 1968. New Copy (reissue)
A wicked album of Latin Soul tunes -- recorded by Harvey Averne, one of the heaviest hitting producers of the New York scene of the late 60s! The album's one of the few that Harvey issued under his own name, and it features him on piano and vibes, working with arrangements by Marty Sheller, and a
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Mag/Get Back (Italy), Late 60s. New Copy (reissue)
Smoking Latin from the Peruvian scene -- one of the best-remembered groovers from the nation at the time, and a set that almost rivals the best hard Latin albums New York had to offer in the 60s! The cover lists all tunes as being descargas, but there's also a distinct Latin Soul/boogaloo
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Sono Radio/Get Back (Italy), 1971. New Copy Gatefold (reissue)
An incredible album of Latin Funk -- recorded in Peru during the early 70s, but right up there with the best from New York and LA at the time! The record has a fantastic style that blends together electric instrumentation, acoustic percussion, and some sweetly soulful lyrics -- in English on all
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Speed, Late 60s. New Copy (reissue)
One of the grooviest records ever recorded -- and pretty darn rare, too! The Moon People -- aka Los Astronautas -- were a Latin Soul studio band who played behind some of the other killer recordings on the Speed Label. They're best known for their sock-boogaloo instrumental "Land Of
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United Artists, 1965. New Copy (reissue)
One of our favorite Ray Barretto albums of the 60s -- a real gem from the pre-Latin Soul years! The album's a clear attempt to cash in on the cash in on the James Bond craze of the time -- issued by United Artists, who were releasing the Bond films, but also had Ray under contract during the
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Roulette, 1970. New Copy (reissue)
A legendary Latin funk album -- spearheaded by Eddie Palmieri! The record is a landmark crossover album from the early 70s -- cut at the end of the Latin soul era, but featuring that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk. The grooves are all nice and
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Pathfinder/RSVP, 1977. New Copy (reissue)
A landmark in 70s jazz and Latin -- one of 2 legendary sets cut during the decade by composer/arranger Bobby Vince Paunetto -- easily one of the most unique voices of his generation! Bobby's got an approach to melody that's all tied up in the rhythms -- one that has most of the instruments in the
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