Black Lion (UK), 1964. New Copy
Fantastic work from the team of Ted Curson and Bill Barron -- a rare French session from 1964, one that captures all the brilliance of their American work from the early 60s! The set features the pair playing in an extremely fragmented mode -- no doubt inspired by the recent loss of Eric Dolphy,
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Vogue/Rearward (Italy), Late 60s. New Copy
Double-length brilliance from the mighty Sahib Shihab -- a set that collects a number of killer 60s sessions with members of the Clarke Boland Big Band -- all of them great! The small combo work here is amazing -- hard-hitting modal jazz that matches, if not tops the best MPS/Saba sounds of the
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Eastbound/Westbound (UK), 1972. New Copy
One of the sweetest little jazz funk albums of the early 70s -- and a masterful blend of vibes, guitar, and organ from this legendary Indianapolis combo! The group are probably best known for their backing work behind Grant Green on some of his funky Blue Note sides -- or for vibes player Billy
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ESP, 1961. New Copy
A greatly expanded version of ESP's classic album of live Bud Powell material -- one that adds in an extra batch of long tracks that features Zoot Sims blowing tenor with the trio! The core album here features Powell's piano in that famous Paris trio with Kenny Clarke on drums and Pierre Michelot
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ECM, 1973. New Copy Gatefold
Beautiful solo piano work from Paul Bley -- spare, stark, and almost lovely -- and a real contrast to some of his more aggressive experiments of the late 60s. The Bley here has almost a hint of sadness and longing, especially on the numbers that have him revisiting tunes he'd done on earlier
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CTI (UK), 1977. New Copy
A strange bit of funk from Yusef Lateef! The record was recorded late in the CTI electric years -- and it's got Yusef fronting a funky jazz group on 5 tracks that have a decidely R&B-ish fusion twist. Dave Matthews -- of James Brown funky fame -- arranged the whole album, and the record is
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CTI (UK), 1976. New Copy
The 4th in Bob James legendary run of Fender Rhodes classics for CTI -- and a record that still has him working with the dark edges that made the first few so great! As usual with these sets, there's a way of putting over the groove that's really unique -- not really funky, but spacious enough to
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Versatile/Essential, 1977. New Copy
A really unique little record from Chico O'Farrill -- a real change from his usual Latin jazz, and a session that's almost more in a 70s electric jazz mode! The group here is a big one, but they have a really fluid feel -- a sense of timing and groove that's a bit like some of the Dave Matthews-arr
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Blue Note, 1956. New Copy
The only Blue Note album ever recorded by JR Monterose -- one of the more enigmatic figures of the 50s scene! Montrose was a brilliant player, with a tone and a solo conception that were very unique -- but he lapsed in relative obscurity, due to the fact that he had a penchant for retreating to
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Contemporary, 1971. New Copy
An excellent double-length set -- one of Woody Shaw's greatest albums, and a majestic batch of spiritual soul jazz numbers -- recorded with an all-star lineup that includes Gary Bartz, Benny Maupin, George Cables, Ron Carter, and Lenny White. Shaw is in top form, and the set is tight, hard, and
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Westbound (UK), Early 70s. New Copy
2 killer jazz funk albums -- both rare, and both on one CD! The records were cut for the short-lived Eastbound side of the soul/funk Westbound label, both under the supervision of Bob Porter, who handled some of the best early 70s jazz funk work for Prestige! Both albums also feature drumming by
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ESP, 1966. New Copy CD & DVD
A rare slice of work from trumpeter Don Cherry -- music that's every bit as forward-thinking as his three classic 60s albums on Blue Note! The session is a live one, but the sound is quite strong -- recorded up-close, and with great focus on Cherry's incredible horn work -- as well as the efforts
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Blue Note, 1969. New Copy
Astounding work from pianist Andrew Hill -- a rare session that was recorded for Blue Note in 1969, and issued here for the first time! The work has an extremely ambitious approach -- with Hill leading a 9 piece group that includes Woody Shaw, Dizzy Reece, Julian Priester on trombone, Joe Farrell,
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D&D, Early 70s. New Copy
Previously unreleased gems from the legendary Vince Guaraldi -- early 70s work recorded for Charlie Brown cartoons, most of it a fair bit funkier than the already-reissued soundtracks from the 60s! These sides are from the period when Peanuts was hipping things up a bit -- and Vince's music
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Blue Note, 1961. New Copy
One of Stanley Turrentine's most obscure sessions for Blue Note -- a rare trio side featuring Roy Brooks on drums, and wife Shirley Scott on organ -- billed on the original album cover as "Little Miss Cott"! The feel here is a bit more open than usual -- no bassist on the set, just Roy's
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Blue Note, 1966. New Copy
Easily one of the most powerful albums ever cut by Don Cherry -- a searing set of tracks done for Blue Note in the late 60s -- and featuring some tremendous tenor work by Pharoah Sanders! There's a tightness and level of energy here that surpasses even Cherry's other excellent Blue Note sessions --
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Vogue/Rearward (Italy), 1968. New Copy
A legendary album from saxophonist Sahib Shihab -- a record that's gone onto become the birth of all things modal and club jazz in the current scene! Shihab always sounded great, no matter what the setting, but there was definitely something magical going on with this session -- a one-of-a-kind
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Blue Note, 1975. New Copy
An incredible record that was one of the highest points of Donald Byrd's career! The album's the third one he cut with producer/arranger Larry Mizell -- and of all Byrd's work with Mizell, this one's the funkiest, the tightest, the most soulful, and the most perfectly realized vision of the smooth
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Arista/Collectors Choice, 1978. New Copy
A beautiful little record by Pharoah Sanders -- quite different than most of his other recordings of the 70s, and done in a smoothly jazzy mode that also features plenty of soul! Sanders did the set in collaboration with Norman Connors -- and the style is in that same great mix of mellow soul and
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MGM/Verve, 1963. New Copy
A wonderful album from Lalo Schfrin! This one mixes together bossa piano and sweeping string arrangements -- in a style that's incredibly dark-edged and driving, with a sound that's at once spooky and lovely -- a dancing groove that makes the best tracks really sparkle! The album's light years
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