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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes work by Ray Price, Porter Wagoner, Marty Robbins, Linda Hopkins, Marty Robbins, John Anderson, and Clint Eastwood himself! LP, Vinyl record album
Vintage work from some steel guitar pioneers – including Lemuel Turner, Jimmy Tarlton, Jenks Carman, Jimmie Davis, Roy Acuff, and Cliff Carlisle! LP, Vinyl record album
There's a slight shift here from the first album by Steeleye Span – a bit of a shift to just a touch of electric guitar and organ next to the bass guitar lines of Ashley Hutchings – which makes for an even more sinister sound than before! In keeping with their approach, most songs are ... LP, Vinyl record album
(Early pressing with Sheldon stamp and deep groove. Vinyl plays with a click for a few spins on "The Ways Of A Woman In Love". Cover has some wear and aging, split seams held with masking tape, and some peeled spots and an address stamp in back.)LP, Vinyl record album
The Ramones really caught their classic recorded sound for the first time on Leave Home – the second of their three perfect late 70s milestones. As amazing as the debut is, its two-channel shrieking buzzsaw sound bowed nicely to the slightly more digestible, but just as cathartic roar of the ... LP, Vinyl record album