Clara Nunes : Claridade (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Claridade

LP (Item 83590) Odeon, 1975 
70s samba magic from Clara Nunes -- one of those singers who managed to make an already deep genre sound even better! The set's got a simple and honest approach that's really fresh, and never too overblown -- allowing Clara to be expressive without falling into cliche, very much in the best samba revival style of the time. Maestro Milton Miranda's at the helm of the set -- working some great magic with the music -- and titles include "Juizo Final", "O Mar Serenou", "Sofrimento De Quem Ama", "Bafo De Boca", "O Ultimo Bloco", "Que Seja Bem Feliz", "Vai Amor", and "Tudo E Ilusao".  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Clara Nunes

Clara
EMI (Brazil), 1981. Very Good-
(Includes the heavy inner sleeve. Cover has some ring & surface wear.) LP, Vinyl record album

Elza Soares & Miltinho

Elza Miltinho E Samba Vol 3
Odeon (Brazil), 1969. Good
The rare 3rd album of samba tunes cut by the team of Elza Soares and Miltino – done in a lively, playful style that has the two of them trading vocals on some longer numbers – then moving off into some solo material on their own. Backings are upbeat and jazzy, handled by Nelsinho, with ... LP, Vinyl record album

Dick Farney & Claudette Soares

Tudo Isto E Amor
EMI/Odeon (Brazil), 1976. Near Mint- Gatefold
Mid 70s and mellow work from two legendary Brazilian vocalists – the great Dick Farney and the lovely Claudette Soares, singing here in a set of duets that include a number of classic Brazilian tunes set to lush arrangements. The sound is very classic – kind of a 70s take on an older ... LP, Vinyl record album

Walter Wanderley

O Sucesso E Samba
Odeon (Brazil), 1968. Fair
Great stuff from Walter Wanderley – and a refreshing change from his work on Verve! The record's dated 1968, but we're kind of guessing that the tracks date from earlier years – although we're not sure. Most of the material's as sophisticated as anything Walter was cutting in the US ... LP, Vinyl record album
EMI/Odeon (Brazil), Late 60s/Early 70s. Very Good+
Edgey pop work from the enigmatic singer Taiguara – a bit sweet, a bit baroque, and one of those talents who was secretly helping to push Brazilian pop into the next level! The album features Taiguara's hits, and is a bit less experimental than some of his non-single album cuts – but ... LP, Vinyl record album

Luiz Arruda Paes

Brasil Dia E Noite Vol 2
Odeon (Brazil), Mid 60s. Very Good+
Fantastic big band work from Luiz Arruda Paes – one of Brazil's most captivating orchestra leaders in the 60s, and an artist who really kept pace with some of the changes going on in his country's music. This record is most famous for Paes' incredible reading of Edu Lobo's "Upa ... LP, Vinyl record album
Odeon (Brazil), 1968. Near Mint-
One of Maria Bethania's first albums, and a beautiful set of live recordings – with a vibe that's a lot more uptempo and swinging than some of her later work! The style here almost has traces of bossa – a lighter, groovier feel at times than some of the more emotive modes that Bethania ... LP, Vinyl record album

Dick Farney & Claudette Soares

Tudo Isto E Amor Vol 2
EMI/Odeon (Brazil), 1977. Very Good+
LP...$4.99 11.99
Mid 70s and mellow work from two legendary Brazilian vocalists – the great Dick Farney and the lovely Claudette Soares, singing here in a set of duets that include a number of classic Brazilian tunes set to lush arrangements. The sound is very classic – kind of a 70s take on an older ... LP, Vinyl record album
Capitol, 1963. Very Good-
US issue of an early Brazilian set by Walter Wanderley – genius work, and rare too! This sparkling set features the organist at his best, crafting tight little bossa and samba tunes with care, using that streamlined organ sound that he virtually pioneered at the time, and which works so ... LP, Vinyl record album

Nubia Lafayette

Quem Eu Quero Nao Me Quer
Veleiro (Brazil), 1970s/Early 1980s. Near Mint-
(80s issue. Cover has some wear and aging, bumped corners, and some light stains and small blemishes.) LP, Vinyl record album

Astrud Gilberto

Windy
Verve, 1967. Very Good+
One of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a ... LP, Vinyl record album

Miucha & Antonio Carlos Jobim

Miucha & Antonio Carlos Jobim
RCA (Brazil), 1977. Very Good
A pretty darn sweet vocal session from the duo of Miucha and Antonio Carlos Jobim – recorded with lots of bossa overtones, very much the same spirit as the legendary Elis & Tom album of the mid 70s! Chico Buarque participates in the session, and Jobim even lends his vocal talents to a ... LP, Vinyl record album
 



⇑ Top