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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
More material from the famous Last Concert record from the MJQ – not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form ... LP, Vinyl record album
A 2LP set that brings together most of the material from the first three full-length albums by the Modern Jazz Quartet – all recorded at a time when the combo were first forging their famous sound! Most of the sides here are in contrast to the group's better-known Atlantic work, because the ... LP, Vinyl record album
One of the first MJQ albums on Atlantic – and a bit fresher than some of their later outings, when it seemed like they were churning records out at the drop of a hat! Titles include an extended medley of standards, all given the MJQ touch – plus the drum-heavy "La Ronde", and ... LP, Vinyl record album
An extremely haunting version of the score to Porgy & Bess – recorded by the Modern Jazz Quartet at the height of their powers, in a gently soulful version that really takes off from the original. The group have a very free approach here – one that uses Gershwin's originals as a ... LP, Vinyl record album
This is the kind of killer bop piano stuff that made Wallington a legend early on – collecting classic trios originally recorded for release as 10" LP in the early days of Prestige! The material features Wallington in three different groups, featuring Max Roach on drums, and either ... LP, Vinyl record album
A great meeting of tenor talents – a collection of some fantastic early material recorded by Jug for Prestige. This collection of great sides, originally issued as 78s, features Ammons and Stitt locking horns on "Blues Up And Down", "You Can Depend On Me", "Easy ... LP, Vinyl record album
A great comeback for tenor legend Gene Ammons – not just in a musical sense, but also because Jug had spent most of the past few years in prison – as part of the usual trumped-up drug charges that were filed against musicians at the time! At the time of this album, Ammons had not ... LP, Vinyl record album
A strange and tasty little album that Roland Kirk made with organist Jack McDuff in the early 60s – one of his few outings in such a format, and a smoking little session that almost makes us wish he'd cut more of them! The format is relatively simple – with lots of interplay between ... LP, Vinyl record album
Gritty live work from twin tenor giants Gene Ammons and Dexter Gordon – recorded in an open-ended style that's a bit like some of Gordon's famous early work on the Central Avenue scene in LA, or Ammons' famous live "battles" with Sonny Stitt! The date was recorded in Chicago at the ... LP, Vinyl record album