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A real killer from James Brown – and one of his most open-ended LPs of the early 70s! The record's got tracks that kind of go a lot further than those on many of James' other albums (except maybe Payback, which has loads of long cuts) – and it includes an extended 9 minute reading of ... LP, Vinyl record album
An overlooked Hammond slammer from Charles Earland – cut at a time when he was working on more electric keyboards for other labels. The set's a killer all the way through – very much in the best early 70s Prestige Records mode – with long tracks that really jam, and a lineup that ... LP, Vinyl record album