Easily one of the most successful albums of the British jazz rock years – but still a longtime favorite of ours as well! Mike Oldfield sets a whole new standard here for concept rock – not only by working on a single album-length composition that spans all of sides one and two, but also by playing all instruments himself – in a one man symphony of sound that's pretty darn great! The main theme of the piece will be recognizable from it's stripped-down use in The Exorcist – but we really love Oldfield's expansion on it here in a range of different overdubbed instruments, which are also sometimes processed – and then introduced by Mike in a spoken part that's one of the highlights of the album. (US pressing. Cover has a cutout hole.) © 1996-2013, Dusty Groove, Inc.