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A standout early session from organist Shirley Scott – noteworthy in that it's a quintet recording, different than Shirley's mostly-trio output from the time! Here, she's working in a group that includes Oliver Nelson on tenor sax and Joe Newman on trumpet – and Nelson's edgey tone ... CD
Later work from Pat Martino, but a set that shows that the guitarist has lost none of his fire over the years! The set's done with a relatively freewheeling sound – not free, but open, as Martino spirals out wonderfully with some very creative solo lines – often quite extended, and ... CD
A sweet bit of modern funk from George Duke – working here in a mode that's definitely tighter and more soul-based than his trippier albums of the early 70s – but also in a groove that's pretty darn sweet! George wonderfully blends together his jazz roots and some of the wider soul ... CD
A raw, live set from Chicago saxophonist David Boykin – but a great little record that really reminds us of a classic 60s session on ESP! Boykin's reeds are wonderful throughout – filled with the depth of soul we might expect from Kalaparusha or Albert Ayler – and set up here in ... CD
"Expanse" is a mighty big name for the group that David Boykin uses on this record – especially given that the combo's only a quintet – but that's ok with us, because the sound here is more than large enough to warrant the name! Boykin's working with a great batch of players ... CD
One of Billy Paul's greatest albums ever – or perhaps the greatest! The record is an amazing blend of soul, jazz, and a soaring sense of spiritualism that's not only rare for Billy Paul – but which makes the record sound different than any other Philly International LP from the time! ... CD