CD, LP, Vinyl record album cover art
View larger image       Image note

Hummin'

LP (Item 33533) Little David, 1976 — Condition: Used
Out Of Stock

LP, Vinyl record album


5.00 5

A really brilliant little record from Nat Adderley – one that shows him shaking off the groove gotten from brother Cannonball, and finding some great space all on his own! The setting here is tight and funky – at a level that's a bit more arranged than a small combo soul jazz session, but which still has plenty of sharp edges and bold notes! The groove's a bit like Kudu Records from the time, but less electric overall – and Nat's cornet is featured in a hip combo with John Stubblefield on reeds, Onaje Allen Gumbs on piano and keyboards, and Buddy Williams on drums. There's plenty of great funky riffing in the set, but also some wonderfully laidback grooves that really sparkle with electric piano from Gumbs – and titles include a surprisingly wonderful version of "MASH", plus "Hummin", "Midnight Over Memphis", "The Traveler", "Listen To The Rain", and the Latin-tinged "Amor Sonador". (Cover has a cutout notch.)  © 1996-2014, Dusty Groove, Inc.


You might be interested in


CD, LP, Vinyl record album cover art
Bitches Brew
Columbia, 1969. Very Good+ 2 LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Bossa Nova
Vee Jay, Early 60s. Very Good
Very nice, very tight little bossa nova set by Eddie Harris from his early days at Vee Jay! The groove is very open, and Eddie's still at the stage where he can really cut the stuff. His solos ring out hard and cold above some great Lalo Schifrin arrangements, and Lalo also plays piano on the ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Infant Eyes
Muse, 1979. Very Good-
An overlooked Hammond slammer from Charles Earland – cut at a time when he was working on more electric keyboards for other labels. The set's a killer all the way through – very much in the best early 70s Prestige Records mode – with long tracks that really jam, and a lineup that ... LP, Vinyl record album
 



Top