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Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on ... CD
One of the grooviest albums ever recorded by guitarist Barney Kessel – a sweet reworking of Henry Mancini's fabulous music for Breakfast At Tiffanys! The set's got a warm feel and more than a bit of bossa nova inspiration – similar to some of the other Kessel and Shorty Rogers projects ... CD
A stunner of an album – and one that definitely draws plenty power from the double drummers in the lead! The set's way different than most of Elvin Jones' other work of the time – and is even more hard-hitting than some of the Philly Joe Jones sessions too – and, unusual for ... CD
Herbie makes one more trip back to the Village Gate – site of some of his most successful live recordings of the 60s, and a place where he always feels at home with a Latiny groove! But somehow, this album's even better than before – and has a hard Latin feel throughout, thanks to an ... CD
John Lewis takes on the music of Gary McFarland – working here in a very cool set of McFarland compositions and arrangements – often with a lot more tone, color, and feeling than usual for a Lewis album! John often punctuates his piano notes, almost as if he's using vibes – and ... CD
A stunner! Philly Joe's Beat is a beautiful bit of modernist hardbop by the drummer. Philly Joe pounds away with his usual clarity and groove, but the real treat is an unexpected appearance by the great Bill Barron, who plays tenor on the session. Barron's tenor is amazingly precise, and filled ... CD
Sublime modern jazz from Teddy – right up there with the best mid 50s work of other groundbreakers like Charles Mingus or George Russell, to whom Charles acknowledges more than a bit of inspiration! Charles plays vibes like no one else – especially at this point in his career, when he's ... CD