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Early work from Oscar Peterson – a vintage Verve session that was originally issued in a 10" LP format – complete with an ultra-cool cover from David Stone Martin! The group features Oscar with frequent partner Ray Brown on bass – plus drums from Alvin Stoller and guitar ... CD
Tremendous early work from Japanese pianist Toshiko Akioshi – recorded during her initial years in the US, and with a bop-heavy style that makes Toshiko one of the hardest-hitting female players of her generation! The Bud Powell influence is very strong here, but Akioshi's also showing a ... CD
Bossa nova from Herbie Mann – one of our favorite albums ever from the famous flute player – cut for United Artists, and a one-off session that's arguably better than most of his Atlantic work of the time! There's a groove here that's undeniable – a sense of swing that grabs us ... CD
A stunner! Philly Joe's Beat is a beautiful bit of modernist hardbop by the drummer. Philly Joe pounds away with his usual clarity and groove, but the real treat is an unexpected appearance by the great Bill Barron, who plays tenor on the session. Barron's tenor is amazingly precise, and filled ... CD
A really rare album from trumpeter Ted Curson – a unique 70s session recorded for Atlantic Records, but only ever issued overseas at the time! The date has Ted's trumpet coming into play with some of the electric touches of the 70s – not a full-on fusion record, but a really great ... CD
Important 70s work from Don Cherry – one of the first albums to bring his overseas experiments to a larger US audience! The set builds nicely off of styles that Don forged earlier in France and Scandinavia – a freer style of music than his work with Ornette Coleman, and a richly ... CD
A gem of a record from Shorty Rogers – a set recorded in the mid 50s for Atlantic, but never issued at the time – making it not only a hell of an album, but a great discovery too! Shorty's in wonderful form here – working with some of the best modes learned on his RCA sides, ... CD
One of the sweetest, funkiest 70s sets from reedman David Fathead Newman – an album that has the saxophonist blowing over some great arrangements from William Eaton – who brings in a full sound that almost gives the album a soundtrack sort of vibe! Newman's tenor, alto, and flute get ... CD
Yusef Lateef's Detroit is a mighty funky one – a great summation of all the soulful sounds he'd crafted on previous records, but with a full groove that really points the way towards the 70s! Lateef's reeds are still the main attraction – great solos on tenor and flute – but ... CD
An amazing record, from an amazing player – the mighty Rufus Harley, heard here on tenor, flute, and soprano sax – as well as bagpipes, his "trademark" instrument! Don't be put off by the bagpipes, though, because Harley plays in a righteous soul jazz groove, and uses the ... CD
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's ... CD
A stunner of an album – and one that definitely draws plenty power from the double drummers in the lead! The set's way different than most of Elvin Jones' other work of the time – and is even more hard-hitting than some of the Philly Joe Jones sessions too – and, unusual for ... CD