Pure genius from Horace Tapscott – a record that really lights a new fire under his talents – and takes us back to some of the most expressive, most righteous jazz from the LA scene of the 70s! The quartet here features key LA player John Carter on clarinet – an instrument that he'd embraced heavily during the decade in which this set was recorded, but managed to use with a sense of boldness and fire brought to earlier work on saxes – a sound that's quite different than just about any other player on the instrument! Carter's a perfect match for Tapscott's long-woven lines on piano – heard to great effect on the album's reworking of his classic "Dark Tree" – but cast out perfectly on all the other tunes too – thanks in part to tremendous rhythm work from Cecil McBee on bass and Andrew Cyrille on drums! The set's brilliant all the way through – one of the greatest things Hat Art ever recorded – and a record to rival any of the great indie underground sets of the 70s. Titles include "One For Lately", "The Dark Tree", "Sketches Of Drunken Mary", "Lino's Pad", "Sandy & Niles", "A Dress For Renee", and "Nyja's Theme". © 1996-2014, Dusty Groove, Inc.