Metronome/Finders Keepers (UK), 1971. New Copy Gatefold (reissue)
A really amazing record -- even more incredible than you might guess from the cover and title! The whole thing's definitely a "party" in sound -- as the record takes lots of familiar instrumentation and mixes it with odd sound effects and weird production tricks -- creating a space age
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Metronome/Finders Keepers (UK), 1969. New Copy (reissue)
A groovy German treasure from the late 60s -- a sublime little set we'd rank right up there with the legendary Vampyros Lesbos for pure musical genius! Despite the appearance of a group on the album's cover, the music's all made by a couple of studio cats -- Horst Ackermann and Heribert Thusek,
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QDK Media (Germany), Late 60s/Early 70s. New Copy Gatefold
Mad electronics from the legendary Bruce Haack -- easily one of the most unusual talents to ever pick up a moog! The set brings together numbers from a range of sources -- Haack's classic Electric Lucifer album, and a host of his more obscure private recordings too -- an amazing array of unusual
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Capitol, 1967. Very Good
Bossa guitar, dreamy orchestrations, and a wonderful American take on the Brazilian sound of the 60s -- served up with sparkling Capitol Records production in a set that's easily one of the greatest by guitarist Laurindo Almeida! Almeida's guitar is matched here with some lightly jazzy backings
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RCA, 1976. Very Good
One of the funkiest albums ever from Henry Mancini -- a brilliant reworking of hit 70s cop show themes, put together with a really jazzy groove! The group's a big one -- filled with hip players who include Clare Fischer on organ, Artie Kane on electric piano and harpsichord, Don Menza on tenor,
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Warner, 1975. Very Good+
This is the 70's repackaging of the first Mystic Moods LP -- the one with 60's instrumental pop themes, mixed with sound effects of a rainy stormy night. Titles include "Love Is Blue", "Waltz For Tricia", "Lover's Lullaby", "Visions", "Come Saturday
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Verve, Late 60s. Very Good-
Groovy pop orchestrations from one of the best bandleaders working at Verve in the late 60's. Sweet Verve sounds, with a mix of jazz, easy, and Brazilian sounds, and tracks like "Laia Ladaia", "Cinnamon & Clove", "The Look of Love", "Arrasto", and "B
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RCA, 1959. Very Good-
Delightful instrumentals -- not as jazzy as Mancini's regular soundtrack work, but still pretty nice! The tracks are more in an easy instrumental vein -- but given Hank's style, they're still pretty cool, especially as they feature work by west coast jazzmen like Shelly Manne, Victor Feldman, Bob
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RCA, 1960. Very Good-
Classic percussion and brass recording by one of the loudest conductor/arrangers in the business. Tracks include "Stumbling", "The Thunderer", "Misirlou", and "Chimed, I'm Sure" (get the joke?).
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Liberty, Late 50s. Very Good-
Lots of percussion -- and loud! Slatkin's normally a bit sleepy, but this record's filled with drums and chimes and vibes and loads of exotic percussion instruments -- and swings with a groove that's in the best of the Liberty easy styles from the late 50s. Titles include "Night Train",
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Herb Alpert & The Tijuana Brass
Warm
A&M, Late 60s. Near Mint-
Of all of his A&M records, this is our favorite. Why? Well, because it seems to break from the usual Tijuana Brass sound, and adds in some weird arrangements, cool instrumentation, and a great set of tracks. Herb does a great job with Nilsson's excellent cut "Without Her", and the
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Decca, Early 50s. Very Good
One of the most important modernist expressions of the city! Gordon Jenkins' Manhattan Tower is a wonder -- an extended narrative work about a guy who moves to, discovers, falls in love with and in New York City. The music's a bit flowery, but the narration is fantastic -- lifted right out of
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Dot, Late 60s. Very Good+
Holy cow! Although some of Leonard Nimoy's albums were attempts to "get past" his Spock career, this one is a full-on Star Trek experience! Nimoy's on the cover, holding a replica of The Enterprise in front of some weird spider web design. On the wax, he's laying down great space stuff
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Capitol, Mid 50s. Very Good+
Capitol 12" LP that features work from 2 earlier Yma Sumac 10" LPs -- Voice of The Xtabay and Inca Taqui. Voice Of The Xtabay is one of her earliest Capitol albums, with classic arrangements by Les Baxter, of material that was written by Yma's Partner Moises Vivanco. Titles include
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Limelight (UK), Late 60s. New Copy (reissue)
Wonderful funky fuzzy moogy! The cover proclaims that this is the "first album of electronic rock" -- and although we don't know how true that is, the record's a nice batch of moogy covers -- featuring tracks like "Grazin In the Grass", "Aquarius", "Penny
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Easy Tempo (Italy), 1973/1975. New Copy 2LP Gatefold
A beautiful bit of 70's grooviness from one of our favorite Italian composers! This set brings together 2 extremely rare soundtracks by the great Alberto Baldan Bembo, and they're both a fantastic mix of Fender Rhodes piano, vibes, wah wah guitar, and stunningly sensuous orchestrations. All of
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Easy Tempo (Italy), Early 70s. New Copy 2LP Gatefold
Excellent lost funky work from Italy! The Barigozzi Group were one of these obscure little combos that churned out tight funky tracks for bigger outfits -- very much in the style of I Gres, Marc 4, or some of the other great Italian groups that are being discovered lately. Their strength was a
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RCA, 1971. New Copy (reissue)
High concept work from David Axelrod -- and following on the same progression that he began with his work for the Electric Prunes, and on some of his Capitol work. The record's a version of Handel's Messiah, but it's done with all the right Axelrod touches -- plenty of subdued funk, nice jazzy
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Mercury, Early 70s. Very Good-
This album features Chicago jazz legend Eddie Higgins playing the moog on a number of soundtrack-related cuts, including "Theme from Z", "Mah-Na, Mah-Na", and "Midnight Cowboy". Hip sound, and a great use of the moog. Spooky.
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Musicor, 1973. Very Good
A groovy moogy pop classic! Hot Butter weren't the most groundbreaking moog combo, but they certainly were the most successful. The title cut of this one, their version of Gershon Kingsley's "Popcorn", was used in a gazillion commercials and TV shows during the 70s -- and was certainly
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