Vintage Classics (Italy), 1973. New Copy
Percussionist Sabu Martinez is one of the all-time greats of Latin music -- and this record is probably the rarest he ever cut! The album came out of Sweden, where Sabu was residing during the 70s -- enjoying some success as an expatriot jazz player in the European scene. The album mixes Latin
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Fantasy, 1961/1962. New Copy
Two of Ray Barretto's earliest albums, both recorded for the Riverside label at the start of his career! Latino has an approach to Latin jazz that's certainly informed by the charanga sound of the New York scene in the early 60s -- but one that's also opened up a bit more to new ideas -- bits of
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Dorado/BGP (UK), 1969. New Copy
Lost grooves from Spanish Harlem -- an incredible set of Latin Soul from The 107th Street Stickball Team! With a name like that, the group certainly aren't as well-remembered as contemporaries like Joe Bataan or Willie Colon, but they've got a soulful groove that definitely fits the style of the
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Salsoul, 1976. New Copy
An excellent batch of descarga tunes -- very much in the same spirit as Cachao's groundbreaking Cuban work of the early 60s! The format is very loose and free -- similar to some of the Grupo Folklorico y Experimental albums on Salsoul, or to some of the harder Latin jazz sides on the LPV label at
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Vampi Soul (Spain), Late 60s. New Copy
A spicy mix of Latin styles from the Peruvian scene of the late 60s -- a wonderfully mixed up batch of modes that goes way beyond the more familiar grooves of the New York scene! The work here is a bit like some of the most inventive styles from Colombia and Panama at the same time -- music that
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Mag/Repsychled (Peru), Late 60s/Early 70s. New Copy
Killer salsa work from Peru -- rare albums from Mag Records by Los Kintos & Sonora Nelson Ferreyra -- on a single CD! We haven't seen a heck of lot of compilations of material from the Peruvian salsa scene of the 60s & 70s, and this set has tightly grooving material -- loads of wonderful
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Musart/Vampi Soul (Spain), 1969/1971. New Copy
One of the funkiest Mexican groups at the end of the 60s -- a hard-hitting combo who could almost go head to head with any American ensemble of the funky 45 generation! Rabbits & Carrots work in a mostly-instrumental mode here -- a style that has just a slight element of Latin in the rhythms,
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Raff, Early 70s. New Copy
Heavy funk from the Peruvian scene -- the massive first album from Cosa Nostra, and a burning blend of soul, Latin, and psychedelic influences! Cosa Nostra clearly come from the rock end of the spectrum, but have picked up plenty of funky grooves along the way -- and hit a genre-blending style
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Sony (Japan), 1972. New Copy
Excellent bit of west coast Latin fusion -- featuring an all star band that includes such massive talents as Pete Escovedo, George Muribus, Paul Jackson, Lenny White, Coke Escovedo, and Victor Pantoja. The groove is nice and smooth, with a Bay Area early 70s sound on the production tip -- and in a
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Concord Picante, 2005. New Copy
Jazzy goodness from Eddie Palmieri -- a recent set that shows him still burning strong after a stunning 50 years in Latin music! The arrangements are spare, but extremely creative -- well-penned jazz charts that allow Eddie plenty of modern moments on the keys of the piano, but which also always
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Atco/Collectors Choice, 1965. New Copy
A rare Atlantic session from Latin legend Louie Ramirez -- and one of his tightest and hardest-hitting albums of the pre-Latin Soul years! The record features Louie really grooving hard with a group co-led by Ozzie Torrens -- one that mixes just the right amount of jazz into the mix to keep things
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CBS (Japan), 1978. New Copy
One of Eddie Palmieri's greatest albums of the 70s -- even though it was recorded for a major label! Like a number of his old counterparts in the New York indie world at the time, Eddie made a move to Columbia Records in the late 70s -- a shift that should have dampened his soul, but which only
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Mainstream/P-Vine (Japan), 1967. New Copy
A killer album of hard instrumental Latin soul tracks -- one of the few albums ever done by funky reed player Mauricio Smith! On the set, Smith plays flute, alto, and soprano sax -- and the record's filled with short little groovers that have a nice choppy sound, and lots of heavy conga work by
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Brownswood (UK), 2009. New Copy 2CD
Gilles Peterson in Havana -- not digging older tracks, but working with a great array of contemporary players in a killer double-length set of grooves! The music here is all freshly recorded, but echoes with 50 years of Cuban styles -- initial modern modes of the postwar years, experiments of the
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Malanga (Spain), 1978. New Copy
A huge range of live work from Irakere -- tracks recorded live in their native Cuba, but also in Montreux and Newport as well! The material here is all from 1978, and some of it is most likely work that appeared on the group's self-titled album for Columbia Records in the US -- but given that a 6
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Columbia/Discos 605, 1978. New Copy
A fresh new groove from The Fania All Stars -- one that definitely has them picking up some of the Spanish elements mentioned in the title -- the fusing them into the tight mix of Latin, club, and jazz they were doing at Columbia Records in the late 70s! These new elements are often light -- a bit
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Mag/Repsychled (Peru), 1950s/1960s. New Copy
Latin dancefloor grooves from the Peruvian scene -- a bunch of it with a pretty intense, steamy and tightly grooving style -- up there some of the great work coming out NYC or Havana during the period! The common thread is that the artists worked for the Mag Records label -- and also, an
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Mag/Repsychled (Peru), 1950s/1960s. New Copy
Latin sounds from Peru -- killer work in the tradition of better known classic era salsa, booglaloo and other Latin styles -- with some leftfield touches! This is the third in the series of All Star compilations from the Mag Records label -- this one mostly centered around the mid 60s -- a pretty
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RCA/Discos 605, 1958. New Copy 2CD
A burner of a set from Tito Puente -- very well titled to suit the energy of the session! The tracks are all highly rhythmic numbers -- short, but filled with jazzy horn flourishes and the kind of snapping rhythms that made the Puente group one of the biggest crossover favorites of the 50s. Tunes
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Soul Jazz/World Audio Foundation (UK), 2009. New Copy
Rootsy rhythms from contemporary Cuba -- a beautiful package of work presented on this new Soul Jazz sub-label! Although recorded recently, the record has a really timeless feel -- no surprise, given the long history of the percussion group -- which stretches back over a century, and incorporates
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