Fania, 1972. New Copy (reissue)
A real turning point for Joe Bataan -- and the beginning of his funky Latin sound of the 70s! The album was one of the first in Joe's "Salsoul" style -- a sweet blend of Latin rhythms, late 60s Latin soul influences, and some of the hipper styles bubbling through the NuYorican scene. A
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Cotique, Late 60s. New Copy (reissue)
Amazing work from the New York underground of the late 60s -- an album that's as magical as its title implies! Latin definitely goes psychedelic on this one -- burning through a cloud of smoke with a brilliant blend of soul, jazz, and the hipper rhythms of the Spanish Harlem scene at the time.
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Fania, Late 60s. New Copy (reissue)
Great stuff -- and a very sharp album cut by Willie during the Latin soul era, featuring a bunch of tracks that veer more towards the boogaloo side of things than his later albums! The groove is nice and hard -- stripped down with the youthful energy that Willie brought to the scene at the time --
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Seeco, Mid 60s. New Copy (reissue)
A stone cooker from Rene Grand -- much heavier and harder-hitting than some of his other records from the time -- and a set that's done with plenty of jazzy touches! The group's a small combo, and they pack a tight punch that recalls similar work by labelmate Joe Cuba during the time -- a stripped-
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CBS (Japan), 1978. New Copy
One of Eddie Palmieri's greatest albums of the 70s -- even though it was recorded for a major label! Like a number of his old counterparts in the New York indie world at the time, Eddie made a move to Columbia Records in the late 70s -- a shift that should have dampened his soul, but which only
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Fania, 1972. New Copy (reissue)
Supposedly the end of Willie Colon's early "crime" career -- as the title and cover imply that he's finally been brought to trial! Don't worry about Willie being beaten down, though, because the music on the album is every bit as fierce and powerful as ever -- and features a number of
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Bang, 1966. New Copy (reissue)
An incredible record and very unique -- cut around the same time as Arsenio's rare boogaloo album for Tico Records! Like that session, this one has a style in which Arsenio is featured in a larger group -- playing with a raspy edge that really steps out in front of the fuller instruments and
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Fania, 1967. New Copy (reissue)
Stunning soul from the great Joe Bataan -- a really groundbreaking mix of modes that's right up there with the best of the Spanish Harlem scene of the late 60s! The album is Joe Bataan's debut for the Fania Records label -- and the start of an incendiary run of Latin classics that forever changed
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RCA, 1958. New Copy (reissue)
One of the greatest Tito Puente albums from the 50s, and a spare percussion jam session that's right up there with his legendary Puente In Percussion album! The group features Mongo Santamaria, Bill Correa, Julito Collazo, and Enrigue Marti on percussion with Tito -- and the only other additional
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Fania, Late 60s. New Copy (reissue)
A stunning album from Orquesta Harlow -- one of their wildest of the 60s, and filled with delights! The record starts with this strange sound of a train pulling into a station, then rolls into a massive boogaloo groove that really sets the pace for the album -- hitting hard with some heavy
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Polydor, 1973. New Copy (reissue)
One of Candido's funkiest albums! The record's got a similar sound to Candido's great albums for Blue Note and Solid State -- with short, hard funky tunes that have a really great 70s edge! Chico O'Farrill did the arrangements, and the record chops along nicely with some very funky tracks that
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Worthy, Late 60s. New Copy (reissue)
A Latin monster -- and one of our favorite albums from the New York scene! The record is the only one we've ever seen from pianist Earl Coleman -- and it's a groove-happy fiesta that's every bit Spanish Harlem at its best. Earl's piano is flowing and free, and the band grooves through tracks that
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Mainstream/P-Vine (Japan), 1967. New Copy
A killer album of hard instrumental Latin soul tracks -- one of the few albums ever done by funky reed player Mauricio Smith! On the set, Smith plays flute, alto, and soprano sax -- and the record's filled with short little groovers that have a nice choppy sound, and lots of heavy conga work by
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Speed, Late 60s. New Copy (reissue)
One of the grooviest records ever recorded -- and pretty darn rare, too! The Moon People -- aka Los Astronautas -- were a Latin Soul studio band who played behind some of the other killer recordings on the Speed Label. They're best known for their sock-boogaloo instrumental "Land Of
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Tico, Early 70s. New Copy (reissue)
The one and only album we've ever seen from this ultra-hip Latin Soul combo -- an outfit that has a sweet swinging sound, soulful lead vocals, and some nicely tripped-out guitar! The style here is a bit different than some of the other New York groups of the time -- as these guys bring the focus
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Honest Jons (UK), 1970s/Early 80s. New Copy 2LP Gatefold
The rebirth of the Afro-Cuban groove on the New York scene of the 70s -- a dozen recordings in the "new traditionalist" sound of the time! After the boom of the Latin Soul sound of the late 60s, and the rise of salsa in the early 70s, there was also a "back to basics" movement
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Atlantic, 1970. Very Good-
One of Mongo's biggest records of the early 70s -- and an important early side for Atlantic Records! Moving to Atlantic from Columbia, Mongo hipped things up even more -- picking up on important trends in soul, rock, and the Latin underground of the time. Atlantic gave Mongo the freedom to open
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Brownswood (UK), 2009. New Copy 2CD
Gilles Peterson in Havana -- not digging older tracks, but working with a great array of contemporary players in a killer double-length set of grooves! The music here is all freshly recorded, but echoes with 50 years of Cuban styles -- initial modern modes of the postwar years, experiments of the
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Cotique, Late 60s. New Copy (reissue)
Early work by the Lebron Brothers -- and a Latin Soul gem that's as groovy as its name! The group have a young, free, genre-blending approach on the record -- easily tripping through a mix of Latin rhythms and 60s soul influences, delivering lyrics in both English and Spanish, often with a good
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Time, 1962. New Copy (reissue)
One of the few albums ever issued as a leader by the great Joe Cain -- a wonderful Latin arranger with a really mad ear for a groove! Cain's approach is often quite choppy in the rhythms -- short, hard, and very very sharp -- then topped with sweeter, jazzier lines -- played on this set by Clark
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