Cotique, 1967. New Copy (reissue)
Killer stuff! This rare boogaloo album is a monster batch of tracks by one of the best combos working the New York scene in the late 60s. The New Swing Sextet were extremely youthful, and at their best moments, they had a great raw sound the mixed Latin Soul and Latin Jazz into an extremely tasty
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Decca, Late 60s. New Copy (reissue)
Great obscure boogaloo album recorded on Decca (and if you know this stuff, you know how hard the Decca albums are to find!) The record indeed lives up to the title in its excitable moments, with some firey playing and an all around propulsive atmosphere, but there are also some pretty delicate
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Antilla, Early 60s. New Copy
Plenty of sabor here – a great deep groove that comes from the tight trumpets and punched-up percussion of the group! The album's heavy in montuno modes – and rolls around strongly with a really sharp vibe throughout – even on some of the mellower tracks, which still have this
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Pucho & The Latin Soul Brothers
Tough!
Prestige, 1966. New Copy (reissue)
Killer Latin soul from Pucho and crew – and an album that's one of their greatest! The record is also one of the earliest by the group, and it features a different lineup than later ones – with William Bivens on vibes, Claude Bartee on tenor, and Vince McEwan on trumpet. There's a bit
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Ansonia, 1964. New Copy
Blazing trombone, brilliant vocals, and some really inventive rhythms – one of those sweet 60s sets that show why Mon Rivera was way more than just another Latin leader! The tight use of trombones and trumpet almost makes the record a precursor to salsa at some level – but at another,
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Sound Triangle, Early 70s. New Copy (reissue)
Funky Latin breaks and very groovy grooves – the kind of record that you hear for only a second, and say "oh yeah, this is the stuff!" Coke were an obscure Florida combo who mixed together Latin, funk, and soul – served up in a crossover style that's halfway between the sound
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Ansonia, Early 60s. New Copy
Beautiful work from Arsenio Rodriguez – recorded in New York in the early 60s, with a sound and style that's a bit more subtle than some of his other albums – but a sound that's totally great! Singers include Raffi Martinez, Israel Castro, and Chewi Rivera – and the arrangements
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Ansonia, 1970. New Copy
The cover alone should be enough to tell you this is a cooker – as Cortijo and Kako go head to head on heavy percussion, working a heavy traditional groove despite the later date of the album! Rhythms are strongly in the plena and bomba modes – with timbales and congas dominating, as
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Fania, Late 60s. New Copy (reissue)
Oooooo-weee – a monster album by one of our favorite talents of the Latin soul era! Monguito Santamaria had a really great way of putting the electric bass right up front in his tracks – kicking things up with a bouncing groove that's as sock-boogaloo as boogaloo can get, and which
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Maype, Early 60s. New Copy
Killer Cuban sounds from Cachao – a set that's definitely done with the "feeling" promised in the title! Jazz is at the core of the set – lots of great instrumental interplay between piano and percussion, tres and trumpet, and bass, of course – guiding the whole thing
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Maype, Mid 60s. New Copy
Classic descarga from the inventor of the genre – a host of Cuban recordings from the legendary Cachao! And sure, we love Cachao's revival in later years – but it's this material that still gets us moving the most – his rich blend of Cuban rhythms and jazz instrumentation that
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Speed, Late 60s. New Copy (reissue)
One of the grooviest records ever recorded – and pretty darn rare, too! The Moon People – aka Los Astronautas – were a Latin Soul studio band who played behind some of the other killer recordings on the Speed Label. They're best known for their sock-boogaloo instrumental "La
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ESP, 1969. New Copy
A legendary bit of Latin from the New York scene of the 60s – recorded by a host of youthful players working under the direction of percussionist Montego Joe! The group's name is a contraction of "Harlem Youth" – a program in which all players participated, as part of an
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Blue Note (Japan), 1977. New Copy
A really unique chapter in the career of percussionist Willie Bobo – a rare one-off album for Blue Note – done with a sweet Cali vibe all the way through! Bobo plays his usual percussion, but also sings a bit too – in this charming style that's never too overdone – a deeply
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Maype, Early 60s. New Copy
Classic Cuban jazz material from the group of trumpeter Rolando Aquilo – done in a style that's a bit tighter than some of the other Jam Session albums from the time, but still plenty darn great! Rolando's trumpet is firmly in the lead on most tracks, but the overall presentation is still
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Alegre, 1960. New Copy (reissue)
A masterpiece of Latin jazz – and one of the truest expressions of the genre we can think of! The album's quite unique, especially for the time – a spare, stripped-down presentation of Latin-influenced jazz – a sound that has its roots in the cubop experiments of a decade before,
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Ansonia, Early 60s. New Copy
Great stuff – and one of the purest examples we can find of the Latin piano style of the great Noro Morales! Noro plays here without any of the trappings of some of his other records – just working with a small rhythm combo on an all-instrumental set – with tremendous solo work
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Ansonia, Mid 50s. New Copy
Moncho Lena really cooks here on timbales – leading a tight little combo that easily rivals Tito Puente's group of the time! There's a jazzy flourish to most numbers here – as the group is driven by Moncho's rhythms, then opens up on trumpet and piano! Hector Rivera handles the keys,
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Antilla, Mid 60s. New Copy
Tight trumpet and lively rhythms – an overlooked killer from the legendary Chocolate! The set's got a nice mix of roots and 60s New York modes – a bit of a sparkle on the trumpets, but plenty of rough edges on the rhythms – all sewn together by soulful vocals from Filberto,
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Tico, 1966. New Copy (reissue)
A Latin classic from the word "bang"! This album was the one that busted Joe Cuba out of the Latin ghetto – into the sound of 60s soul, early funk, and beyond. The record's a stone winner – filled with boogaloo tracks delivered by Joe's firey young sextet, a killer ensemble
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