Underdog (France), 1975. New Copy (reissue)
A legendary bit of funky fusion from the French scene of the 70s -- the standout set from Cortex, a combo who's very heavy on the keyboards! The tunes have a feel that's quite different than American electric work of the time -- funky, but also a bit breezy too -- with a strong Brazilian influence
...
|
Rogue Art (France), 2008. New Copy
Pure solo reeds from Sabir Mateen -- a solo concert recorded in France, and a set that easily stands up to his best American sides of the past decade or so! Mateen plays alto clarinet, alto sax, and some small percussion -- and also vocalizes a slight bit, but almost with horn-like intonation that
...
|
Rogue Art (France), 2009. New Copy
A much better project than you might guess from its title -- not really a reggae album at all, but more a complex pastiche of a variety of different rhythms -- all played by a hip combo headed by percussionist Hamid Drake, with work by Jeff Parker on guitar, Jeb Bishop on trombone, Josh Abrams on
...
|
Firehouse 12, 2009. New Copy
A wonderful little record from pianist Myra Melford and her Be Bread combo -- a lovely, all acoustic set that's fresh and timeless! We're loving the way Melford's piano plays with with the clarinet of Ben Goldberg, and if we had the pick out a favorite element of the set that might be it, but the
...
|
Sunnyside, 2010. New Copy
Richly textural work from Abdullah Ibrahim -- a set done in collaboration with the WDR Big Band, and as such, a bit different than some of Ibrahim's albums on his own! At first, things start out somewhat spare and contemplative -- but as the record moves on, the larger ensemble take a great hand
...
|
Blue Note, 2010. New Copy
Lionel Loueke's got some great help on this set -- Angelique Kidjo, Esperanza Spalding, and Richard Bona -- each of whom appear on two tracks apiece! The set's got quite a different vibe than the usual Blue Note outing -- still a core of jazz, given Loueke's great guitar work -- but also plenty of
...
|
Prestige/OJC, 1970. New Copy
A pivotal album in the development of the use of the Hammond organ in jazz -- and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit -- and recorded some small group indie sides that first gave a glimpse of his unique sound
...
|
Verve, 1955. Very Good-
A triple-trumpet session with a really wonderful sound -- the kind of all-star date that only a label like Verve could have done so well! As you'll guess from the title, the record's a showcase for the three trumpeters in the lead -- and the tracks are long, with plenty of space for each player to
...
|
FMP (Germany), 1972. Very Good
A seminal recording from the legendary FMP label -- brilliant early work by the Schlippenbach Trio, an important group in the European avant scene of the 70s! The trio features Evan Parker on soprano and tenor sax, Paul Lovens on drums, and Alexander Von Schlippenbach on piano -- working together
...
|
Osmosis, 1964. Very Good
The 1st-ever issue of this rare set from 1964 -- an early example of the genius of Albert Ayler, recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one -- a mix of the live freedoms that would really let Ayler stretch out -- especially when playing
...
|
Verve, 1957. Very Good-
A great little follow-up to the classic West Coast Jazz album recorded by Stan Getz -- and like that one, a set to feature some great rhythm accompaniment from the trio of Lou Levy on piano, Stan Levey on drums, and Leroy Vinnegar on bass! The tracks are nice and open -- with plenty of room for
...
|
Verve, 1958. Very Good-
Although pressed up by Verve, the music is definitely Imported From Europe -- as Stan Getz plays here with a host of great Swedish players -- on a date that makes for a real standout in his 50s catalog! Stan was living in Sweden at the time of the album -- bringing a big influence to the scene
...
|
Verve, 1960. Very Good- 2LP
A tremendous start to the 60s for the legendary Stan Getz -- a unique double-length album recorded in Copenhagen -- and filled with some of his best work on record to date! There's a quality here that shows a whole new side of Getz -- one that's slightly modern at times, but also slightly more
...
|
Columbia, 1963. Very Good
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful -- with
...
|
Bethlehem, 1957. Very Good-
One of the more loosely-constructed sides on the Bethlehem label -- an imprint that's normally known for keeping the reigns in pretty tightly! The album features 3 longish tracks played by 3 different groups: "I'm Glad There Is You", played by a group led by Russ Garcia, and including
...
|
Fantasy, 1975/1980. New Copy
Two mellow jams from Mr T -- back to back on a single CD! On Have You Ever Seen The Rain, Stanley Turrentine blows it sweet, mellow, and soulfully -- in a wonderful post-CTI session from the 70s! The set features some swirling larger arrangements from Gene Page -- done with a bit of the CTI
...
|
Arista/Collectors Choice, 1978. New Copy
A beautiful little record by Pharoah Sanders -- quite different than most of his other recordings of the 70s, and done in a smoothly jazzy mode that also features plenty of soul! Sanders did the set in collaboration with Norman Connors -- and the style is in that same great mix of mellow soul and
...
|
Warwick/Collectables, 1960. New Copy
We're not sure what "soul-stream" is as a genre -- but given the strength of this record, we'd be more than willing to grant it onto Curtis Fuller all by himself! The record's a gem that's even more obscure than Fuller's already-rare dates for Blue Note at the end of the 50s -- a crack
...
|
Prestige, 1972/1974. New Copy
A great set that brings together 2 live albums from organist Charles Earland! Live At The Lighthouse is a real killer -- with that tight jazzy groove that Earland had on his first few albums for Prestige, a mix of jazz funk and soul jazz, handled with an incredible touch on the organ! The band
...
|
Prestige/OJC, 1968. New Copy
An amazing (and often forgotten!) quartet session that brings together the enigmatic pianist Jaki Byard and the mind-blowing multi-reed player Roland Kirk! Kirk and Byard had played together previously -- most notably on some of Kirk's Mercury recordings -- and they fit together perfectly in this
...
|
|