Stones Throw, 2011. New Copy
A pair of promising 12-inch releases leading up to this debut sure intrigued us about what Stones Throw's Stepkids might be up to – and the self-titled release lives up and then some! The Stepkids album an unpredictable mix of tripped out psych funk, cheeky humor, and hazy grooves! The
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RD Records (Japan), 2005. New Copy
They left a blank in the title, so we'll never know what it is they witnessed – but that's alright with us, because Osaka Monoaurail's so goshdarn funky, we can always forgive them for their weird choice of titles! The group's a real standout in the international deep funk underground –
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Vampi Soul (Spain), 2009. Used 2CD
A rich serving of grooves from the contemporary Spanish scene – a surprisingly strong place for heavy funk and heady rhythms – played here by a wealth of groups we've never heard before! The package is a real revelation – an indication that there's plenty going on in Spain that
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Truth & Soul, 2010. Used
The weirdest work ever from Michael Leonhart – an artist who's worked with Bill Withers, James Brown, Steely Dan, David Byrne, and others in the mainstream – but who's stepping out here as a really enigmatic figure from the psychedelic funk underground! The album's filled with offbeat
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Soundway (UK), 2012. New Copy Gatefold
The first-ever new recording on the Soundway label – and a honey of a session produced by Quantic at his Colombian studios! The sound here is very classic – raw percussion, sharp-edged saxes, and even a bit of accordion from Quantic himself – all wrapped up in a blend that's a
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Soundway (UK), 2012. New Copy
The first-ever new recording on the Soundway label – and a honey of a session produced by Quantic at his Colombian studios! The sound here is very classic – raw percussion, sharp-edged saxes, and even a bit of accordion from Quantic himself – all wrapped up in a blend that's a
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Legere/Mocambo (Germany), 2012. New Copy
A mighty funky set from The Impellers – a contemporary combo who really get some grit into their grooves, and recreate a perfect late 60s/early 70s funky soul sound! The group sports a sweet female singer in the lead – who creates a great "bad sister" vibe on the cuts that
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Legere (Germany), 2000s. New Copy
There's almost no introduction needed to the New Mastersounds – given how much greatness the group has given us over the years – a perennial favorite here at Dusty Groove, both with customers and our own soundsystems as well! But even if you know these funky stalwarts, there's still
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Legere (Germany), 2000s. New Copy
There's almost no introduction needed to the New Mastersounds – given how much greatness the group has given us over the years – a perennial favorite here at Dusty Groove, both with customers and our own soundsystems as well! But even if you know these funky stalwarts, there's still
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Ubiquity, 2011. New Copy
The much anticipated full length debut of Brooklyn Afro Funk and psych soul-influenced combo Ikebe Shakedown – following up their tight, promising EP on the Colemine label with an excellent self-titled set on Ubiquity! One of our favorite things about Ikebe Shakedown's style is the way they
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GED Soul, 2010. New Copy
Raw funk and southern soul from DeRobert & The Half-Truths – a combo from Murfreesboro, TN who've knocked us out with a few very promising 45s – delivering in full on Soul In A Digital World! The title sums up the group's mission pretty well – blending raw, dirty live funk
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GED Soul, 2010. New Copy
Raw funk and southern soul from DeRobert & The Half-Truths – a combo from Murfreesboro, TN who've knocked us out with a few very promising 45s – delivering in full on Soul In A Digital World! The title sums up the group's mission pretty well – blending raw, dirty live funk
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Freestyle (UK), 2011. New Copy
A great Latin boogaloo set from Ray Lugo & his Boogaloo Destroyers – fulfilling Lugo's longtime ambition of modern take a the mix of Latin soul, rhythm & blues and more that were so inspiring to Lugo's childhood in NYC! Lugo is a veteran of the modern Afro Funk scene – having
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GED Soul, 2011. New Copy
A nice one from Nashville modern funk veterans Sky Hi – balancing hard grooving grit and emotionally resonant soulfulness on this great set for the increasingly impressive GED Soul label! The group has been kicking around the region for the better part of a decade leading up to this album,
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Freestyle (UK), 2011. New Copy
Keyboard flavored funky, jazzy sweetness from The Fantastics – who've had a pretty terrific run of funky 45s and a tight full length – delivering their best work yet and one of our favorite albums on Freestyle of the past couple years with All The People! There's a real love of
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Freestyle (UK), 2011. New Copy
Raw funk and soul from Deep Street Soul – delivering even stronger on this second album for Freestyle Records! It gets off on the right foot with a opening instrumental with a tight core groove, and a killer sound to the organ – but it really kicks into gear with singer May Johnston
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Siren, 2012. New Copy
Raw soul from Jeff Hershey & The Heartbeats – a modern So Cal combo with deep, genuine love for the gritty live soul & R&B sounds of the mid 60s onward – and they're committed to doing it themselves the right way! The group plays with a live-ready vibe and infectious
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Acid Jazz (UK), 2012. New Copy
A slinky set of organ jazz & soul by The Filthy Six for Acid Jazz – modern combo with a profound love for and mastery of mid-to-late 60s funky organ combos – as sly as can be The Fox! This is a group that knows what they want and what they can do – delivering vintage style,
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Truth & Soul, 2012. New Copy
Smoking soul from the mighty Lee Fields – and a set that really has him getting back to his roots, as well! The record's billed as a follow-up to the previous My World – but it's got a style that's much more deep soul, much more southern-tinged than that great record – a
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Dunham/Daptone, 2011. New Copy
Gritty, powerful raw soul from Charles Bradley – the full length debut from the 62-year-old Brooklyn singer – backed perfectly by The Menahan Street Band! It's incredible, a record that sounds just as rawly emotional and impeccably soulful in 2011 as it would have in 1971 – much
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