Lilith (Italy), 1974. New Copy Gatefold
One of the rare post-A&M recordings by the lovely Claudine Longet -- best known to the rest of the world as the groovy Frenchy in the film The Party, or as the woman who shot Olympic skier Spider Savage in a love quarrel in Aspen Colorado! This one's got got Claudine singing a strange batch of
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Colpix/4 Men With Beards, 1959. New Copy (reissue)
Amazing is right -- as the album features Nina caught at a great early point in her career, delivering a mix of ballads and folkish tunes -- all with the kind of emotion that has kept us listening to her over the years. The approach is simple, but legendary, and filled with righteous power even at
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MPS, 1970. Very Good+
A really great later album from Anita -- one recorded live in Berlin, with some backing by the George Arvanitas trio -- at the time when they had the kick-ass rhythm section of Jacky Samson on bass and Charles Saudrais on drums. Anita's in a much more swinging groove than usual -- opening up in an
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Dunwich, 1967. Good+
Early work by Amanda Ambrose -- Chicago-based singer who sang in a variety of styles that approached work by folk/soul/jazz singers like Oscar Brown Jr. and Nina Simone. This rare Dunwich album was recorded live at Chicago's Mother Blues nightclub, and it features Ambrose running through material
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Coral, Mid 50s. Very Good-
Later work by Cab -- but proof that he was always one heck of a singer, even at this later date. Arrangements are by Dick Jacobs, and the orchestra is directed by Henry Jerome -- and the tone of the tracks is more sombre and straight ahead than some of Cab's earlier, madder work. Tracks are all
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Atlantic, 1959. Good+
A lovely side by Chris Connor for Atlantic, recorded not too long after her stint at Bethlehem -- where she'd perfected an icy cool style of singing that's still to be matched to this day! The album features larger arrangements by Richard Wess -- but still has a light jazzy feel, intimate in
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Blue Note, 1975. Very Good-
Carmen really opens up on this one -- expanding past the traditional jazz of her roots, and even some of the groovier work of her Atlantic years -- into a sweeping, contemporary sound that's all adult, all the way! The set was produced by Roger Kellaway -- who also arranges, along with Dave Grusin
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United Artists, Late 60s. Very Good
Funky Shirley Bassey! This is a great set tof Shirley's groove-happy work cut in the late 60s -- hip tunes arranged by UK easy maestro Johnny Harris, best known for his fantastic work on the Stepping Stones record under his own name, forever a beathead classic! Features the great, funky big band
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Inner City, 1977. Very Good
One of our favorite albums ever from Eddie Jefferson -- one of the last sessions he ever recorded as a leader, and a stone cooker through and through! The arrangements here are by Slide Hampton, who hits a really soulful groove for the set -- one that moves away from some of the more experimental
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Argo, 1963. Good+
One of the greatest albums ever from Lorez Alexandria -- an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title -- a jazzy, bouncy sort of rhythm that's
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Verve, Early 60s. Very Good+
Ella sings favorites by Rodgers & Hammerstein, Lerner & Lowe, Adler & Ross, and Frank Loesser, from a bevy of popular Broadway musicals! 12 tracks in all, including "Hernando's Hideaway", "I Could Have Danced All Night", "Whatever Lola Wants", "Guys
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Fontana, Mid 60s. Very Good-
A great collaboration between Oscar Brown Jr. and the breezy Brazilian singer Luiz Henrique! Henrique was one of Brown's "discoveries", as was Sivuca, who also plays and arranges on the LP -- gracing it with his classic bossa/jazzy kind of groove. The whole thing's an excellent mix of
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Riverside/OJC, 1959. New Copy (reissue)
Key early work by Abbey -- not so much the "blue" album you'd guess from the title, but a session that's filled with the kind of anger and emotion that makes us love her so much when she's this good! The group here is very hip -- an ensemble brought to the date by her then-partner Max
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RCA, 1974. New Copy (reissue)
Wonderful work by Nina -- the kind of record that once made purists turn up their noses, but which is now being rediscovered as a unique jazz/soul crossover album, filled with loads of nice moments! The instrumentation's pretty darn interesting -- and includes sitar, harp, Spanish guitar, and
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Deja Vu (Italy), 2009. New Copy
Beautiful work from an Italian singer -- a vocalist who works here in English throughout, with a breezy vibe that's like some of our favorite work of the 70s! The set's a Dejavu co-production, and as such, has a really classic sound -- deeply soulful instrumentation from a core combo, topped with
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Philips, Late 60s. New Copy (reissue)
A landmark album from Nina -- one that broke down countless barriers with the classic tune "Four Women" -- a righteous portrait of 4 different women and their struggles, unique for its time, and a key part of the early Women's Liberation movement! The rest of the album has a smiliar
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RCA, 1972. New Copy (reissue)
A great little album cut by Nina Simone during the time she was working with Weldon Irvine -- a live album that really has the lady stretching out, and showing off all the cool, complicated grooves she brought to a concert setting! Weldon did the arrangements, and they've got a very righteous feel
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Muse, 1987. New Copy
An odd title, but a really wonderful album from Mark Murphy -- an 80s session for Muse that easily matches some of his most creative moments for the label in the 70s! There's some wonderful versions of soulful jazz tracks here -- takes on "Effendi" by McCoy Tyner, "Beauty & The
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Pye/Sanctuary (UK), 1960. New Copy Gatefold (reissue)
One of the sexiest sets of vocal jazz to ever come from the British scene -- a classic 1960 album by the lovely Diana Dors -- easily one of England's best answers to American cheesecake singers of the 50s! As you'll notice by the cover, Diana's got a look that's right up there with Marilyn Monroe
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Sonorama (Germany), 1973/1976/1980. New Copy
Great 70s work from Dutch jazz singer Greetje Kauffeld -- material pulled from three separate sessions, each of them slightly different, and each of them great! Greetje's got a warmly crafted vocal approach throughout -- one that's almost slightly soulful at points, as heard more famously on her
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