Universal (UK), 1960s/Early 70s. New Copy 2CD
An incredible collection of some the best 60s singles ever cut by Dusty Springfield -- issued complete in a 2CD set which includes all of the B Sides! The approach is an excellent one -- with all of those famous songs -- and some lesser note bits of blue eyed soul and smoky-voiced 60s pop. Dusty'
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Inner City, 1979. New Copy
A wonderful album of hip jazzy vocals from Urszula Dudziak -- an amazing singer who was sort of Poland's version of Flora Purim! Like Flora, Urszula had a fierce scatting and riffing style that broke way past the work of earlier female jazz singers -- and she always applied this style to some
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Columbia, 1987. New Copy
One of the last great records ever made by Sarah Vaughan -- a really solid session of Brazilian tunes, one that's produced by Sergio Mendes, arranged by Dori Caymmi, and which features guest vocals by Milton Nascimento! The general approach is west coast mellow -- as the group features Alphonson
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Open Art, 2009. New Copy 2CD
A wonderful 2CD set from Jackie Ryan -- a contemporary California vocalist, but one who sings with a really classic sort of groove! The album reminds us a lot of Bay Area jazz gems from the 70s -- warm and soulful, with an easygoing groove that draws heavily from the instrumental work of Cyrus
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MGM/Poker (UK), 1966. New Copy
An overlooked gem from singer Mamie Lee -- a vocalist who inhabits the same space between jazz and soul as Nancy Wilson! The album's got a very groovy feel overall -- thanks to small combo backing from The Swingmen, a piano trio who backed up Mamie in live appearances, and who really fit in great
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Meantime (Norway), 1978. New Copy
Incredible work from Scandinavian singer Karin Krog! Although Krog began her career as a straight jazz vocalist, she cut a number of records in the 70's that had her pushing into a cool territory that was a lot more progressive, and which had some great Euro-fusion touches -- like the sorts you'd
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Spotlite/Meantime (Norway), 1981. New Copy
Essential work from vocalist Karin Krog -- one in a number of sessions cut with some of the best saxophonists of her time (Dexter Gordon, Archie Shepp, John Surman) -- a record that features some incredible late tenor from Warne Marsh, set beautifully alongside one of the few vocalists who could
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Meantime (Norway), 1974. New Copy
One of our favorite singers and one of our favorite composers -- brought together in a dream of a vocal jazz album! We've always loved the tunes that Michel Legrand penned for films of the 60s and 70s -- as they've got a depth, sincerity, and jazziness that goes beyond most of his contemporaries --
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Concord, 2009. New Copy
A beautiful live set from these two legendary A&M Records talents -- united for years at a personal level, and working beautifully here at an artistic one as well! The setting is a small combo one -- a jazz quartet led by Herb's trumpet, and mostly featuring Lani's wonderful vocals in the lead
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Argo/Dusty Groove, 1963. New Copy
One of the greatest albums ever from Lorez Alexandria -- an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title -- a jazzy, bouncy sort of rhythm that's
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Concord, 1996. New Copy
A nice little live set from Mel Torme -- recorded for a special A&E TV show, but done with a really classic small combo format! Mel's a bit less overstated than on some of the previous Concord live dates -- swinging easily with trio backing from Mike Renzi on piano, John Letham on bass, and
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Concord, 1978. New Copy
A great 70s set from vocalist Dave Frishberg -- recorded with a relaxed, easygoing style that's perfect for his vocals! Dave plays piano almost as much as he sings -- and on some tracks, instrumental modes dominate the first part of the tunes, then Frishberg's voice comes in and really increases
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MGM/Ace (UK), Late 50s/1960s. New Copy
A really fresh look at the music of Connie Francis -- a package that focuses on some of the hipper rockin tracks she cut over the years -- work that really gets past the overhashed pop tunes that most people remember! The backings on most numbers are quite groovy -- lots of rockin elements like
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Monterey Jazz Festival/Concord, 1994. New Copy
Shirley Horn caught right at the height of her great revival years in the 90s -- a time when she was arguably even more expressive and deeply soulful than before! Like most of Horn's best recordings of the time, this live date features a trio -- with Shirley herself on piano, Charles Ables on bass
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Disky Communications (Holland), 1970/1971. New Copy 2CD
Excellent work from Betty Carter -- much more sophisticated than some of her 60s work! The tracks on the 2CD set were recorded for the Roulette label in the early 70s -- most of it live, and most of it featuring Betty in that hip trio format that she developed to fantastic heights during the
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Prestige/Bluesville/OJC, 1960. New Copy
The second Prestige album from Al Smith -- a great little singer with a sublime blend of blues, jazz, and soul! Smith really came on strong at the start of his career, but then dropped out of sight pretty quickly after this one -- and we're really not sure why, given what a great little record it
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Prestige/OJC, Early 60s. New Copy
It's always something nice when Etta Jones makes a record -- but this one is especially so, thanks to some intimate small group backing from players who include Oliver Nelson, Lem Winchester, Wally Richardson, and Richard Wyands! The style is relatively intimate throughout -- more late nite than
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Prestige/Bluesville/OJC, 1960. New Copy
One of the few albums ever cut by singer Mildred Anderson -- a bluesy vocalist, but one with a strong touch of jazz as well! The format of this record really helps bring out the jazzier side of Mildred's music -- as it features small combo backing, with work from players that include Al Sears on
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Riverside/OJC, 1960. New Copy
We're always big fans of Bev Kelly's work, but this album is way hipper than the usual vocal album of its type from the time -- thanks to a sweet little lineup that features Pony Poindexter on alto sax and Flip Nunez on piano! The presence of Poindexter's horn is always a treat, on the handful of
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Capitol/DRG, 1964/1965. New Copy
Beautiful mid 60s Capitol albums from the great Nancy Wilson -- 1964's Gentle Is My Love and 1965's How Glad I Am --together in a single package and very well paired sets from a fertile creative period for Nancy! How Glad I Am is actually up first in the set, with some grander, more swinging
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