Warner/Collectors Choice, 1966. New Copy
Warm wonderful whitebread work from the King Family -- two 1966 albums, back to back on a single CD! First up is The King Family Live In The Round -- another great example of the way the large King ensemble really shone in the space of a concert performance -- filling up the space well with all
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Venus (Japan), 2005. New Copy
An even deeper jazz set than Nicole Henry's first album -- recorded with the Eddie Higgins Trio, and done in a style that's traditional, yet extremely soulful! There's a sound here that reminds us a lot of Carmen Lundy -- as Nicole's singing jazz, but doing so in a mode that's never draped with
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Capitol/Pickwick, Late 60s. Very Good
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A&M, Late 60s. Very Good
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Columbia, Late 30s/Early 40s. Very Good+ 2LP
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Vampi Soul (Spain), Late 60s. New Copy 2LP
Damn soulful work from Marta Kubisova -- a late 60s singer from Czechoslovakia who was so groovy, she was banned by the Communist Party! This excellent set brings together rare tracks by Marta from the prime early years of her career -- all numbers that feature very Western soul-styled backings,
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Wool (Germany), 1970s. New Copy
A taster of tracks from this cool Estonian jazz collective -- a very unique group whose sound reminds us of work we've heard from hip French soundtracks, and from some of the cooler reaches of the European jazz scene in the 60s! Most tracks here have vocals -- kind of scatted, with a breezy feel
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Columbia/Righteous (UK), 1966. New Copy
A wonderful set from Zoot Money -- a solo project, away from his big band -- recorded with a soulful groove that's right up there with the best 60s work by Georgie Fame! That's no surprise, though, given that Money and Fame were both key parts of the Brit scene of the time -- absorbing the best
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Light In The Attic, 1969. New Copy Gatefold (reissue)
An incredible record from The Free Design -- the group's third album, and a real departure from the first two! The group are almost (if possible) hipper, with a more sophisticated approach to their material -- gentler grooving, in a way that's really wonderful. The album's filled with some great
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EMI (Italy), 1968. New Copy
Groovy Italian pop from 1968! The lovely voice of Mina has probably graced a few of your favorite soundtracks -- including the sublime Tenth Victim -- but this is the kind of album that really shows her at her best, singing to arrangements by Augusto Martelli and Bruno Canfora, in a mode that's
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EMI (Italy), 1970. New Copy
Breezy Brazilian tunes -- sung by Italian singer Mina, in a way that recalls some of the best of Elis Regina's work from the late 60s! The track selection is great -- and the album features many popular groovers like "Canto De Osshana", "Upa Neguinho", "Que Maravilha"
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Capitol/DRG, 1959. New Copy
It's time to swing, but with a classy sound throughout -- very much the best mix of modes Dakota Staton brought to her key early years at Capitol Records! Backings are by Sid Feller, and are pretty darn jazzy throughout -- more so than some of Sid's other work of the time -- a perfectly soulful
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RCA/DRG, Mid 50s. New Copy
Seminal work from vocalist Teddi King -- quite possibly her best material ever, recorded during a memorable run for RCA in the mid 50s! King first came to fame as more of a small combo jazz singer, but during her time at RCA, she tried out a variety of different modes -- some of the sweeter female
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EMI (Italy), Late 60s. New Copy
Pure pop magic from the lovely Mina -- a very weird little record in which she takes on a host of mid-period tracks by The Beatles! The sound is as offbeat as the cover's take on Revolver -- kind of a cross between late 60s Beatles, and early 70s Italian -- trippy at points, but kind of sweetly
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Liberty/Rev-Ola (UK), 1957. New Copy
Wild! Long before she was a hipster poet, and even longer before she was the Poet Laureate, Maya cut this early album of calypso tracks for Liberty -- with a rootsy sound that's actually pretty darn nice! Maya wrote a larger number of the tracks, and backing is by Tommy Tedesco on guitar and Al
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Muse, 1993. New Copy
Always-great work from singer Lorez Alexandria -- still sounding wonderful, even at this late date! Her presentation's a bit earthier than before, but no less poised than on earlier sessions -- with the same sense of space and timing that's always made her one of our favorite jazz singers! And as
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Muse, 1992. New Copy
A beautiful later set from Lorez Alexandria -- produced by Houston Person, and put together with a sensitivity that really stands out! Although Lorez always sparkles on tunes that swing, she really rises to the occasion even more here on the ballads -- really gentle tunes that are taken in a
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Muse, 1991. New Copy
Dakota Staton's looking a bit fuzzy in the photo on the cover, but her sound on the set is as sharp as ever -- that soulful approach to jazz vocals she first crafted so well back in the 50s and 60s! The album's a surprisingly nice later date from Dakota -- one done with a really classic feel,
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Columbia, Mid 50s. Very Good+
A great album, released in the 80s, that brings together some of Betty Carter's rare vocal recordings for the Epic label from decades earlier. There's a total of 11 tracks in the set -- with 6 from the Meet Betty Carter and Ray Bryant album, which features piano by Bryant, arrangements by Quincy
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Atlantic, 1973. Very Good-
One of Oscar Brown's 70's efforts for Atlantic, when he was stretching his groove a bit, and trying to give it more of an soulful feel, and less of a theatrical one. Oscar's longtime accompanist Floyd Morris is on piano, and other musicians include Seldon Powell, David Spinozza, Chuck Rainey, and
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