Soundway (UK), Late 60s/1970s/Early 80s. New Copy 5LP
A compilation of Ghana music like we've never seen before -- and straight up beautifully put together by Soundway -- 70s sounds that fused regional traditions with boundary free soul, rhythm & blues, and rock! Ghana in the 1970s was in a transition from a more prosperous, and less militarily
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Subliminal Sounds, 1960s. New Copy Gatefold
Driving rhythms, rave-up guitar licks, groovy mod organ and proto-psychedelic guitar -- from 60s Thailand! The Thai Beat series shines a warm light on the rare rock from "the Land of Smile" -- and it's a worthy endeavor! The freewheelin' sunshine 60s groove stretched all across the
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Soundway (UK), 1970s. New Copy 2LP
One of the coolest Afro Funk groups of the 70s -- and an outfit who definitely earn the "poly rhythmic" in their name! TP Orchestre have a jagged, jaunty sound that's totally great -- really playfully rhythmic, in a way that breaks from the mold of most of their 70s contemporaries on the
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Analog Africa (Germany), Late 60s/1970s/Early 80s. New Copy 2LP Gatefold
Brilliant work from Benin -- an ear-opening compilation that's filled with wonderful grooves we've never heard before! The rhythms are unusual, instrumentation hypnotic, and vocals really offbeat -- making the whole thing sound very different than more familiar African work we've stocked --
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Analog Africa (Germany), Mid 70s. New Copy 2LP Gatefold
One of the most incredible African collections we've ever heard -- almost more amazing than the African Scream Contest set from the same label! The package focuses on work by Orchestre Poly-Rhythmo De Cotonou -- a group who really live up to their name, by bringing in a host of complicated rhythms
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Vampi Soul (Spain), Late 70s/1980s. New Copy 2LP
Funky African work from Fred Fisher -- a Nigerian trombonist who crafted his own unique groove at the end of the 70s! Fred both sings and plays trombone -- the latter with a Fred Wesley-like soulfulness -- and his rhythms here are really wide-ranging, and embrace a host of new styles coming into
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Atlantic, 1972. Good+
An incredible record -- even if it was a worldwide hit! Before this one came out, Manu was a funky sax player grooving away in Cameroun, cutting tight but obscure soulful sides. In 1972, though, he exploded with the track "Soul Makossa" -- a choppy hard-riffing number that blew up on
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Blue Note, 1963. Good+
One of the most roosty albums on Blue Note -- and a fairly straight session of African percussion tracks by Solomon Ilori and his Afro Drum Ensemble. Unlike similar albums by Art Blakey, this one lacks any strong sort of jazz component -- and really just features fairly straight African tracks,
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Columbia, 1963. Very Good+
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Luaka Bop/Stones Throw, Early 70s. New Copy 2LP
A really mind-bending collection of African grooves -- one that digs deep into the West African scene of the early 70s -- and comes up with a massive batch of tunes that really opens up our understanding of the music! The sound here isn't just 70s Afro Funk -- as the tunes include a range of
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Black Fire, 1974. New Copy (reissue)
The first album by the group that later went on to become Oneness Of Juju! The album was recorded with a group that featured Plunky Nakabinde and Lon Moshe on reeds and percussion -- plus Babatunde on congas and drums -- and the overall sound is very much in kind of an Art Ensemble Of Chicago mode
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Uni, Late 60s. Very Good-
Hugh's first album for Uni -- and one that really lets him open up his groove! The record moves way past the short trumpet instrumental sound of earlier albums -- into a complex groove that mixes Afro soul, LA funk, and loads of nice jazzy bits! The record's got a sound that's nicely messed up --
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No Smoke, Mid 70s. New Copy (reissue)
Heady work from the Ngozi Family -- a Zambian rock band that was the first to be dubbed as "Zamrock" -- a cool fusion of older African rhythms and 70s rockish modes -- never too polished, but with a tightness that might have made Anglo groups up in London sit up and take notice! The
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Honest Jons (UK), 1950s. New Copy 2LP Gatefold
Like so many other Caribbean nations, Trinidad had a large emigrant populace in London, who'd brought their musical traditions with them. This set, highlighting calypso numbers recorded in England in the early 50s, is filled with the sort of bouncey, good time numbers that helped bring the music
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Canary/Mississippi, 1920s/1930s/1940s. New Copy 2LP
One of the coolest compilations we've seen so far on Mississippi Records -- a set that almost pushes them into the territory covered by Honest Jons with some of their vintage EMI collections! The package documents a lost history of Greek music -- work recorded from the mid 20s through mid 40s --
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Lion Head (Germany), 2008. New Copy 2LP
A global funk gem from Lightning Head, aka Glyn "Bigga" Bush of Rockers Hi Fi -- an artist who takes a surprising, truly funky, and wholly credible left turn into Afrobeat! Lightning Head doesn't forsake the electro grooves of earlier work so much as steep it very heavily in organic
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Honest Jons (UK), 1977. New Copy (reissue)
Yes!! It's as if the folks at Honest Jon's have unearthed a great lost Fela session, and for all intents and purposes, they have! Mr Big Mouth is a session written and led by trumpeter Tunde Williams, a mainstay in Fela's group for many years and one of the most distinctive voices in the horn
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Flying Monkeys (UK), 2006. New Copy 2LP
One of the jazziest bits of Afro Funk we've heard in a long time -- thanks to some excellent work on piano and keyboards by group leader Funsho Ogundipe! Funsho's not content to just copy some Fela-inspired groove -- and although there's definitely a skittish sense of Nigerian rhythms in these
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Honest Jons (UK), New Copy 2LP Gatefold
A collection of tracks that amount to some of incredibly deep audio archaeology -- a wonderful, consciousness wakening collection of globe spanning 78s from the first half of the 20th Century -- all from the darkest corners of the EMI Vaults! Honest Jons does an impressive job of collecting
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Honest Jons (UK), Late 50s. New Copy 2LP Gatefold
The 4th entry in the amazing London Is The Place for me -- a seemingly endless collection of some incredible work from the postwar post-colonial years in the UK! As with other volumes, there's an array of Carribean and African influences at work here -- often highly rhythmic and performed with
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