Righteous (UK), 1950s. New Copy
Nothing cold here, just love sick honky tonk from Joe & Rose Lee Maphis -- from waltz pattern dusty duo numbers and more from one of the great husband & wife teams in the 50s country racket! The traditional honky tonk style is done wonderfully by these two, and Joe's country guitar licks
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Cherry Tree (UK), Early 70s. New Copy 2CD
The enigmatic and rare UK folk psychedelia of Jan Dukes De Gray -- the Sorcerers and Mice And Rats In The Loft LPs -- in a 2CD set with bonus tracks! Sorcerors is wigged out, flute inflected freak folk of the first order, well worth discover! Mice And Rats In The Loft is another gem, and really
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Bellemeade Phonics/Mississippi, Late 60s/Early 70s. New Copy
Some strange and others straight and impassioned, all spare guitar and a vocal tunes from outsider folk genius Michael Hurley -- material recorded between 1965 and 1972. From homespun strummed numbers, to more eccentric freakouts (re: "Big Black Crow"), it's essential Hurley as far as we'
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Numero, Mid 60s/1970s/Early 80s. New Copy 2LP
A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s -- beautiful work from a slew of players we've never heard of -- but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers
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Reflection/Numero, 1971. New Copy
A beautiful early 70s debut LP from a then 20-year-old, Halifax reared Catherine Howe -- produced and arranged by US jazz pianist Bobby Scott in a mode that manages to feel lush and opulent while never belying Catherine's warmth, intimacy and maturity -- and quite possibly the best unearthed singer-
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Light In The Attic, 1969. New Copy (reissue)
The 1969 debut studio album from Karen Dalton -- one of the most unique voices of the 60s folk scene, and one of the most emotionally rich, blue & soulful -- a heroine to many artists to come, and one of the (sadly) very few pieces of music she made in a professional studio she made in her
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RCA/Rev-Ola (UK), 1969. New Copy
Possibly the best-known album from 60s folkie Bonnie Dobson -- a singer/songwriter who had a subtle, but strong influence on the sound of her generation! At one level, the record's something of a comeback for Dobson -- a return to the studio after many years away from it -- reclaiming a few of her
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Charisma/Drag City, 1974. New Copy
The LA Turnaround from Brit folk tunesmith Bert Jansch -- one of the few records he made for Charisma in the mid 70s -- this one fresh from the break up of the seminal Pentangle! The UK folk sound is as noteable in Bert's voice as any other aspecet of this warm, wonderful set -- but there's also
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Charisma/Drag City, 1975. New Copy
Bert Jansch's second mid 70s effort for Charisma, and also the second title that's an ode to Southern Cali from the Scottish born folk singer/guitar player -- and a great one! Although LA turnaround had it's moments of larger instrumentation, Jansch's voice and guitar was a defining characteristic
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Charisma/Drag City, 1977. New Copy
The third Bert Jansch album for Charisma in the early-to-mid 70s -- in more of a laidback, UK folk style than the Cali flavored previous couple of LPs -- and a record that's just as wonderful, and possibly the best of the three! The warmth that made his other work for Charisma so gratifying is
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Research Productions, 1978. Very Good+ 3LPs
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Train Wreck, 2009. New Copy Gatefold
What an endearing record from Chip Taylor -- gruff vocals and heartfelt acoustic arrangements on very well written tunes by Taylor, in some ways reminding us of an east coast Billy Joe Shaver, writing about what he knews and the telling the stories behind them. Taylor's one of those songwriters
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Locust, 1970. New Copy
Rural accented, haunting and wonderful folk material from Jay Bolotin -- a Kentucky bred songwriter and singer who made an impact on some powerful artists in Nashville, and in the country and folk landscape in general, but never really got his due for his own work -- including this wholly excellent
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Locust, 2009. New Copy
A superb second album from modern Brit folk combo Starless & Bible Black -- starry, atmospheric elements that build into insistent, unshakable songs -- fronted beautifully by vocalist Helene Gautier. We were caught of guard by how addictive the melodies are on this album -- and the overall
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Epic/Legacy, 1967. New Copy
Tammy Wynette's first ever album -- and one of her best! On Your Good Girl's Gonna Go Bad, Tammy does her fragile, sadness soaked magic on many tunes that had already done the rounds with Ray Price, Loretta Lynn, Buck Owens and others -- and makes them all her own -- thanks to her immortal vocal
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Vanguard/Sutro Park, 1968. New Copy (reissue)
Sandy Bull's third album -- a pair of long pieces that combine the multicultural folk instrumental experimentation -- with Bull playing guitar, bass, bass drum, oud and hand percussion -- rolling in a bit more electric blues on one side, and meandering psychedelic impulses on the other! The album
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Village Thing/Lion, 1970. New Copy
Mystical psyche folk from the Britain -- the self-titled dawn of the 70s set from The Sun Also Rises! The male/female duo of Graham & Anne Hemingway mix the trippy 60s vibes with clattering ancient ones -- with some pretty sweet singing & acoustic guitars, with dulicimer, glockenspiel,
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Smithsonian Folkways, 1980. New Copy (reissue)
Lucinda Williams second album for Folkways -- and the first to feature her own material -- introducing one of the best Americana singer songerwriters of the past few decades! Happy Woman Blues has an apt title, and although there's plenty of heartache in her radiating from her vocal chords and in
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Columbia/Legacy, 1967. New Copy
Johnny first LP collaboration with his soon to be wife June Carter, and it's a nice one! Carryin' On has it's share of sweet, lovely moments shared by the two, but also has a lot more cool 60s oddball touches than one would expect. The couple cover Dylan's "It Ain't Me Babe" and two Ray
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Blue Thumb/Tompkins Square, 1969. New Copy
Spacey fingerstyle guitar meanderings from Robbie Basho -- a contemporary of John Fahey who helped create the genre of tripped out, open tuning excursions! This album was recorded after Basho's early work for the Takoma label, and it's got a bit less Native American imagery than before -- replaced
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