Bvhaast (Netherlands), 2003. Used
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ReR/Fred Records, 2004. Used
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Black Box (UK), 2002. Used
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Berlin Classics (Germany), 1970/1972/1979. Used
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Universal (France), 1950s/1960s/1970s/Early 80s. Used 6CD
A 6 CD set that features some of the best work we've ever heard by French experimentalist Pierre Henry! CD 1 contains 3 works in all: "Pierres Reflechies" dates from 1982, and is a long, droning electronic work with slow pulsing changes, and some very noisy bits! "La Noire A
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Hat Art (Switzerland), 1983. New Copy 4CD
An amazing collection of string quartet work composed by Morton Feldman – played to perfection by the Ives Ensemble, who really know how to get the right spirit out of the music! Most of these pieces are filled with space – notes that often ebb slowly into silence before the next one
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Sofa (Norway), 2003. Used
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Cantaloupe, 1999. Used
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Hat Now (Switzerland), 1995. New Copy
Classic electronic and percussive compositions by John Cage – performed here with sounds from a wide range of sources – including drums, cymbals, radios, turntables, and a number of other recordings! The performance is the first to actually bring together all of the different strands
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Columbia, 1969. New Copy (reissue)
Visionary stuff from Harry Partch – the kind of record that's a great introduction to his music – and a relic from an era when mindbending, rule breaking sound art could come out on a label like Columbia! There's lots of Partch's weird invented instruments – like chromelodeon,
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Sub Rosa (Belgium), 1994. Used
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Cantaloupe, 2005. Used
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Starkland, 1994. Used
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Innova, Early 2000s. Used
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Auvidis (France), 1997. Used
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Honest Jons (UK), 1953. New Copy (pic cover, reissue)
Gentle genius from the legendary Moondog – a rare album recorded right around the same time as his mindblowing work for Prestige! The style here is very similar to those Prestige albums – very spare and rhythmic – often just using simple acoustic percussion alongside an
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Tzadik, 2012. New Copy 2CD
Terry Riley working in a really great old school mode here – playing only solo keyboard, stretched out in one longform improvisation over the space of two full CDs! The sound is wonderful – an very much in the best mode of the mystical, magical Riley music from the start of the 70s
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Aperture (UK), 2011. New Copy
A very cool little project – one that features archival recordings from electronic music legend Daphne Oram, reworked into new sounds by Andrea Parker and Daz Quayle! Some of the recordings are live, some are studio – and there's definitely a heavy influence of the dark area that
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Morton Feldman/Samuel Beckett
Neither
Hat Now (Switzerland), 1990. New Copy
The first-ever recording of Morton Feldman's Neither – billed as an "opera", but unlike anything you're likely to hear at the Met! Instead, the piece has a depth and darkness that rivals most of Feldman's key compositions – full of sonic textures and offbeat tones, presented
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