Saravah (Japan), 1973. New Copy Gatefold
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet
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EMI (France), 2007. New Copy
Benjamin Biolay's looking a bit strung out on the cover, but the music here is as warmly charming as ever -- a sublime modern French take on territory first explored by Serge Gainsbourg in the 60s! Biolay's production, as always, is impeccable -- a beautiful blend of warmth and grit, acoustic and
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Philips (France), 1976. New Copy
One of Serge Gainsbourg's best albums ever -- a set that we love every bit as much as his Melody Nelson classic, or his killer records with Jane Birkin! The set was recorded in the mid 70s, and it features amazing orchestrations from Alan Hawkshaw -- backings that are even better than Hawk's
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Saravah (France), 1972. New Copy
A fantastic album by this enigmatic French singer -- one of her first truly experimental albums! The record differs from some of her other albums quite a bit -- and has a very strange mix of styles that go from straight ahead (only a track or two), to wildly experimental -- very much in the best
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Saravah (France), 1973. New Copy
Beautiful duets between Brigitte Fontaine and Areski -- and an album that's filled with loads of short little tracks that stand with some of their greatest work ever! Instrumentation is spare, but incredibly haunting -- a bit jazzy at times, slightly experimental at others -- but always quiet
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Polygram (France), 1966. New Copy
No baby pop here, as France Gall is all-woman throughout -- one of the best of the French female pop singers of the mid 60s, working here with an upbeat, groovy sound throughout! Backings are by the great Alain Gouraguer, who gives the record a tightly jerking kind of feel -- a sound that's the
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Barclay (France), 1964. New Copy Gatefold
Pure and classic Jacques Brel all the way through -- a landmark album that's filled with some of his most biting compositions -- including many tunes that later went onto great fame in the English speaking world! The arrangements are by Francois Rauber -- Brel's superb collaborator during the time
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Barclay/Universal (France), 1977. New Copy Gatefold
Jacques Brel's last album before his death -- and an oft-overlooked piece of work that's fantastically different from his better-known 60's oeuvre, but also every bit as great! The tracks on here have an amazingly somber quality -- filled with deep swells of emotion that probably made Scott Walker
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Fontana (France), 1969. New Copy
A landmark collaboration between Serge Gainsbourg and actress Jane Birkin -- his paramour at the time, and a much younger woman! The pair come together beautifully here in a set of sensuous duets -- tunes that have an open, honest approach to the relations between the sexes -- yet never in any
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Fontana/Mercury (France), 1969. New Copy
A landmark collaboration between Serge Gainsbourg and actress Jane Birkin -- his paramour at the time, and a much younger woman! The pair come together beautifully here in a set of sensuous duets -- tunes that have an open, honest approach to the relations between the sexes -- yet never in any
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Philips (France), 1971. New Copy Gatefold
Fantastic stuff -- and a record that may well be the greatest ever from the mighty Serge Gainsbourg -- high praise indeed, considering the greatness of Gainsbourg's other music! The album is one long suite built around a spare, electric bass-driven theme -- a slow funk riff that's been sampled
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Le Pop Musik (Germany), 2008. New Copy
There's a nice undercurrent of fuzz in this lovely album from Francoiz Breut -- kind of a rumbling, brooding sound that's a wonderful counterbalance for her softer-styled vocals! The fuzz comes not just from guitar, but from keyboards too -- rumbling up from the bottom to create a sinister
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EMI (UK), Mid 60s. New Copy
Fab female pop from the French scene of the 60s -- a wonderful collection of tunes that features a fair number of artists that we've never heard before! The set goes way past the over-compiled, too-familiar French hits of the time -- and moves into the world of the hippest jangle pop and yeh-yeh
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Saravah (Japan), 1975. New Copy Gatefold
Perhaps one of the most hauntingly beautiful albums by the team of Brigitte Fontaine and Areski -- although we'll admit that we love all of them almost equally well! If you haven't heard their records, we can't even begin to describe them -- but let us just say that they feature fragile vocals
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Saravah (Japan), 1968. New Copy Gatefold
The Saravah Records debut from this amazing French singer -- done with a wonderful sound that really links two generations of French music! At some level, the album's got a slightly more standard feel -- bits of jazz, but inflected freshly -- almost like the sublime Jeanne Moreau album on 60s
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Saravah (Japan), 1972. New Copy Gatefold
A fantastic album by this enigmatic French singer -- one of her first truly experimental albums! The record differs from some of her other albums quite a bit -- and has a very strange mix of styles that go from straight ahead (only a track or two), to wildly experimental -- very much in the best
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Cherry Red (UK), 1969. New Copy
A harder edged effort from Johnny Hallyday than a bunch of his other records -- with a driving, Brit rock influence, thanks in small part to backing of the soon to break up Small Faces on a few tunes --plus the contributions of Mick Jones to the sound! The tunes are sung in French, but there's a
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Buda (France), 2008. New Copy
A really charming little record -- one that's hard to describe accurately, but which has really won us over! Tipari hail from the isle of Reunion, but they've also got a sound that's a bit contemporary French -- a mix of acoustic guitar, melodica, and percussion -- all wrapped up lightly together,
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Compass, 2009. New Copy
Completely charming work from Coralie Clement -- one of our favorite French singers of the past decade! The set's another amazing collaboration between Clement and producer Benjamin Biolay -- who wrote all the tunes on the set, and really brings a lot of his own wonderful sound to the record -- a
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Barclay/Universal (France), 1972. New Copy
Early 70s recordings of some of Brel's greatest classics -- done in versions that update the sound and enliven the spirit! The session dates from 1972, and features arrangements and orchestrations by longtime Brel collaborator Francois Rauber -- plus beautifully somber piano by Gerard Jouannest,
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