Casablanca/Gold Legion, 1978. New Copy
An electric classic from Munich Machine – one of the key records that helped break the German club sound on this side of the Atlantic! The album's the second from the studio group helmed by Giorgio Moroder and Pete Bellotte – and features vocalist Chris Bennett making her Munich
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Philadelphia International/Sony (Japan), 1974. New Copy
Great work by Bunny Sigler – and a perfect bridge between his earlier Philly soul from the late 60s, and his later disco from the end of the 70s! Bunny's in perfect form vocally – and the record is a super-strong batch of tracks that deserves to be well up there in the Gamble/Huff
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Philadelphia International/Sony (Japan), 1976. New Copy
Quite possibly our favorite album from MFSB – the legendary Philly instrumental group from the 70s! The record's completely sublime all the way through – and is perhaps the most perfect illustration of that subtle blend of funk, soul, and disco that makes the group so great – a
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Philadelphia International/Sony (Japan), 1978. New Copy
After working with Gamble & Huff on his big hits for Mercury in the late 60s, Jerry returned to work with the pair in the late 70s on their own Philly International label – stepping out with the same sweet groove that the Philly sound had brought to Lou Rawls, in a way that helped Butler
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Philadelphia International/Sony (Japan), 1976. New Copy
A killer – and one of our favorite Philly International albums ever! This is the album that broke Lou Rawls back into the mainstream for the smooth 70s – retuning his incredible voice with waves of soul and strings in the Gamble & Huff tradition – and giving him a whole new
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Philadelphia International/Sony (Japan), 1975. New Copy
Great stuff from Billy – not his most famous album, but filled with some obscure treasures that really stand out in his work – and the stellar Philadelphia International label! The record's got a tight Gamble/Huff sound – moving very much into the Philly modern style that would
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PIP, 1976. Very Good+
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Seventy Seven/Sound Stage Seven, Late 60s. Very Good-
A lost bit of southern soul from Sound Stage Seven – featuring sublime production by the great John Richbourg, and a sound that's simply out of this world! Sam Baker has a strong deep soul style – a bit like Otis Redding, filtered through the rougher edges of Syl Johnson – and
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Island (UK), 1985. Very Good+ (pic cover)
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Epic, 1995. Very Good+ 2 x 12" Gatefold
Includes DM Mad club, DM radio, Maurice's Club Around, Georgie's House n Around, Timeland dub, Neverland dub, Don's Control This dub, UBQ's Opera Vibe dub, DM Bang Da Drums mix.
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Fantasy/BGP (UK), 1974. Very Good (reissue)
A funky jazz treasure – and the band's landmark first album! The Blackbyrds were a legendary 70s combo that were discovered by Donald Byrd while he was teaching at Howard University – and they had a tight style that mixed raw funk influences with smoother jazz playing, creating a sound
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Capitol, 1989. Near Mint- (pic cover)
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Elektra, 1985. Near Mint-
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Columbia, 1988. Near Mint-
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Motown, 1987. Near Mint-
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Unidisc, 1984. Sealed
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Capitol, 1984. Very Good+
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Josie, Late 60s. Very Good+ (reissue)
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Casablanca, 1980. Very Good+
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Magic, 1981. Very Good+
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