Vaya/Vampi Soul (Spain), 1976/1979. New Copy
2 tremendous 70s albums from Eddie Benitez -- both of them a great mix of jazz, funk, and Latin soul! Eddie's style here is totally great, and very unique -- a laidback approach to the groove that has echoes of the Chicano soul coming out of LA in the early 70s -- but which is often a lot more
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Vampi Soul (Spain), 2005. New Copy
Joe Bataan is alive and well -- and to our ears, the king of Latin Soul is sounding better than he has in decades! This tasty little set really takes us back to Joe's classic work for Fania -- but it's also got a slightly different twist -- one that shows a new younger appreciation of the funk
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Vampi Soul (Spain), 1969. New Copy (reissue)
One of the funkiest Mexican groups at the end of the 60s -- a hard-hitting combo who could almost go head to head with any American ensemble of the funky 45 generation! Rabbits & Carrots work in a mostly-instrumental mode here -- a style that has just a slight element of Latin in the rhythms,
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Vampi Soul (Spain), 2009. New Copy
Recent genius from the true king of Latin Soul -- the mighty Joe Bataan, sounding every bit as great now as he did back in the day! Bataan gets some very hip backing from Los Fulanos -- a Barcelona-based combo who help recreate the tight sound of Joe's early grooves from the late 60s, with just a
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Impulse, 1973. Very Good Gatefold
A nice little album, and one with a very messed up Latin groove -- one that's partly funky Impulse, partly Chicano soul. Gary Saracho leads the group on acoustic and electric piano -- and the rest of the ensemble includes soprano sax, electric guitar, timbales, bass, and an assortment of other odd
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Bang, 1966. New Copy (reissue)
An incredible record and very unique -- cut around the same time as Arsenio's rare boogaloo album for Tico Records! Like that session, this one has a style in which Arsenio is featured in a larger group -- playing with a raspy edge that really steps out in front of the fuller instruments and
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Fania, Late 60s. New Copy (reissue)
Killer Latin soul! This record is one of the hardest to find from the late 60's boogaloo era, and it's a massive stormer filled with tasty grooves! The band is small and tight, with a 2-sax frontline, for an extra-soulful sound. Vocals are in English and Spanish, and the album wails away like a
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Fania, 1972. New Copy (reissue)
A great Ray Barretto album from 1972 -- one that beautifully showcases the master percussionist as he effortlessly shifts between Latin soul and 70's salsa styles! The group's nice and lean -- with Adalberto Santiago on vocals, Papy Roman on trumpet, Louis Cruz on piano, and the great Andy
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Fania, Late 60s. New Copy (reissue)
A real killer from the legendary Joe Bataan -- an album of righteous power that really lives up to the dynamic promise of the title and cover! Joe Bataan's in top form throughout -- serving up a blend of Latin grooves and 60s soul influences that few other artists of the time could touch --
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Tico, Mid 60s. New Copy (reissue)
The Soul of Spanish Harlem -- and the upbeat sound of the Joe Cuba Sextet -- a hard-to-find album recorded just before the dawn of the classic Latin soul era! This one has been underappreciated for years, which is a shame, because it's got a lot of very nice grooves with that tight Joe Cuba Sextet
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Worthy, Late 60s. New Copy (reissue)
A Latin monster -- and one of our favorite albums from the New York scene! The record is the only one we've ever seen from pianist Earl Coleman -- and it's a groove-happy fiesta that's every bit Spanish Harlem at its best. Earl's piano is flowing and free, and the band grooves through tracks that
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Speed, Late 60s. New Copy (reissue)
One of the grooviest records ever recorded -- and pretty darn rare, too! The Moon People -- aka Los Astronautas -- were a Latin Soul studio band who played behind some of the other killer recordings on the Speed Label. They're best known for their sock-boogaloo instrumental "Land Of
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CTI, 1981. New Copy (reissue)
A nice jammer from the "second wind" period of CTI -- and a strong return to Latin jazz for Ray! The set's a great mixture of smooth CTI electric funk and Latin-oriented grooves -- and it features work by Ray on congas and percussion, plus a list of players that includes Tito Puente,
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Mainstream, 1967. New Copy (reissue)
A killer album of hard instrumental Latin soul tracks -- one of the few albums ever done by funky reed player Mauricio Smith! On the set, Smith plays flute, alto, and soprano sax -- and the record's filled with short little groovers that have a nice choppy sound, and lots of heavy conga work by
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Heavy Duty, 1971. New Copy (reissue)
An excellent album by Latin Soul arranger Harvey Averne! This set is miles ahead of Harvey's work from the 60s -- a heavy set of 70s grooves that has a lot of Chicano rock influences, and which mixes together percussion, electric guitar, soulful vocals, and plenty of other tasty instrumental
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Columbia, Late 60s. Very Good-
Killer Latin soul from one of the all-time greats -- a collection of greatest hits from Mongo Santamaria, but a set that's every bit as essential as his full length albums for Columbia! Most of the cuts on the album were arranged by Mongo's key right-hand man -- the great Marty Sheller, who was an
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Fantasy, 1978. Very Good-
Tight and soulful grooves from the team of Pete and Sheila Escovedo -- a set that still has elements of the pair's Latin roots, but which also explodes in a flurry of funk, soul, and fusion moments too! As with their first Fantasy album, the duo have Billy Cobham on deck to produce -- giving the
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Fantasy, Late 50s. Very Good+
One of Mongo's great early records, with a spooky Afro-Cuban sound, and a great assortment of drummers that includes Francisco Aquabella, Carlos Vidal, Willie Bobo, and Modesto Duran. The overall vibe is much more traditional than Mongo's other albums -- and there's none of the pop Latin jazz of
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Roulette, Late 50s. Very Good+
A classic Machito session from the 50s -- with stunning arrangements by Mario Bauza and AK Salim! The record is a beautiful batch of Latin jazz tracks that shine with a sound that's unlike anything else Machito was doing at the time -- and the band wails hard, with soloists that include Cannonball
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EFG, 1973. New Copy (reissue)
Percussionist Sabu Martinez is one of the all-time greats of Latin music -- and this record is probably the rarest he ever cut! The album came out of Sweden, where Sabu was residing during the 70s -- enjoying some success as an expatriot jazz player in the European scene. The album mixes Latin
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