Columbia/Wounded Bird, 1976. New Copy
A great post-CTI session from Freddie Hubbard -- one that has him blowing over sweet arrangements from Bob James, who manages to keep things full, yet soulful throughout! There's a lot of instrumentation backing Freddie up for the date -- full horns, strings, and even a bit of chorus vocals -- but
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Columbia/Wounded Bird, 1977. New Copy
A bundle of soul from Freddie Hubbard -- one that has him blowing beautifully over full arrangements from Bert DeCoteux -- the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great -- a
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Lion, 1972/1975. New Copy
Wicked funky fusion from Opa -- with loads of great electric moments! Although originally from Uruguay, Opa are best known for their Brazilian-tinged albums on Fantasy during the mid 70s, but this album presents the group in the years before that time -- working in a style that's rougher, funkier,
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Moserobie (Sweden), 2008. New Copy 2CDs
A double-length set from The Core -- one of the coolest combos we've heard on Moserobie in awhile! The group is a quartet -- with sax, bass, drums, piano, and Fender Rhodes -- the last of which is often played with a distorted sound that's very cool -- noisier than usual, and with a great deal of
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Blue Note, 1976. New Copy
Essential work from Eddie Henderson -- one of the trumpeter's hippest albums of the 70s, and a key link between his early righteous days and his later smoother sound! The set's a near-perfect blend of all elements involved -- tight funky rhythms, spacey soulful instrumentation, and wicked
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Blue Note, 1975. New Copy
Sublime genius from funky flute player Bobbi Humphrey -- a record we'd rank right up there with her classic Blacks & Blues set -- and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout -- a heady mix of Bobbi's flute, Larry's
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Tribe/Hefty, 1976. New Copy
An excellent lost classic from Detroit soul jazz powerhouse Phil Ranelin! Trombonist Ranelin was one of the key figures in the city's Tribe Records scene -- and this album is one of the greatest that the label ever issued. The set features Ranelin on trombone, Marcus Belgrave on trumpet, Kenny
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Blue Note, 1974. New Copy
A monster -- and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey -- and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions by Gary
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Moserobie (Sweden), 2009. New Copy
Live work from a really wonderful trio -- a perfectly-weighted assemblage of players that features Jonas Kullhammar on tenor sax, Kresten Osgood on drums, and Ole Morten Vagan on bass -- all working together with a sense of freely-creative energy that takes us back to some of the first modern
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Perception/Castle (UK), 1970. New Copy 2CD
A great 2 CD set that brings together both of James Moody's LPs for Perception -- The Teachers and Heritage Hum! The Teachers is one of the best albums that Moody ever recorded -- and it's a great batch of crackling jazz funk, jazzy riffing, and nicely arranged little bits that sound like they
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Moserobie (Sweden), 2009. New Copy
A real surprise from Norway's The Core -- a set that's quite different than their previous, electrified record -- and an album that shows a whole new sort of sophistication from the group! The group here features four hornmen on top of piano, bass, and drums -- players who include Jorgen Mathisen
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Columbia/Wounded Bird, 1980. New Copy
The title reads like a typo, but the album's a great set of smooth fusion from Freddie Hubbard -- self-produced, and almost a summation of all the styles he'd mastered in the 70s! The session's never too over the top or too ambitious -- just features Freddie working with a hip group in a laidback
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Classic Jazz, 1964. New Copy
A very quirky little record -- filled with the kind of offbeat tones we've always loved in the music of Bob Dorough! Bob doesn't sing on this set, but he does a wonderful job as a leader -- helping rework tunes from the musical Oliver into creative vehicles for jazz-based expression -- really
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Inner City, 1981. New Copy
Really lovely work from guitarist Tal Farlow -- recording here long after his famous Verve Records years, but still sounding great! The title refers to the mostly trio format of the date -- a session that has Tal on hollow-body electric, Mike Nock on piano, and Lyn Christie on bass -- plus added
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Music Minus One/Classic Jazz, 1961. New Copy
One of the coolest records ever cut for the Music Minus One label -- a hip little project from the enigmatic Bob Dorough! The group's got a sound that definitely lives up to its name -- an approach to jazz that features four recorders in the lead, blown with tones that might be called "medieva
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Epic/Wounded Bird, 1963. New Copy
A really really wonderful little record -- one that's far more than you might guess from it's slightly gimmicky title! The session's clearly done in a mode to resonate with the Charlie Byrd or Stan Getz bossa work of the early 60s, but it's also got a slightly offbeat quality that makes it really
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Inner City, 1950. New Copy
There's nothing little about the talents of Roy Eldridge on the trumpet -- as you'll hear in this hip set of tracks from the start of the 50s -- material recorded in Paris with help from some great American sidemen! Half the tracks feature Roy's trumpet in a quintet with Zoot Sims on tenor, Dick
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Proscenium, 1952. New Copy
Haunting solo piano from Dick Hyman -- recorded in the early 50s with a really echoey quality that brings out a nice sort of darkness in the tunes! As you'd guess from the title, the tracks here are all famous numbers composed by Vernon Duke -- and Hyman's renditions are nicely personal, with
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Wadada Leo Smith/Jack DeJohnette
America
Tzadik, 2009. New Copy
Great duets between Wadada Leo Smith and Jack DeJohnette -- two artists who both share roots in Chicago, united here for one of their most powerful recordings in recent years! DeJohnette's drums are really set free here -- as melodic as they are rhythmic, and providing great counterpoint to Smith's
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Moserobie (Sweden), 2006. New Copy
One of our favorite jazz artists working today -- heard here in an album that bristles with excitement and energy! Jonas Kullhammar could easily be called the new heir to classic sounds on the tenor sax -- a player with as much promise as Eric Alexander at his start, but with an even more deeply
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