Audio Fidelity, 1963. Very Good-
Amazing bossa nova from one of Brazil's best combos! The Bossa Tres were led by dynamic pianist Luis Carlos Vinhas -- an incredibly strong talent who was as great an arranger as he was a piano player. This album is one of the group's rarest -- as it was recorded in New York for the Audio Fidelity
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RCA, 1965. Very Good+
Darkly brilliant -- and one of Joao Donato's most fantastic records! The set was recorded during Joao's time in America in the mid 60s -- cut in New York with lofty backings by Claus Ogerman, in a pillowy soft mode that fits perfectly with Joao's light bossa piano lines, and which has all the
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Odeon (Brazil), 1968. Very Good-
An early dose of samba soul from the great Wilson Simonal -- a set that's almost as important to his career as late 60s work for Jorge Ben! Like Ben, Simonal's music has a great blend of the rootsy and the groovy -- raspy vocals that are overflowing with soul, supported by lively orchestrations
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Far Out (UK), 1976. New Copy
An amazing little record -- a 70s session that we'd easily rank right up there with the best recordings ever from Joyce, but one that's only being issued here for the first time ever! The sound is brilliant -- that beautiful mix of strong and sweet that you'll always find when Joyce is at her best
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Rozenblit/Whatmusic (UK), 1968. New Copy (reissue)
A great set by a crack drummer! Jorge Autuori's got a great approach to the kit -- tight and crackling, perfect for the bossa-based instrumentals on the set. He plays a lot like drummer Milton Banana, who was a contemporary of his in Brazil -- and he utilizes the same piano/bass/drums lineup as
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Whatmusic (UK), 1966. New Copy (reissue)
Sweet and jazzy work from Bebeto -- the only solo album by one third of the legendary Tamba Trio! The sound here is similar to Tamba's great electric recordings of the mid 70s -- fusion-inspired instrumentation, electric keyboards, flute, and a warm and fuzzy production style that makes the whole
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Whatmusic (UK), 1968. New Copy (reissue)
A wonderful late bossa groover -- the only album by Rio 3, the group that went onto form the core of Bossa Rio! The group's a trio in the classic 60s bossa mode -- Ronald Mesquita on drums, Osmar Milito on piano, and Otavio Baill on bass -- but the sound of the work's a bit more open-ended and
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Whatmusic/Musidisc (UK), Mid 60s. New Copy (reissue)
Some of the earliest work we've ever seen from this hip Brazilian singer -- and a cool batch of jazzy tunes that's got a really fresh sound! The album's got the feel of a bossa session, but the instrumentation is a bit off-kilter -- in a really cool way, especially on the way that vibes are used
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Equipe/Whatmusic (UK), 1964. New Copy (reissue)
An upbeat groover from 60s Brazil -- a highly percussive album that features work by Wilson Das Neves and Rubens Bassini! The record is an unusual one, in that it mixes the bossa harmony sound of groups like Tamba Trio or Os Cariocas with a harder, more percussive sound that owes something to the
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Whatmusic (UK), 2001. New Copy
A great set of samba soul tracks -- new, but with a classic feel, and dedicated to soul legend Tim Maia! The record's led by singer/percussionist Dom Mita -- and features work by members of Banda Black Rio, Os Devaneios, and others. The production's a bit modern -- but the record's got the same
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Musidisc/Whatmusic (UK), 1963. New Copy (reissue)
Warm bossa grooves -- and the second album by Orlandivo, billed here on the cover as Orlann Divo! The album's a great batch of instrumentals -- jazzy, with a mix of percussion, bass, and organ that's quite different from the usual bossa album of its type -- much more expansive, and much more
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Whatmusic (UK), New Copy Gatefold (reissue)
A deeply jazzy album from Brazil -- one of the few rare records cut by the combo of Edison Machado, one of Brazil's greatest drummers of the 60s! The set has a sound that's quite different from Machado's earlier work -- a fusion of post-bossa and post-Coltrane styles that comes off with an
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Whatmusic (UK), Mid 60s. New Copy (reissue)
Jazzy organ grooves from Brazil -- a sweet 60s swinger that packs a heck of a punch! The album's one of the few by Primo Jr, and features a great blend of organ, percussion, vibes, vocals, and guitar -- all dancing around with a groove that's similar to the best mid 60s work by Ed Lincoln, who was
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Muse, 1973. New Copy (reissue)
The legendary meeting of the two biggest Brazilian keyboard talents of the 70s -- Joao Donato and Eumir Deodato -- coming together in beautifully funky formation! The sound is a great blend of the moody electric work of Donato's classic Quem E Quem album, and some of the fuller, funkier grooves on
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Capitol, 1965. New Copy (reissue)
A very unique album by Sergio Mendes -- recorded in LA in the years before his Brasil 66 albums for A&M -- but with a sound that clearly shows him going for the new bossa approach! The album's got some lovely vocals by Wanda De Sah, plus occasional guitar work by Rosinha De Valenca -- and
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Picante, 1983. Very Good
A real classic -- one of Tania Maria's greatest American albums, and a sublime blend of styles that shows that her move to the US was not in vein! The group's an easy going west coast Latin ensemble with Eddie Duran on guitar, and the style is a breezy Brazilian one -- perfectly situated on the
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Atlantic, 1962. Very Good
Great early stuff by this master of the bossa! The tracks were originally recorded for Odeon records in Brazil, then issued here in the US in a lovely package that has Joao's face emblazoned in the center of the Brazilian flag. The tracks feature arrangements by Walter Wanderley and Jobim -- and
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Philips (Brazil), 1966. Very Good-
Dreamy harmony vocals from Os Cariocas -- served up with a style that's almost as if The Four Freshmen made a bossa album, only better! The record's one of the least known by the group -- and it matches their American-influenced quartet vocals with some of the more inventive modes of bossa
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Epic, Early 60s. Very Good-
One of the better early bossa albums by Bonfa, and one that doesn't have the sleepy quality that you find on some of his other records. Luiz' guitar is backed by a nice little combo, and the tracks have a lively rhythm, with occasional vocals, and some nice flute solos from time to time. The
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Philips, Mid 60s. Very Good
Groovy pop organ tunes from Brazil's famous organist! Walter plays in the light peppy style he used on his Verve albums, with plenty of nice organ riffing all the way through! Most tracks are bossa numbers, and titles include "Go Go Theme", "Counting Stars", "White
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