BMG (Brazil), 1978. New Copy
Seminal funk by one of Brazil's greatest groups! Earth Wind & Fire had nothing on Banda Black Rio -- as the Brazilian combo mixed together smooth jazz funk, soulful vocals, and great production, into a sound that rivaled any of America's best mainstream funk acts of the 70s! This album's
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Whatmusic (UK), 1960. New Copy
The title says it all -- as the record's an excellent jammer that takes a bossa nova groove, and infuses it with some heavier Afro-Cuban rhythms -- creating a jazzy style stuffed with infectious changes and killer instrumentation on percussion, vibes, piano, and flute. Titles include "Coco
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Marcos Ariel/Whatmusic (UK), 1981. New Copy
A lost treasure of Brazilian fusion -- originally released by keyboardist Marcos Ariel on his own tiny label in 1981! The set sparkles with the best of the larger Brazilian fusion scene of the time -- working in a post-Azymuth blend of keyboards, guitar, percussion, and Brazilian instrumentation --
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Odeon (Brazil), 1972. New Copy
Beautifully understated samba work from Joao Nogueira -- one of a number of excellent sides made for Odeon at the start of the 70s, all in a way that's slightly different than other work for the label. There's almost a sensitive singer/songwriter feel going on here at times -- a sense of
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Four Leaf Clover (Sweden), 1969. New Copy
Breezy bossa, with an icy jazz undercurrent -- and a rare 1969 session that pairs the mighty Sivuca with Scandinavian clarinetist Putte Wickman! The sound is incredible -- as Sivuca steps out on accordion, guitar, and vocals with a sound to match the groove of his legendary Vanguard albums -- as
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MELT 2000 (UK), 2000. New Copy
Airto's working with a bit of electronics here, but the album's still got plenty of greatness to offer -- loads of Mr Moreira's trademark percussion, mixed in with with a bit of flutes, cuica, and keyboards too! The production has a somewhat ambitious feel -- spreading Airto's sound out with wider
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Whatmusic (UK), 1965. New Copy
Vibes and piano galore -- a really wonderful little album from 60s Brazil, played by the Breno Sauer Quartet! The album's the group's follow-up to their great 4 Na Bossa -- and has them repeating the style of that one, by playing a host of popular 60s tunes in a sweet and jazzy bossa mode! Breno's
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Copacabana/EMI (Brazil), 1968. New Copy
Really lovely work from Elizeth Cardoso -- a late 60s session that provides a nice update of the famous sound she first started crafting back in the 50s! Despite the title, the record has as much "triste" as it's got "amor" -- a sad, almost heartbroken quality that's got plenty
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Odeon/EMI (Brazil), 1958. New Copy
Romantic vocals from the late 50s Brazilian scene -- a set that has a subtle dose of samba in the mix, and some very full-feeling lyrics from singer Dalva De Oliveira! The music's got the sort of quality you'd expect from the picture on the cover -- an over-illustrated take on the themes of the
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Biscoito Fino (Brazil), 2008. New Copy
Beautiful bossa work from trombonist Raul DeSouza -- a jazzy session that takes us back to his first 60s recordings as Raulzinho! The group's a quartet, with some especially nice work from Joao Donato on piano -- a player who really helps shape the sound of the record here, as the album almost
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Som Livre (Brazil), 1972. New Copy
Certainly one of the greatest albums by this excellent (and oft-overlooked!) group from the 70s! The band of young Bahians deliver a great mix of tracks tinged with bits of rock, funky samba, and even a few psychedelic influences -- with alternating male and female vocals, and some excellent
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RCA (Brazil), 1964. New Copy
A bossa combo that will keep you grooving forever! This crack mid 60s trio are of the same vintage as work by Brazilian legends like Sambalanco Trio, Milton Banana Trio, Bossa Tres, and other important bossa groups -- and they have the added importance of being led by pianist Antonio Adolfo, one
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Philips/Polygram (Brazil), 1977. New Copy
Sweetly jazzy, funky, and soulful work from Caetano Veloso -- a great departure from some of his headier work of the early 70s -- and proof that he still sounds great, even when in sweetly melodic territory! The album's got some full backings from Perinho Albuquerque, but the sound is never
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Philips/Dubas (Brazil), 1964. New Copy
Early bossa jazz from Sergio Mendes -- recorded with his famous Bossa Rio combo, in the years before he moved to America! The album's a classic in Brazilian jazz -- a tight album of bossa-inflected jazz tunes played with razor-sharp precision, handled with a style that went on to influence
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Odeon/Dubas (Brazil), 1979. New Copy
One of the greatest albums ever from Toninho Horta -- a set that's head and shoulders above most of his later work, and a record that we'd easily rank right up there with the best 70s albums from Milton Nascimento or Lo Borges! Like both of those artists, Toninho works here in a spacious, majestic
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Odeon/EMI (Brazil), 1969. New Copy
Early and lovely work from Beth Carvalho -- a set that's quite different than her later albums, with much more of a 60s bossa diva sound overall! Arrangements are by Lyrio Panicali and Gaya, and the album's got a warmly flowing groove that's right up there with more familiar sides from the Blue
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Universal (Brazil), 2008. New Copy
There's a retro-sort of look to the cover of this album from Paula Morelenbaum -- and the sound is pretty retro too -- a reworking of older Brazilian tunes from the bossa years and before! Production is sometimes modern, but never too much so -- and Paula mixes in a bit of contemporary influence
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EMI/Odeon (Brazil), 1973. New Copy
A wonderful early 70s release from Brazilian singer Taiguara -- a record of sublime complications, beyond description or compare! The album brings together so many different strands of music -- from ambitious Nascimento-like scoring to simpler, almost folksy moments, to some more complicated
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Dubas (Brazil), 1965. New Copy
A landmark in Brazilian music -- one of the best jazz recordings to come out of the country during the 60s! Saxophonist JT Meirelles heads up a crack combo that includes Luiz Carlos Vinhas on piano and Dom Um Romao on drums -- and the set bristles with the intensity of the best American 60s
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Odeon/EMI (Brazil), 1970. New Copy
We mostly know Angela Maria for her romantic albums of the late 50s and early 60s, but she sounds especially sweet here in a set from the start of the 70s! The record's got a compelling approach -- one that couches Maria's aging vocals in some more modern romantic trappings -- a bit of electric
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