Past & Present (UK), 1960s. New Copy
Groovy soul & 60s mod pop, but there's nothing cheesy about it -- a fantastic set of uptempo obscurities that range from sock hop pop, to storming Northern Soul, fuzzed out Hammond tunes, and beyond! The 14 tracks are split evenly between more soul & r&b based numbers, and fuzzier,
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Past & Present (UK), Late 60s/Early 70s. New Copy
Rare & raucous rock from the post psyche era UK -- rumbling rhythms, fuzzed out guitars and slinky, hypnotic melodies -- featuring tunes by The Rats, Taiconderoga, Rumplestiltskin, Putney Bridge, Rare Bird, Walrus and more! Most tunes have a walloping sound, but are too mysterious too fit in
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EMI/Shadoks, Early 70s. New Copy
Wild stuff from the South African scene of the early 70s -- a mix of thundering, propulsive blend of blues based rhythms with heavier, moodier textures and off kilter instrumentation! Heavy rhythms anchor most tunes, with the bass and drums holding together moody washes of organ, echoey guitar and
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Parlophone/Shadoks, 1971. New Copy
Rare South African power rock from Suck, who definitely do not suck -- fierce, hard charging, heavily rhythmic jams with straight up killer drums and rumbling groove that we'd put up there with some of the more raucous stuff that came out of the Haight Ashbury scene! The bass, drums & guitar
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Shadoks, 1978. New Copy
Rare late 70s DIY psychedelia from Brazil -- kind of sparely furnished, and with a raw sound, but loads of atmosphere! The sound was spun with nylon string guitars, bass, keys, drums, percussion and viola -- with the strings buzzing underneath emphatic vocals, and subtle changes in dynamics. One
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Guerssen (Spain), 1975. New Copy
Amazing sounds from Genesis -- a cool Colombian group who blend folkloric elements with psych styles, all in a sound that's completely unique! The group have a really haunting mix of wood flutes and guitars -- underscored by a bit of organ and rootsy percussion, and woven through with some
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Guerssen (Spain), Early 70s. New Copy
A haunting second set from Michigan folkie Dave Bixby -- recorded with a sound that's a bit more put-together than his first album, but still very much in the same moody territory! Bixby's very strongly in the lead on vocals and guitar, working through some heady themes on these wonderful little
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Community Library (UK), Late 70s/Early 80s. New Copy
San Francisco synth punk and aggro electro new wave from The Units -- barbed, caustic and exhilarating stuff that never really gotten the attention it deserved! In some ways The Units remind us a bit of Devo at their most brutish, but there not as conceptual or jokey -- really riveting stuff!
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Past & Present (UK), 1960s. New Copy
Fuzzed out psychedelia mined mostly from obscure 60s 45s from around the US -- rumbling rhythms, buzzing guitars, wailing organs and tripped out vocals from groups like The Shag, The Rogues, The Regiment, The Kegs, The Alarm Clocks and many more! The of the acts are total obscurities, and the set
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Past & Present (UK), Late 60s/Early 70s. New Copy
Early 70s freaked out psyche from the UK -- and a killer set all the way! Most of the stuff is from the fertile early 70 years that showed the wilder tendencies of 60s psychedelia blended with more of a primal rockishness -- plus some groovy numbers from the late 60s -- many of which have never
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Wooden Hill (UK), Late 60s. New Copy 2CD
British freakbeat, recorded in Italy -- and presented here in a massive package that's overflowing with 29 bonus tracks -- most previously unreleased, and including a rare collaboration with Ennio Morricone! The core album is totally great -- late 60s psych, but with drums that are more than heavy
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Buddah/Wounded Bird, 1968. New Copy
Bubblegum pop magic -- two classic albums from Ohio Express, back to back on a single CD! The self-titled Ohio Express album is a masterpiece of Buddah Records pop -- beautifully put together by the famous team of Jerry Kasenetz & Jeff Katz, with that sing-songy kind of groove that kept the
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Finders Keepers (UK), Late 60s/1970s. New Copy
Mad music from Jean-Pierre Massiera -- the legendary producer who was steeped in the hippest sounds of the French scene of the 60s, then moved to Quebec to forge a wild style that was all his own! Jean-Pierre rarely ever issued work under his own name -- and instead recorded under a host of
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Past & Present (UK), 1960s. New Copy
Lost 60s pop from the psychedelic era! The tunes on New Rubble Volume 4 are touched by the freer soundscapes and lofty imagery of the far reaching rock landscape of the time -- but done with an emphasis on easygoing pop hooks and accessibility -- despite the fact that most of the great tunes on
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Past & Present (UK), 1960s/1970s. New Copy
Psychedelic rarities from the UK scene of the late 60s & early 70s -- groovy obscurities from with both fuzzed out and driving guitars, spacey organ drones, and thundering drums -- with the rough edges working as a great counterfoil to some groovy harmony and wailing lead vocals. Nice stuff
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Locust, 1971. New Copy
An unearthed treasure of ethereal chamber folk and light psychedelia from Chicagoan Stephen Titra and some impeccable studio musicians -- beautifully well produced, but until now only ever appeared as a test pressing! OWL, or Of Wondrous Legends, has a quiet baroque feel to it, and there's lots of
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Phonokol (Israel), 1971. New Copy
A really great little prog gem from Israel's Shlomo Gronich -- his early 70s debut, with elements of psychedelia, traditional Jewish music, astral jazz and funk rock -- all of which makes it seem like it'd be a real mess, but it's blended masterfully! Multi-instrumentalist Gronich is on piano,
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Castle (UK), 1982. New Copy
The greatest album ever by the Fall? We're always tempted to say so -- because there's something here so perfect, so focused, it's hard to think of a better album to illustrate the genius of Mark E Smith! The rhythms are weirder, the lyrics more poetic, and the guitars a bit more razor sharp than
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Castle (UK), Mid 60s. New Copy
One of the most intense collections we've ever heard of work produced by the legendary Joe Meek -- mostly tracks from the last two years of his too-short life -- all filled with fuzzy guitar, screaming organ, and tightly snapping beats! There's a nascent psychedelic approach to most of these
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SGC/Castle (UK), 1968. New Copy
Genius early pop from Todd Rundgren & Nazz -- work that's much more hard-rocking than some of Todd's later hits, but still with an undeniable songwriting brilliance! Tracks are mostly short and simple -- based around plenty of lead guitar from Todd, and showcasing the lead vocals of Stewkey --
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