Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
ADC Band take a long stroke on the funky bass – borrowing all the best P-Funk elements from their Detroit counterparts – but also helping the music find a tighter, more focused groove too! ADC were a key part of that post-Parliament/Funkadelic generation who used George Clinton's best ... read moreCD
Afro Latin Vintage Orchestra —
Pulsion ... CD Ubiquity, 2014. New Copy ...
A darker groove than usual from this hip European combo – a record that still has their commitment to global sounds at its core, but which also comes across with these great 70s electric modes too – almost echoes of Dark Magus Miles Davis and Sextant Herbie Hancock – thanks to ... read moreCD
Francisco Aguabella —
H2O ... CD CuBop/Ubiquity, 1999. New Copy ...
One of the greatest new albums from this legendary conga player! Although Francisco Aquabella is probably best known to Dusty Groove customers for his 70's funk classic "Hitting Hard", or his work with the group Malo – in recent years, he's emerged as quite an important player on ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
Gyedu-Blay Ambolley —
Simigwa ... CD Academy, 1975. New Copy ...
A holy grail of 70s African Funk – and not just for the unusual look of the cover! The set's a really unique one – almost rootsier than most of the better-known Ghanian grooves of the time, but funkier too – with a brilliant blend of raw percussion, quirky basslines, and some ... read moreCD
(Limited to 1500 copies. CD comes with a 15 x 15 poster of the cover art.)
Gene Ammons —
Brasswind ... CD Prestige/Universal (Japan), 1973. New Copy ...
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but ... read moreCD
Aphex Twin —
Syro ... CD Warp, 2014. New Copy ...
The first proper full length album by Aphex Twin in more than a dozen years – and like all of his preceding efforts, he transcends all electronic music genre distinctions, delivering a sound that's distinctly his own – a sound that'll stand the test of time! Glance at the ultra-complica ... read moreCD
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell ... read moreCD
Sublimely satisfying work from Ashford & Simpson – a stone killer from the height of their late 70s glory days on Warner Brothers! The pair are working together wonderfully at this point – wrapped up in that blend of upbeat soul and righteous undercurrents that made them a real cut ... read moreCD
Fantastic! The lost link in the Chicago soul scene of the 60s was Baby Huey – and he was a pretty darn big link too, if you've ever seen him in pictures! Weighing in at about 300 pounds, Baby Huey was sort of a rockin' soul star who played clubs on both sides of the city, to audiences of ... read moreCD
One of Burt Bacharach's finest moments, and a soundtrack that we never tire of hearing! Burt wrote all the tunes – and the album's a wonderful romp, with lots of odd twists and turns that are quite different from Burt's usual bag (baby!), but which still have all of the charm of his best ... read moreCD
As One ... CD Mercury/Universal (Japan), 1980. New Copy ...
The Bar-Kays definitely groove as one on this tight little set – with amazing choppy guitar, bumping basslines, and brassy horns – all wrapped up with some wonderfully warm production! The group have come a long way from their fuzzier funk roots by this time, but they're still sounding ... read moreCD
Man, these guys really know how to groove – and even on a bigger label, with a more commercial image, they still manage to come up with a tight little set! There's a key ear for a bassline and beat that keeps The Bar-Kays standing stronger than most of their contemporaries – a sense of ... read moreCD
A pivotal album from The Bar-Kays – a key post-Stax set, but one that's still very firmly grounded in Memphis funk! The groove definitely shows a bit more polish than before – the same sort of shift the Ohio Players made after moving to Mercury Records – but as with the Players ... read moreCD
Funky wonderfulness from Gary Bartz – one of his hip sets from the early 70s recorded with his NTU group – a very righteous blend of soul, jazz, and funky elements! Huber Eaves plays some great electric piano on the record – and so does Bartz, alongside his usual soprano and alto ... read moreCD
George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's ... read moreCD
A funky jazz treasure – and the band's landmark first album! The Blackbyrds were a legendary 70s combo that were discovered by Donald Byrd while he was teaching at Howard University – and they had a tight style that mixed raw funk influences with smoother jazz playing, creating a sound ... read moreCD
Not the band's first album – as you might think from the "start" in the title – but a classic batch of jazzy, funky, and soulful grooves from The Blackbyrds – one of those combos that few groups could match back in the 70s! The set's got a beautifully put-together feel ... read moreCD
A jazz funk masterpiece, and THE record by the legendary Don Blackman – the only one issued under his own name for many many years, and a famous little set that's been sampled endlessly over the years, and for good reason! The vibe here is one that's barely been matched again – a blend ... read moreCD
(Remastered edition – completely new version taken from the original source master tapes!)
A massive amount of rare work from East Bay funk maestro Eugene Blacknell – an artist who never cut a full album, but managed to record a lot of great funky tracks over the years! This package is the first ever full length set to focus on Eugene's work, and it's a treasure trove of guitar-hea ... read moreCD
A collection of important early work by Ruben Blades – and easily one of the best examples of his tremendous talents in the 70s! The title is very well put, as Blades is both poet and bohemian on the record – hitting themes that are both personal and political in a way that other Latin ... read moreCD
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – ... read moreCD
Quite possibly the greatest album ever from California congolero Johnny Blas – a set that also has him returning to saxophone in addition to percussion, and which comes off with some of his sharpest grooves ever! There's a definite lean towards the jazzier side of the spectrum here – ... read moreCD
A killer album of Latin jazz tracks! This is most likely the best album that Johnny Blas has cut for the Cubop label – and it's stone solid all the way through. Johnny's playing here with his new band – and most of the tracks have a nice stripped-down lineup that features piano, conga ... read moreCD
A strange but great chapter of The Blue Notes – working here without Harold Melvin or Teddy Pendergrass, but still sounding pretty great on their own! This version of The Blue Notes is a male quartet – not the Melvin group with Sharon Paige who were recording for ABC – and they ... read moreCD
Bossacucanova serve up the kind of bossa they do best – a sweet mix of classic instrumentation and contemporary touches – but they also work here with some great help from a rich array of guest artists, all of whom really help the trio to deepen their sound! The vocalists are ... read moreCD
A sweet sweet collection of work from David Bowie – and a package that's heavy on rarities too – many of which only previously saw the light of day on bootlegs! The set's put together as an overview of Bowie's best years – but it's really more geared towards rabid fans like us ... read moreCD
Braen's Machine —
Underground ... CD Liuto Records/Schema (Italy), 1971. New Copy Gatefold ...
Heavy fuzz with a good deal of funk as well – a very unique set from the Italian sound library scene – and one that comes across with the feel of some lost psych record from the underground! The album was produced by Piero Piccioni – and features soundtrack/sound library maestros ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Peter Brotzmann/Adasiewicz/Edwards/Noble —
Mental Shake ... CD OTOroku (UK), 2014. New Copy Gatefold ...
A brilliant free improvisation from a really great lineup – a quartet that brings together the legendary reed work of Peter Brotzmann and the vibes of Jason Adasiewicz – already great enough on their own, but matched here with the bass of John Edwards and drums of Steve Noble – ... read moreCD
A killer from James Brown – and one of his best instrumental albums of the King years! The record has James working with the pre-JBs James Brown Band – a tight assemblage of players who really know how to craft an off-kilter groove. The guitar's popping on the beat here as much as the ... read moreCD
Not just a "best of" from James Brown's legendary recordings at the Apollo Theater – but a set that also unearths two rare tracks from the never-issued album Get Down At The Apollo With The JBs! The core of the set presents the best moments from Live At The Apollo Volumes 1, 2, and ... read moreCD
An enduring classic from James Brown – quite possibly the strongest of his late 70s albums, and a record that nicely balances the harder funk of the early part of the decade with a more sophisticated style that almost gets slightly jazzy at times! The vocals are planted strongly at the top ... read moreCD
James Brown screams at the beginning of the record – "I'm Back! I'm Back!" – which is his proclamation that he was ready to take on a whole new generation of funk music – grooving with a new sound that was guaranteed to hit as big as it did in earlier years! The ... read moreCD
James Brown really opens up on this early 70s classic – really showing the world the amazing groove he was crafting with his band – who were let loose to jam in the studio, spinning out some really long grooves – which were then cut down to make this sweet little record! The ... read moreCD
Massive – and one of the best James Brown compilations ever, filled with rare and unreleased material! This completely essential set features tracks pulled from James' best years ever – the mighty early 70s, when he was working with the JBs, and laying down tracks that would forever ... read moreCD
Further genius from James Brown at the start of the 70s – a record that's starting to show some of the more open-ended grooves he'd explore with the JBs on their own albums – longer, stretched-out tracks that are way more than simple funk and soul! There's a sense of freewheeling ... read moreCD
A stunning set of rare and unreleased grooves by James Brown – nearly all of which were cut during the classic early 70s years with the JBs, but never issued before this cool compilation! The set's got some essentials for any fan of JB – including the lost soul classic "She's The ... read moreCD
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... read moreCD
Subtitled "Live At the Apollo Vol 3", but waaay better than any of the earlier volumes, this monster 2LP live set has James and the JB's wailing away in a freewheeling live set of hard hard hard funky grooves. Excellent work by the band, and a great way to see how sharp they were out of ... read moreCD
Easily one of the funkiest albums that James Brown ever recorded – and one of his few entries into the blacksploitation genre of the 70s! James really outdid himself for this one – working at a hard burning pace that had the JBs cooking up some killer funk for just about every number ... read moreCD
James Brown —
Super Bad ... CD King/Universal (Japan), 1971. New Copy ...
Super Bad is right! This is hard-hitting funky James – from the badass cover right down to the extended tracks on the record, which point the way towards the hard live jamming of the classic Payback years! Everything wonderful is in place on the set – from the band's grooves at the ... read moreCD
Raw power and righteous energy from James Brown – a set that still has all the best funk elements of his longer-form albums of the time, but which also packs an even stronger political message too! The vibe of the record is clear from the image on the cover – the most powerful since ... read moreCD
Trend-setting vocal work from Oscar Brown Jr – one of the hippest singers of his generation, and a vocalist who really took things to the next level in the 60s! Brown's got a sound that's partially influenced by the vocalese of Eddie Jefferson, Jon Hendricks, and other singers of the 50s ... read moreCD
A stunning debut from drummer Otis Brown III – a player you may know from his work with Esperanza Spaulding, Somi, Joe Lovano, and others – stepping forth here with a rich musical vision of his own! The set was co-produced with Derrick Hodge, of Robert Glasper's group – and ... read moreCD
A funky riff on some of the mightiest slabs in the Black Sabbath oeuvre – done up masterfully by Adrian Quesada and the Brownout collective! Where the Sabbath originals are all lumbering menace and sludgy rhythms, Brownout brings in Latin funk percussion, tripped out keyboard textures and ... read moreCD
One of the coolest collaborations of Dave Brubeck's years at Columbia Records – and one of the greatest jazz sessions from vocalist Jimmy Rushing too! On paper, the modernist Brubeck and Kansas City roots singer Rushing would seem to be a very unlikely pair – but by this time in his ... read moreCD
One of the hardest, heaviest albums that Ray Bryant ever cut – even on the ballads – a monster little record that grabs you from the very first note! Ray did the arrangements for this one himself – working with his core trio that featured Ron Carter on bass and Grady Tate on ... read moreCD
A monster – and one of the best jazz funk albums ever on Prestige! Rusty Bryant blows his top off on this one – taking his tenor stylings out of the more staid R&B mode of earlier years, working with some younger heavy funk jazz players to craft a brilliant album of long searing ... read moreCD
A rare treasure – material that Kenny Burrell recorded for Columbia in the early 60s, but which wasn't ever issued until an early 80s LP! Ostensibly, the sides were recorded around the same time as Kenny's Weaver Of Dreams album for Columbia (an obscure enough session in itself!) – and ... read moreCD
Gary Burton —
Duster ... CD RCA (Japan), 1967. New Copy ...
A really incredible record from the great Gary Burton – a key 60s set that definitely has him finding a musical voice that's all his own – a way of using the vibes that nobody else had ever attempted before! The instrument is a flurry of chromatic beauty – tones and light ... read moreCD
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve ... read moreCD
Charlie Byrd gets some top-shelf treatment here – in a wonderful album of tunes by Antonio Carlos Jobim, all recorded with full backing arrangements, and sound quality that's a lot better than some of Byrd's previous albums! The setting has Charlie's acoustic guitar right up front in the mix ... read moreCD
A killer from the legendary Cadillacs – maybe our favorite group on the east coast scene of the late 50s, and one of the few we can really depend on for a wonderful sense of range! The Cadillacs have a power that matches some of the bigger names of the time, especially The Drifters on ... read moreCD
Early Cameo at their best – tight, funky, and totally out of sight! The groove here is very different than their 80s work – and the group have this amazing way of focusing all their energy down on the rhythm together, and snapping things along with a really unique approach to funk ... read moreCD
Stunning stuff – and one of the best-ever Latin soul albums of all time! Despite the fact that Eddie Cano's earlier albums are more in a Latin easy mode, this late 60's side for Dunhill is totally smoking – and probably his greatest album ever! Forgive the superlatives, but we're ... read moreCD
Larry Carlton live in Tokyo – really sounding great in the stripped-down vibe of a concert performance! At the time, Carlton was still one of the most focused jazz fusion guitarists of his generation – really able to hone in on a great style and sound, with all the best expressive ... read moreCD
An excellent bit of Latin groove – one of our favorite crossover boogaloo sets from the 60s, and easily some of the greatest work ever by Jimmy Castor! And yes, this is the same Jimmy Castor who's known for his funk albums of the 70s – but back in the day, he was open-minded enough to ... read moreCD
skooA wonderful treasure from the early 80s soul scene – the first album from Champaign, and an instant winner right from the start! The group may not have been one of the bigger names of their time, but they really won a lot of favor with soul listeners over the years – and this album' ... read moreCD
Rumble ... CD Jubilee/Warner (Japan), 1959. New Copy ...
One of Jubilee Records' excellent collections of earlier vocal group material – served up in a cool covered package with some nice Scorpio Rising overtones! The collection doesn't exactly come across with the violence implied by the name, and most material here has a style that's older than ... read moreCD
One of the greatest girl groups of the fifties – and one of the few who could sing with the same sort of depth as the best male lineups of the time! The Chantels really know how to hit on all burners when they get going – which they do here – and their work of the time is hardly ... read moreCD
A mighty collaboration between Stanley Clarke & George Duke – working here in a pairing that refueled both of their careers for the 80s! In previous years, both Clarke and Duke had a penchant for really stretching out in complex, experimental modes – but here, they're playing in a ... read moreCD
Cleftones, Crows, Harptones, & Valentines —
Teenage Party ... CD Gee/Warner (Japan), 1958. New Copy ...
A wonderful collection of late 50s vocal group material – all of it originally recorded for the excellent Gee label, one of the best NY indies of the time! The tracks here are as tight as anything in the pop realm at the time, but still really retain all the rougher, more personal vibe of ... read moreCD
Funky Dennis Coffey – classics from his years at Sussex and programmed with one funky instrumental jam after another – 20 tracks from one of the maddest, hardest grooving, most genre-bending figures from the 70s Detroit scene! There's a rawly rumbling underbelly to the material, funky ... read moreCD
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, ... read moreCD
One of the few albums ever cut as a leader by trumpeter Johnny Coles – a player who's probably best known to the world for his work with Charles Mingus, or for his other 60s session on Blue Note! This album's quite different than both of those aspects of Johnny's career – and has him ... read moreCD
The mellower of Lyn Collins' two albums for the People label – but still pretty darn fantastic! At some level, it seems like Lyn's taking on the rest of the soul industry – showing them that she can kick some major booty on her interpretations of hits like "Backstabbers", ... read moreCD
Great stuff – and a very sharp album cut by Willie during the Latin soul era, featuring a bunch of tracks that veers more towards the boogaloo side of things than his later albums! The groove is nice and hard – stripped down with the youthful energy that Willie brought to the scene at ... read moreCD
Lost genius from the great John Coltrane – a never-issued set, but one that's attained legendary status over the years – thanks to its placement in the Impulse Records vaults! The performance is amazing – filled with soul and spirit, and so much searching that at one famous point ... read moreCD
A classic set of spiritual fusion from this short-lived allstar group Compost – featuring Harold Vick, Bob Moses, Jumma Santos, and Jack DeJohnette! Vick's at his moody soulful best here, in a mode that's similar to his Strata East work – and the record also features occasional vocals ... read moreCD
Funky genius from Con Funk Shun – working here under the production helm of Skip Scarborough, who seems to give them an even sharper edge than usual! The album's filled with those tightly compressed rhythms that Skip was so great in producing back in the 70s – grooves that seem to make ... read moreCD
Con Funk Shun —
Secrets ... CD Mercury (Japan), 1977. New Copy ...
A great early album from Con Funk Shun – a mix of funkier tunes and some excellent smooth modern ones in step with the mellower work by Cameo or Maze – done with more soaringly emotional sounds that moves beyond their peers! A love for earlier 70s styles might be what pushes Secrets ... read moreCD
A self-titled set that features a nice batch of lesser-known gems from Sam Cooke's early 60s years on RCA! Lots of the material here is a nice contrast to some of the hit-heavy Cooke sets on the market – not that those aren't great, but it's just good to hear some of the other sides of Sam's ... read moreCD
Smoking Hammond work from the young Dave Cortez – sounding grittier here than on some of his other albums of the time – less pop, and almost with a soul jazz vibe overall – especially given some of his snakey solos! The record may be the closest that Cortez ever came to sounding ... read moreCD
A real treasure – and the best album in years from Latin percussion maestro Jack "Mr Bongo" Costanzo! Jack's moved past the bongo rhythms that he was famous for in the 50s and 60s, and is working here as the lead congolero in a tight group that features some bright young west coast ... read moreCD
A slammer from percussionist Jack Costanzo – returning to the strength of his work from the 50s and 60s! Jack's playing here with a host of strong California Latin jazz musicians – in a freer style than his earlier work for Liberty, and filled with a fire that you'd hardly expect, ... read moreCD
A surprisingly righteous little album from Stanley Cowell – a set cut after his more famous music for the Strata East label, but one that still hangs onto a similar vibe! The style's a bit tighter than before, but still filled with soul and spirit – thanks to a lineup that includes ... read moreCD
Crosby, Stills, Nash, & Young —
CSNY 1974 ... CD Warner, 1974. New Copy ...
Just Sold Out!
Legendary live work from one of the greatest supergroups of all time – never-heard material from their famous concert tour of 1974! Neil Young is a key part of the lineup of Graham Nash, David Crosby, and Stephen Stills – and the quartet harmonize and trade leads beautifully on a set ... read moreCD
Miles Davis —
Aura ... CD Columbia, 1989. New Copy ...
One of Miles Davis' last albums – and a swirling batch of "color" tracks that's almost a blending of his Gil Evans work with the early electric years! The album's one long extended suite – and it's got a moody feel that's really great – a shifting, shimmering sound that ... read moreCD
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to ... read moreCD
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... read moreCD
Karl Denson's Tiny Universe —
New Ammo ... CD Stoopid, 2014. New Copy Gatefold ...
Just Sold Out!
Karl Denson's definitely got some new ammo this time around – a sharper, more hook-based approach to work with his usual funky groove! Denson's tenor and flute are still strong in the mix, and the record's still got the requisite Hammond, Fender Rhodes, funky basslines, and horns – but ... read moreCD
Funky keyboards galore – and one of the greatest records ever from this legendary Brazilian jazz talent! The album follows nicely off Deodato's Prelude classic for CTI – and like that one, this set's built on long-flowing tunes that rise and fall with a wonderful sense of rhythm – ... read moreCD
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it ... read moreCD
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... read moreCD
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond ... read moreCD
A dream of a set – at least to our Brazilian-loving ears – a special package that brings together all the best Brazilian-flavored cuts from George Duke's late 70s run on Epic Records! The package is filled with wonderfully sunny grooves throughout – tunes that sparkle and soar ... read moreCD
One of the greatest albums ever from organist Charles Earland – a double-length set that's filled with spiritual, soaring grooves! The style here is a perfect blend of the rougher soul jazz of Earland's roots with some of the spacier styles of his later recordings – served up in a ... read moreCD
Genius, pure genius! It was hard for Earth, Wind & Fire to go wrong at this point – and the album's a stellar blend of jazz, funk, and soul, all done in that perfect style they'd hit by the mid 70s. And even though this one was a monster album, of the type that you see in everyone's ... read moreCD
Great stuff! Although a live album, Gratitude is one of Earth Wind & Fire's greatest from the mid 70s – a very tight batch of grooves that proves that Maurice White & Co. could play just as well on stage as they could in the studio – and the noise of the crowd going wild is ... read moreCD
Spiritual, soulful, and oh, so beautiful! This record captures Earth Wind & Fire at a perfect transition moment – when they've still got some of their avant jazz roots, but are leaning towards the smooth soulful funk sound that put them on the charts a few years later. The whole thing's ... read moreCD
A big hit for the group – and a great album of smooth funky soul! Spirit is a perfect example of the way that Earth Wind & Fire could tighten things up, yet still keep them real – holding onto the deeply spiritual side that first made them great – but also focusing their ... read moreCD
Amazing! Earth Wind & Fire's ultimate moment of the 70s – and a perfect blending of all their influences that stands as a lasting tribute to their super-huge effect on soul music! The record features all aspects of the band coming into perfect cohesion – bassy funk, mellow soul, ... read moreCD
One of the Duke's greatest jazz recordings – and an album that features some incredible solo work on piano – at a level with other modernist small group sessions in the Ellington catalog, like Money Jungle or Live at the Whitney! As the title says, Duke's piano is very much in the ... read moreCD
A really classic album from The Emotions – much harder and grittier than their earlier singles from Chicago, and quite different than their later sounds in the Earth Wind & Fire generation! The style here is almost funk – and definitely gets pretty close on a few cuts – ... read moreCD
Tremendous work from The Equires – a Milwaukee soul quartet from the 60s, but one who worked heavily on the Chicago scene of the time – often at a level that matched the best of their Windy City peers! Like The Artistics or Chi-Lites, these guys have a tremendous sense of harmony ... read moreCD
Shelly Fabares —
Shelly ... CD Colpix/Warner (Japan), 1962. New Copy ...
The lovely Shelly Fabares was first a star on the TV screen, but she turned out to be a hell of a pop talent as well – really just the right sort of personality for dreamy little tunes in the style of Joanie Summers at the time! Production is full and rich – handled by the great Stu ... read moreCD
We love the idea of spending the summer with Shelly Fabares – especially if it would sound as groovy as this rare gem from the 60s! Shelly's not the best singer you'll ever find, and the tunes here are hardly personal tunes from her heart – but the album's production and presentation ... read moreCD