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Dark and moody folk-psych from the American underground – a record once included on a list of "Top Ten Records Most Likely To Be Owned By A Serial Killer"! We're not sure if the set's as nasty as that might imply – as there's actually a heartfelt, almost earnest quality to... read more

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Titles include "Freddy Blue Eyes", "Party Lights", "Foxy", "Dancin Party", "Disappointed", "Party Time", "What Kind Of Party", and "My Turn To Laugh".... read more

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One of Doug Clark's bawdy frat rock-soul party LPs on the Gross label – with his trademark "blue" material for adult listeners, backed up by raunchy R&B riffing! The general style's a bit dated, but it's also the kind of album that paved the way for Rudy Ray Moore in the 70s. ... read more

The first album cut by party favorites Doug Clark & The Hot Nuts – a raw mix of comedy and music, done in the fast-talking style that they served up to countless gatherings in the south! The album's perhaps a bit less blue than some of the later work, but also possibly more compelling... read more

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Hard-slamming genius from pianist Sonny Clark – one of his greatest albums for Blue Note, and a real cooker that's served up with an all-star group! Clark's vision has never been tighter or fuller than on this album – save, perhaps, for the magnificent Cool Struttin – and his... read more

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A quartet of lovely ladies, serving up their renditions of classics from the swing era – all done in sweetly scatted versions! Most numbers begin with these great wordless vocal passages that establish the tunes before the main lyrics come in – setting the scene like the horns in a... read more

An excellent album of strident female soul tracks! Sure, the Clark Sisters were a gospel group – but their crossover single "You Brought The Sunshine" is a massive dancefloor track, with a stepping 80s groove that keeps on going strong, and which has the same crossover sense of... read more

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One of the first albums from guitarist Kenny Burrell as a leader – a date that has him working with players from his hometown scene in Detroit – in case you couldn't guess from the title! Kenny's style here is a bit different than on the Blue Note dates of the time – almost a bit... read more

Stanley Clarke may be on a journey to love – but that doesn't mean that the album's too sweet or romantic! Many tracks here still have the harder edge and sharper lines you'd expect from Clarke's key 70s fusion reputation – the kind of rock-influenced styles that crossed over big at... read more

A bit more high concept than before for Stanley Clarke – almost a suite of sorts, but one that still has some great standout tunes in the mix! Although Clarke used to bring his higher concepts to bear in the space of a single song, this one's more of a full exploration of the character in... read more

Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized... read more

Time Exposure has a lot of 80s electro funk in the mix, particularly Clarke's impeccable bass lines, which are heavy throughout. Titles include "Play The Bass '10", "Heaven Sent You", "Speedball", "Future Shock" and the great title track.... read more

Great early genius from the Clarke Boland Big Band – proof that Kenny and Francy were onto something great, right from the start! The album really has the group hitting the heights of their MPS years – stretching out way past earlier big band modes, into the hip mix of rhythms and... read more

One of the greatest records ever by this hip jazz ensemble – and one of their most unique! The record has the band grooving hard through two incredible suites of Latin music – Gary McFarland's "Latin Kaleidoscope" and Francy Boland's "Cuban Fever" – each of... read more

A cheap package, but some rare live work by the Clarke Boland group – with Sahib Shihab on flute and baritone, Fats Sadi on vibes and vocals, Joe Harris on percussion, Francy Boland on piano, and Kenny Clarke on drums! Titles include "Night Lady", "Ya Ya Blues", "Jay... read more

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A great mix of modes – and a set that represents a real turning point in the career of Otis Clay! The rougher edges of Clay's Chicago soul are warmed up here substantially by producer Willie Mitchell – bubbling up some Memphis soul for Otis, in a style that's similar to some of his... read more

A classic from the undisputed master of the swing jazz jam session! Jumpin' At The Woodside has Buck Clayton recreating a Count Basie vibe, but in a much more open-ended, and long-grooving way! Most of the tracks on the record are nice and long – really opening up with a solo-heavy, jam... read more

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Righteous and rocking soul from Merry Clayton! The set was done in LA with arrangements by insiders that include Jerry Peters, Carole King, and Billy Preston – and features some tight and sometimes funky backing from players that include David T Walker, Wilton Felder, Paul Humphrey, and... read more

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The standout classic from Curtom disco diva Linda Clifford – and an album that showed that Chicago could rival Philly in the clubby groove department! Linda has a proud presence that really matches that of her better-known sisters in the City Of Brotherly Love – and she's singing here... read more

A bit over the top – and the kind of record that might have bankrupted Curtom in its later years! Linda's very much in full-disco mode, singing to long clubby arrangements by Gil Askey that have more strings and less soul than previous efforts. The one saving grace of the album is the cut... read more

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Great post-Parliafunkadelicment work from George Clinton – surely the biggest hit of his albums for Capitol – especially since it features the singles "Atomic Dog" and "Loopzilla"! We'll be honest in saying that at the time this one came out, as die-hard Detroit... read more

One of the holy grails of the Spaced Out club music scene! Patrick Adams produced and arranged (and wrote and probably performed) this stunning set of spacey club grooves with a cool electronic feel, and a nice sense of mid to up-tempo rhythms. Includes the classic "Atmospheric Strut",... read more

A slightly sweeter version of Cluster than on previous records – a bit more focused, tuneful, and rhythmic – thanks to some great use of the "rhythmusmaschine"! Most numbers here have a slightly pulsating feel – one that really prefaces the electronic modes that would... read more

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Titles include "Quadrant 4", "Moon Germs", "Stratus", "Do What Cha Wanna", "Panhandler", "Pleasant Pheasant", and "Red Baron".... read more

Tight electric fusion from Billy, with some funky drumming, and some tracks that are a bit more subdued. John Scofield is on guitar, Richard Davis plays bass, and Billy drums, plays moog, and handled most of the arrangements. With "Life & Times", "Siesta", "Earthlings&... read more

A very full-on hard heavy fusion album! Drummer Billy Cobham lays down some massive hard beats, while Tommy Bolin wails away on guitar, Jan Hammer pounds on electric piano, and Lee Sklar noodles on electric bass. 2 cuts feature a different lineup with Joe Farrell and Jimmy Owens – but the... read more

Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including... read more

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Finally – the long overdue release of one of the funkiest soundtracks ever! The music to Black Belt Jones has always been the stuff of legend – mostly only issued as a promo single back in the 70s, but funky enough that it's ranked among the best soundtracks of the decade! The score... read more

A landmark LP of guitar-based funk! Dennis Coffey had been playing, arranging, and producing all over the Detroit soul scene by the time this album came out – so it wasn't like he really needed a hit to get paid or anything – but the record forever marked him as a guitar player to be... read more

Classic funky groovers from Dennis Coffey – with his hard guitar sound gettin' all fuzzy over some loud drums and funky Sussex production! This one's still very much on the "Scorpio" vibe, when the label was keeping things nice and hard – and before Dennis got a bit hooked... read more

A stunner! You'll probably never find this rare first Dennis Coffey album in the original, so you owe it to yourself to snatch up this funky funky reissue of stripped down guitar breakbeat jams! The record has Coffey playing his trademark fuzzy guitar, along with his early group that included the... read more

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A reading of Duke Ellington's famous suite of tracks, in a performance that features Norma Winstone on the vocal tunes – and which has some extremely strong solo work from Richard Sudhalter, John Davies, Keith Nichols, and Paul Nossiter. Titles include "West Indian Dance", "Com... read more

Tremendous horn interplay from the team of Al Cohn and Zoot Sims – and a record that may well be one of the best illustrations of their famous magic together in the 50s! The record's got a way of focusing energy, yet letting each player state themselves clearly and cleanly – almost a... read more

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One of the most beautiful records we've ever heard from the legendary Phil Cohran – a previously-unissued performance from 1993, and one that's every bit as wonderful as his rare albums of the late 60s! The set was recorded at the planetarium in Chicago – and for the date, Cohran comes... read more

An amazing bit of music – and an incredible document of generations of creative jazz energy as well! The legendary Phil Cohran teams up here with Hypnotic Brass Ensemble – a collective made up of Cohran's sons, who follow strongly in the rich legacy of his own Artistic Heritage group... read more

Funky Latin breaks and very groovy grooves – the kind of record that you hear for only a second, and say "oh yeah, this is the stuff!" Coke were an obscure Florida combo who mixed together Latin, funk, and soul – served up in a crossover style that's halfway between the sound... read more

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Arranged by Richard Wess – and Ike sings "For Love Of Ivy", "I Will Wait For You", "Windmills Of Your Mind", "My Personal Property", "That Night", and "The Way That I Live".... read more

Arranged by Leroy Holmes and Arnold Goland – and titles include "Two Strangers In The City", "The Same Old You", "Strangers In The Night", "The More I See You", and "The Wishing Doll".... read more

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Vintage recordings by this famous trumpeter – some with Django Reinhardt on guitar, some with Herman Chittison on piano!... read more

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A Latin monster – and one of our favorite albums from the New York scene! The record is the only one we've ever seen from pianist Earl Coleman – and it's a groove-happy fiesta that's every bit Spanish Harlem at its best. Earl's piano is flowing and free, and the band grooves through... read more

Essential stuff! This is one of Ornette Coleman's greatest albums – and it was recorded during a period when he just couldn't miss! The group features Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins on drums – working here with a lively dancing sound on the kit,... read more

The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension... read more

One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from... read more

An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic... read more

A landmark in modern jazz – from the stark stares of the band on the cover, to the starkly haunting music in the grooves! Ornette, Don Cherry, Charlie Haden, and Ed Blackwell make severe statements about the future of modern music in tracks like "Humpty Dumpty", "Beauty Is a... read more

A very hip LA ensemble – featuring Gary Pack and Steve Spiegl on trumpets, and Tom Baker on trombone – directed by Jack Wheaton.... read more

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What can we say? Bootsy's on top of the world here – not only The Player Of The Year, but also the most soulful artist in the P-Funk stable, and a master of the smooth, sly, slinky groove that would forever be taken up by bands from LA – both in the immediate soul years and in later... read more

Bootsy's tightening things up a bit from before, but still sounding plenty darn great – that classic Collins groove in all its P-Funk glory! All the best elements are certainly in place – production by George Clinton and Bootsy, horn arrangements by Fred Wesley, and the slinky soulful... read more

Solo guitar from Cal Collins!... read more

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The mellower of Lyn Collins' two albums for the People label – but still pretty darn fantastic! At some level, it seems like Lyn's taking on the rest of the soul industry – showing them that she can kick some major booty on her interpretations of hits like "Backstabbers",... read more

The funkiest album ever recorded by Lyn Collins – one of the few sock-soul divas working with James Brown who got a chance to cut a full LP! The album's got Lyn shifting between heavy funk numbers and mellower soul cuts – really pushing things to the max with an incredibly deep take on... read more

Obscure spiritual avant garde material, recorded in San Francisco by the little-known sax player Ray Collins. One track on the album, "Catchin The NY Subway", is fairly straight, and played with a larger group. The rest are sparer, and more out – and include "Images of... read more

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Rare Afro Rock from Nigeria – a really cool fusion of African funk and dexterous guitar – served up with plenty of hypnotic touches! Although we've dug their tracks on compilations over the years, we've never been lucky enough to hear a full album by Colomach – and are blown away... read more

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Great stuff – and a very sharp album cut by Willie during the Latin soul era, featuring a bunch of tracks that veer more towards the boogaloo side of things than his later albums! The groove is nice and hard – stripped down with the youthful energy that Willie brought to the scene at... read more

A roots-oriented 70s classic from Willie Colon – one of his standout albums of the decade! Willie continues his "life of crime" approach for the early 70s – moving into an old west look on the cover, and matching that with a slightly rootsier sound on the album! The real... read more

An amazing little record from Willie Colon – one that has him stepping forth into the limelight as both singer and leader – after years of working with better-known vocalists like Hector LaVoe and Ruben Blades! But even more than the vocals the thing we really love here are the... read more

A solid 70s session from Willie Colon – a combination of a few tracks from previous efforts, mixed with other new ones, all featuring lead vocals by the wonderful Hector Lavoe! The work on the album's the kind that was so influential at the time, it's almost hard to hear how important it was... read more

Swirling spiritual work from Alice Coltrane – an incredible trio album that features her heavily on harp, plus a bit of piano – in a trio with Ron Carter on bass and Rashied Ali on drums! The sound is wonderful – lush, yet contemplative – in a personal style that really... read more

A perennial favorite in the John Coltrane catalog – a beautiful set of standards, handled in a warm laidback style – one that shows that Trane's groundbreaking group with Jimmy Garrison on bass, Elvin Jones on drums, and McCoy Tyner on piano could still express themselves with even more... read more

A perennial favorite in the John Coltrane catalog – a beautiful set of standards, handled in a warm laidback style – one that shows that Trane's groundbreaking group with Jimmy Garrison on bass, Elvin Jones on drums, and McCoy Tyner on piano could still express themselves with even more... read more

A beautiful name for a beautiful record – a classic set of hardbop material from John Coltrane's early years as a leader – and a session that has him working with Donald Byrd on trumpet, Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums! The album's got a beautifully... read more