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A landmark album from Boyz II Men – and a set that shows that the classic harmony style was alive and well into the 90s! Although the production and rhythms here are somewhat contemporary, the vocals have a classic approach all the way through – maturing masculine soul styles that are... read more

Smooth, chart R&B and new jack slow jams from one of the iconic groups of mid 90s urban radio in English and Spanish versions from the original album. Jimmy Jam and Terry Lewis, Dallas Austin, Babyface and the Darp Inc crew provide syrupy backing for the Boyz's sweet 90s soul harmonies. ... read more

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A beautiful tribute to the genius of trombonist/arranger Melba Liston – and a set that doesn't just copy her music, but really opens up a whole new spirit from its inspiration! Reedman Geof Bradfield composed all the tracks in the set, and puts things together with a spirit that's not unlike... read more

A brilliant reinvention of the Bobby Bradford/John Carter partnership – a key force on the LA avant scene of the late 60s and early 70s – still filled with fire in this later recording! Bradford's cornet has lost none of its force – and the real shift here is Carter, who works... read more

Gritty, powerful raw soul from Charles Bradley – the full length debut from the 62-year-old Brooklyn singer – backed perfectly by The Menahan Street Band! It's incredible, a record that sounds just as rawly emotional and impeccably soulful in 2011 as it would have in 1971 – much... read more

Damn amazing work from Charles Bradley – an instant soul classic for all generations, as you'll hear from the very first note! Not only are Bradley's vocals incredible – the kind of once-in-a-long-time approach he brought to his debut – but the backings and production are... read more

Wonderful grooves from trombonist Jeff Bradshaw – arguably one of the only artists to keep the Hidden Beach sound going this strongly over the years! The album's a double-length set – which means even more magic than usual from Jeff – still plenty of those sweet instrumental... read more

Ah, yes, it's a sunshine day, alright – and this batch of groovy, polyester 70s TV pop fits just right! God help us for admitting this, but these goofy, well arranged, dumb fun numbers from the Brady Kids 70s LPs are a heck of a good time, and a pretty true distillation of 70s vanilla pop... read more

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A set that definitely lives up to its title – a stone stormer from Brainstorm – one of the tightest funky ensembles of their generation, and one of the few who could go deep while still laying down a groove! The set's got a perfect balance of modes – enough of the appeal of... read more

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Brand New Heavies back in action – and sounding every bit as great as always! The group still has that sublime mix of soul, jazz, and funk that's made them so great right from the start – a mode that's steeped in classic influences from the 60s and 70s, yet finds a way to come out... read more

A tremendous collection of work from Inge Brandenburg – a German jazz singer who never made it big on our side of the Atlantic, but who cut some excellent English language recordings in the 50s and 60s! The package features a great range of tunes from Inge – pulled together to... read more

Bold bass saxophone sounds from the overlooked Helmut Brand – a German player of the postwar years, and one with a sense of tone and texture to rival that of Gerry Mulligan at his west coast best! The work here is all previously unreleased, but shows Brand as one of the key reed innovators... read more

A Christmas jazz album – even though you might not guess it from the title and cover – and one that really takes a fresh approach to a wide range of Holiday classics! Guitarist Craig Brann isn't content to simply rehash old melodies – and instead really steps out with creative... read more

15 classic tracks from Brass Construction – featuring mid 70s tunes lifted from the group's well-selling albums on United Artists! The tracks are a blend of disco, soul, and funk – with more than a bit of the horn-heavy groove that earns the group their "brass construction"... read more

A classic set that goes "slam" from the very first note – and which helped to set the pace for countless ensemble funk acts to come! Brass Construction had a wonderful sound that was the best-realized version of the east coast indie club combos of the mid 70s – funky at the... read more

Brass Construction's fifth album, and the group's still grooving harder than most of their contemporaries! The legendary Randy Muller is still fully in charge here – serving up his trademark lean, mean arrangements that compress all elements of the music firmly on the beat – all in a... read more

The second album from Brass Construction – heavy horns, basslines, and stellar dancefloor grooves – a stone classic! The first one was totally great, but they cast a wider stylistic claim on II – their trademark funky sound is still very firmly in place, but they bring more to... read more

Even at an early age, Anthony Braxton was already experimenting with new forms of jazz composition – and this 1968 debut as a leader is filled with the imaginative approaches to music that would make him a key shaper of jazz in the next decade! The tracks here are all quite long, and... read more

One of Braxton's great records for BYG, and like the other one, a very cool session that has Braxton playing in a vibe that shows his AACM roots much more clearly than a lot of other sessions. He's playing here with a number of other Chicago expatriates, including Leroy Jenkins, Steve McCall, and... read more

An amazing moment in 70s jazz – the real rise of reedman Anthony Braxton, yet on a label that was also known mostly for pop, rock, and soul recordings! Braxton on Arista should have been a disaster – but instead, the label gave Anthony a huge amount of freedom – and, if anything,... read more

One of Anthony Braxton's first great recordings with a larger group – a really impressive array of sounds and tones that takes his compositional experiments to the next level! Tunes here are all those complicated Braxton formulas from the 70s – carried out by a host of equally-imaginati... read more

A very angular trio recording from Anthony Braxton – one that features drums from Tony Oxley and bass from Adelhard Roidinger – and a range of great reeds from Braxton! Oxley's presence is especially important here – as the set was recorded in that great late 80s stretch when he... read more

An excellent session for BYG! Anthony Braxton is recorded here with a number of other Chicago AACM players, including Steve McCall, Leroy Jenkins, and Leo Smith. The instrumentation includes an amazing range of oddball sound sources, including Hohner Organ, sirens, logs, mouth organ, sound... read more

Braxton and Ellington appear here as composers of the work, not as performers – but the spirit of both is alive and well in this performance, breaking out in complicated waves of sound that recall the earliest moments of the former, but which are also informed by the concepts of freedoms put... read more

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An incredible little record with a sound that's unlike anything else we've ever heard before – a set that mixes jazzy inflections on vibes, organ, guitar, percussion, and flute – the last of which is played here by a young Hermeto Pascoal! The set was done after Pascoal's work in... read more

A great blend of Brazilian roots and piano jazz – played here by a trio that's all-solid, all the way through – serving up some really wonderful music that never relies on bossa cliches, or any sort of tricks and gimmicks! Instead, there's a really rich mixing of modes – one that'... read more

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Soulful fusion from The Brecker Brothers – a set that's one of their standout efforts from the 70s – and a record that went onto influence a whole generation of jazz musicians too! The album features the twin horns of Randy & Michael Brecker, along with alto by David Sanborn,... read more

Seminal work from The Brecker Brothers – 6 of the group's best albums, plus the two Blue Montreux live albums – packaged together in one very cool set, in tiny LP-like sleeves! The self-titled Brecker Brothers album is the first super effort from the team of Randy & Michael Brecker... read more

Some of the earliest work of Jacques Brel – and some of the best as well! The collection is a massive overview of Brel's first recordings in the mid 50s – all original compositions that marked not only a new generation for songwriting in France, but a revision of the role of the male... read more

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That's Brenda & Herb, not Peaches & Herb – Herb Rooney and Brenda Reid of the excellent 60s group The Exciters – grooving together here in a really full-on vocal approach that's clearly inspired by the best aspects of Ashford & Simpson! Tracks have a lush, full feel –... read more

Great stuff – and possibly the best album ever by this classic harmony soul group! The style is wonderful – with Brenda's sweet voice in the lead, and backing by the all-male Tabulations. The overall approach was used by Gladys Knight & The Pips for years, but we've always liked... read more

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Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label... read more

A funky female duo from the P-Funk empire – one of George Clinton's few girl-based projects of the 70s, and a group who are markedly more funk-based than Parlet! Vocals are by the duo of Lyn Mabry and Dawn Silva – but the main sound of the set comes from the tightly crafted rhythms... read more

Wow, we knew almost nothing about this record! Freddy Briggs is the main force behind Coldwater Stone – as he wrote and produced all the tracks, and sings lead vocals throughout the record. His style's sort of a mix of funk and soul, and he works in the heavier style that was used by some... read more

A brilliant reworking of older gospel themes – beautifully recast here through the cosmic talents of King Britt, in an album that's quite possibly his most interesting work to date! For the session, Britt's taking older acapella vocals and tambourine rhythms from New Orleans evangelist... read more

The only full album ever cut by Tina Britt – a great female soul singer who really should have scored big with work like this! Tina was a discovery of Juggy Murray – the Sue Records soul powerhouse who'd helped set fire in the careers of Inez Foxx, Baby Washington, and Tina Turner... read more

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Brilliant work from this long-lost Barry White protege! Tom Brock was one of the leading lights in Barry's stable of sweet mid 70s soul talents – a great writer who contributed songs to the legendary Gloria Scott album, and a heck of a great mellow soul singer on his own – with a style... read more

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Maybe the greatest album we've ever heard from trumpeter Till Bronner – a beautiful tribute to the 70s sound of Freddie Hubbard – recorded with instrumentation that's heavy on Fender Rhodes, and these soaring solos that are simply the greatest we've ever heard Bronner play! There's a... read more

Maybe the greatest album we've ever heard from trumpeter Till Bronner – a beautiful tribute to the 70s sound of Freddie Hubbard – recorded with instrumentation that's heavy on Fender Rhodes, and these soaring solos that are simply the greatest we've ever heard Bronner play! There's a... read more

Wonderful work from the little recorded Bronx Cheer – which combined uptempo acoustic jug band rock with an uncommonly catchy brand of unique tunefulness – tunes from their wonderful debut LP on Dawn Records, plus some very nice stuff from the unreleased second LP! Bronx Cheer has... read more

Deep southern soul from vocalists Chuck Brooks, Joe Wilson and George Soule – a both gritty and and some sweeter material cut at Malaco Studios, mostly in the early-to-mid 70s – with some rare 45 numbers, and others that were never issued at all! The Chuck Brooks tracks are wonderful... read more

Smooth jazzy soul from the Brothers – still sounding wonderful at this point, producing themselves for the record, and using the best parts of all those lessons they learned from Quincy Jones! The bass is a bit down in the mix for this album – a good move, considering that 1981 was... read more

Breakout brilliance from Bobby Brown – the album that really showed the world he could stand on his own strongly after leaving New Edition! Given the tight production from LA & Babyface, among others, the sound here is hardly cruel – and instead, the album's got a catchily... read more

A swirling blend of soul, funk, and jazzy grooves – and a super-rare album that we've never seen in the original! Supposedly, backing on the record is by the British Afro-Funk group Assagai – which sounds right to us, because there's a nice rolling conga groove on many of the tracks. ... read more

Features very early work with Chris Powell & His Blue Flames – on "Ida Red" and "I Come From Jamaica" – plus 3 longer Philly sides from 1956, with Billy Root on tenor and Sam Dockery on piano – on titles that include "Walkin", "Donna Lee"... read more

A classic "with strings" session from Clifford Brown – nearly as well-done and perfect as some of Charlie Parker's sides for Verve, handled here with perhaps a slightly sweeter touch, as Neal Hefti's the man on arrangements. The core group's the Brown/Roach combo, augmented by a... read more

Seminal west coast recordings by Clifford Brown – recorded in LA in 1954, with a mixture of hard bop and lyricism, in that sparkling mode that Brownie left as his indelible imprint on the west coast scene of the 50s! Players include Bob Gordon on baritone, Stu Williamson on trombone, Zoot... read more

Brilliant work by the team of Clifford Brown and Max Roach – a seminal hardbop album that was one of the few to bridge the east and west coast scenes! The set was recorded in LA under the joint leadership of Brown and Roach – and features the classic quintet lineup that included Harold... read more

A beautiful package of work from trumpeter Clifford Brown – his complete Emarcy master takes for work with three key singers in the 50s – Helen Merrill, Sarah Vaughan, and Dinah Washington! Brown's trumpet has a fluid, soulful style that's easily one of the most modern of the time... read more

Damn, is this a great record! The album's not only one of the best blacksploitation soundtracks ever recorded, it's also one of James Brown's funkiest outings of the early 70s! Nearly every cut's a winner, and James gets some very funky help from The JBs, who groove hard on the best instrumental... read more

Although James' early 70's ouvre is often cited as his best funky stuff, he made some darn nice tracks at the end of the 70's, as this swell 2CD set hopes to prove! The package compiles some of the best work that James did during the disco era – and although a few of the tracks have an... read more

DJ Muro's digging James Brown – and we're digging the massive way he mixes together the music! The set's way more than another James Brown compilation – and instead, it feels more like a love letter to The Godfather – served up in music made by James himself, and some of his key... read more

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