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Very late material from Art Tatum – recorded at a private party in LA in 1956, and featuring the piano genius working his way through spare complicated solo versions of standards. Titles include "Yesterdays", "Body & Soul", "Someone To Watch Over Me", "I... read more

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A great change of pace for Billy Taylor – and one of the most striking sessions he made in the 50s! As you'll guess from the title, the record features Taylor's piano along with four flutes – played by Frank Wess, Herbie Mann, Jerome Richardson, and Phil Bodner – working here... read more

An early classic from pianist Billy Taylor featuring his classic 50s trio with bassist Earl May and drummer Percy Brice! The tracks are mostly short and simple, and done in Taylor's warmly rhythmical approach to the keys – a groove that was clearly informed by the hardbop of the time, but... read more

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One of Cecil's 2 Blue Note recordings, and a large group session that includes Eddie Gale, Jimmy Lyons, Ken McIntyre, Henry Grimes, and Andrew Cyrille. The record's probably one of the most out recordings ever on the label, and tracks are based on a system of energy and impulses described by... read more

The record features Cecil's Segments II Orchestra Of Two Continents – with trumpets by Enrico Rava and Tomasz Stanko, bass by William Parker, drums by Rashied Bakr and Andre Martinez, and saxes by John Tchicai, Frank Wright, and Jimmy Lyons. Titles include "Winged Serpent", "Wo... read more

A wicked little set from singer Debbie Taylor – a vocalist who really only shone brightly for this one album – but who's left more than enough of a soul legacy with its greatness! The record's an important early effort from Patrick Adams – and it's cut with a rough-edged style... read more

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A landmark album from Johnnie Taylor – a set that not only gave his career a giant boost, but which also helped shift southern soul into hip new territory in the late 70s! The music's a great change from Taylor's previous work at Stax – and the set features warm production from Don... read more

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A great little album of modern soul, cut by Johnnie Taylor years after his early raw Stax recordings, and about half a decade after his hit with "Disco Lady". The record's a surprising treat, and has Johnnie singing with smooth slick arrangements, in a warm mellow style, given a nice... read more

One of the coolest covers of Johnnie Taylor's early years on Stax Records – and some pretty great music to match! The album's got a wicked funky blues groove – with production by Don Davis that hangs nicely on both the hard edges and mellower moments – really showing Taylor's... read more

Sweet, smooth, and bluesy – perhaps not as hard as some of Johnnie's earlier Stax work, but with an increasing sophistication that really shows his development as a soul singer. The record's a good bridge into Johnnie's modern soul work at Columbia – and it's got arrangements by Wade... read more

A definite change for Livingston Taylor – and a record that has a much fuller sound than before! Liv's shaken off some of the folksier styles of his first few for Capricorn, and is going for a more advanced mode that features fuller backings from producer Ed Freeman – but still in a... read more

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The set's got a nice small combo sound – thanks to work from Pete Jolly on piano, Emil Richards on vibes, Julius Wechter on percussion, Jimmy Bond on bass, and Hal Blaine on drums!... read more

One of Braxton's most compelling albums of the 70s – a series of sonic explorations recorded with electronic music artist Richard Teitelbaum! Together, the pair laid down some excellent sax/moog improvisations that still sound pretty incredible today – and Braxton's icy tone is a great... read more

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Another one of those overstuffed Motown 70s Anthologies – this time featuring 3LPs worth of Temptations classics, with tracks recorded between 1964 and 1972. The album follows the group right up to their move to ABC, and includes classics like "Cloud Nine", "Just My... read more

The Temptations on Atlantic Records – sounding different than their Motown years, and still pretty darn great! The group's got some wonderful help here from the team of Brian and Eddie Holland – still very much in fine fine form, and coming up with some backings that have a warm modern... read more

A tightly funky set from The Temptations – a record that has the group still standing strong in the post-Norman Whitfield years – working here with producer Jeffrey Bowen in a groove that's almost got some P-Funk touches at times! Things are somewhat polished, but still in the best... read more

During the late 60s, the Temptations career really started to take off – and the group emerged to become a landmark vocal ensemble with a groundbreaking effect on the history of soul and funk. Working with Norman Whitfield, they forged a righteous heavy soul sound that was quite different... read more

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Titles include "Gonna Run", "The Band With No Name", "I'm Coming On", and "Think About The Times".... read more

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A surprisingly nice set that brings together Clark Terry and Thelonious Monk! Given Terry's bright approach to jazz, it's a bit hard to imagine him and Monk working well together – but at the time of this session, Clark still had a fair bit of an edge – with roots in a number of modern... read more

2 LP set that brings together the best moments from 4 different Clark Terry albums on Riverside – Serenade To A Bus Seat, Duke With A Difference, In Orbit, and Top and Bottom Brass. he's playing in a variety of groups here, but the overall feel is straight hard bop. Players include... read more

A surprisingly great little record from Clark Terry – filled with warmth, humor, and some really great grooves! The core of the album is the track "Mumbles", one that's based around Terry kind of slurring a scat vocal to a jazzy 60s groove. The track was a minor hit at the time,... read more

A surprisingly nice little set from Clark Terry – featuring arrangements by Oliver Nelson, and a pretty nice little group that includes Budd Johnson on tenor and Eddie Costa on vibes and piano. The material appears to be lifted from the musical All American – by the team of Charles... read more

Clark Terry's breezy trumpet is paired with Don Butterfield's tuba for a real "top and bottom" session of brassy jazz. The two of them are backed by a sharp rhythm section that includes Jimmy Jones on piano, Sam Jones on bass, and Art Taylor on drums. The set's got a lot of nice... read more

An obscure session that Clark Terry cut for the mostly-pop Cameo label during the early 60s – and some of the better recording that Terry did during the decade. The group is relatively small – filled with soul jazz players like Buddy Lucas, Seldon Powell, Willie Rodriguez, and Dave... read more

The team of Clark Terry & Bob Brookmeyer shouldn't work so well together – but although Terry's always been an optimist, and Brookmeyer's had a history as a modernist, the pair cut some great records together! This set's one of the best of a short run the Terry/Brookmeyer group cut for... read more

An interesting tribute to the passing of pianist Eddie Costa – mostly because the overall feel is much more in a soulful hardbop mode, quite different than the modern and chamber sides that Costa cut during the 50s! Side one features work by the Clark Terry quartet – with Terry on... read more

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A tasty live set, with a smoking raw groove that you don't always get on Joe's studio albums! The crowd really goes wild for Joe – and with only some small group backing behind him, he's got nothing left to do but go over the top with his vocals! As proof of that, the record includes the... read more

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Mikis Thedorakis might seem an odd choice to score a film set on the mean streets of New York – but he gets some wonderful help here from Bob James, who helps ensure that the funky tracks come off nice and sweet! Thedorakis serves up the main theme with a haunting, slightly "ethnic"... read more

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Sweet harmony pop – and from Chicago, no less! Thee Prophets, despite having a name that was pretty trippy-sounding, were actually a punched-up harmony rock group in the manner of The Buckinghams (another Chitown group of the time). They're singing here with some tight backings that feature... read more

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All the hits: "Steppin To The A.M.", "Brooklyn Queens", "The Gas Face", "Product Of The Environment", "Words Of Wisdom" and seven more full-length cuts.... read more

After leaving Island and moving onto Columbia, Third World got a bit more slick, and continued to work a reggae/pop/soul groove. This record's not a bad one, in fact, it's a pretty respectable crossover effort. Stevie Wonder collaborated with the group on the 2 best tracks, "Try Jah... read more

The greatest album ever recorded by Joe Thomas – and a hip batch of funky flute tracks that ranks with the best work of Jeremy Steig or SOUL! Joe's blowing here with arrangements by Chico O'Farrill – strangely off-beat backings that add in more than a touch of Latin to the funk, making... read more

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Although he's best known for his vocal R&B hit "Heartbreak", Jon Thomas was also a darn good organist, and this mid 50s album for Mercury's a nice batch of sides in the same tradition as contemporaneous work by Bill Doggett and Doc Bagby. The tracks are short and lively, and Jon... read more

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A very nice live set by Leon – recorded with a great electric group that has Neal Creque on piano, Cornell Dupree on guitar, Oliver Nelson on alto, and added percussion by Sonny Morgan. The vibe is nice and free, and the tracks have a very spiritual sound, in the manner of the work that... read more

A crowning achievement for Rufus Thomas – a set that bubbles over with funky intensity, and one of the last great albums he ever recorded for Stax! The funky Rufus mode is still in full full swing here – with loads of tunes that have the word "funky" in the title –... read more

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A pretty darn psych/groovy soundtrack – to what looks like a very strange film! The music is by Ken Thorne – and the tracks are a mix of mod rhythms, instrumental groovers, and some very trippy numbers that use echoey percussion and some electrified instrumentation. A few cuts have... read more

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Not sure how many new dimensions these guys actually hit in their music – but the record is a rare early David Axelrod production!... read more

A sweet late 70s set from The Three Degrees – who've moved on over to CBS/Epic after their hot streak at Philly International – with a bit more of an expansive sound than usual! They're still working in a core Philly mode with recording at Sigma Sound and arrangements by Richard Rome... read more

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Includes "One", "Mama Told Me Not To Come", "Easy To Be Hard", "Out In The Country", and "Eli's Coming".... read more

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The second album by Three Dog Night – issued hot on the heels of the first, and with a similar heavy-rock trippy-pop kind of approach! The album's surprisingly nice – and with soulful overtones that you wouldn't expect, sounding a bit like parts of early work by Chicago or Blood Sweat... read more

Their second album, and though not quite as nice as Original Stylin', still an essential piece of Philly hip hop history. The group's no longer associated with the Hilltop Hustlers, and have adopted a slightly more slick approach to their sound, producing themselves on this effort. Includes "... read more

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Timbaland goes straight for the mainstream on this disc full of pop crossover numbers, though his signature percolating beats keep the whole affair bubbling. 17 tracks in all, with more than a few you'll be hearing al over the radio, including "Oh Timbaland", "Give It To Me",... read more

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Great stuff – and very very groovy! Cal cut this record for Verve during the height of his swinging 60s Latin years – and he's working here with arranger Chico O'Farrill, who at the time, was perfectly suited for Cal's short, jaunty approach to a groove! The album's filled with nice... read more

A groovy 60s session from vibist Cal Tjader – and an excellent little Latin set, with a mixture of bossa nova and Latin jazz that goes way beyond the promise of the title! The great Clare Fischer arranged the set – and if you know his work with Cal, you know that he's got a wonderful... read more

One of the fantastic electric Cal Tjader sessions from the 70s – with that mixture of vibes and electric piano that made his work of the time take on an even funkier sound than before! Lonnie Hewitt's at the keyboards here – and he's got a sly, slinky groove that's totally great –... read more

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Incredible first album from a player who would go onto become one of the major soul jazz talents of the 70's – and one of the owners of the Strata East label. Tolliver plays here with the original incarnation of his Music Inc group – which includes Stanley Cowell, Steve Novosel, and... read more