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Laura Nyro's first album ever – originally issued by Verve/Forecast in the mid 60s, but brought back out on the market by Columbia, during the height of Nyro's early 70s fame for the label! Even at this early point, Nyro sounds wonderful – a fair bit more soulful than most other female... read more

A tremendous album from Laura Nyro – a real return to the soulful style of her roots, thanks to help from Labelle on backing vocals, and the team of Gamble & Huff on production! If Nyro only ever gave the world this record, that would more than be enough – because the whole thing's... read more

A wonderful album from the young Irish singer/songwriter who went onto become one of the brightest lights in 70s pop! The record isn't his most famous, but it's got loads of great early songs that show O'Sullivan's brilliant talent for putting together lyrics that were simple and witty, yet never... read more

The overlooked collaboration between Human League singer Philip Oakey and producer Giorgio Moroder! The duo initially worked together on the outstanding "Together In Electric Dreams" single – a surprise hit from Moroder's soundtrack for a forgettable movie – and given The... read more

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Pan-African rhythms from Ray Stephen Oche – topped with some great jazzy elements as well! The set's one of Ray's classics from the Paris scene – a set that draws heavily from his Nigerian roots, yet also takes full advantage of the wider cultural vibe going on in France at the time... read more

Easily the greatest album ever recorded by the legendary Phil Ochs – a masterpiece of politics and power, filled with themes that still resonate strongly 40 years later! From the very first note of the set, Ochs expresses himself with a confidence, intelligence, and clear-headed vision that... read more

Was there a more tragic figure in the 60s scene than Phil Ochs? Perhaps, but this is still a wonderful piece of his odd and sad career, a great portrait with his unrelenting political stance still in place, though not as raw as some of his other LPs. More arranged than any of his other LPs, but... read more

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A great little meeting of two of the better talents on Verve Records in the early 60s – one that pairs the warm vocals of Anita O'Day with the cool vibes of Cal Tjader – in a sweet little session that's actually one of O'Day's best from the time! The feel here is lively, and slightly... read more

A crossover classic from the late 70s – a record that was born in the clubs, but bred in the mainstream – and the start of a very good relationship between Odyssey and RCA! The album will forever be known for its classic cut "Native New Yorker" – a seminal groover that... read more

A beautiful lost relic, and a monster batch of long jazzy grooves! The album was recorded in the great tradition of "musicans in prison" albums, like those by The Escorts in the early 70s, and it features an incredibly soulful band made up of jazz musicians in lockdown at the Ohio State... read more

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One of the biggest albums ever for Ohio Players – a set that took their earlier funk sound and targeted firmly at the mainstream with a lean, mean groove that a million other groups copied at the time! There's still plenty of the soul of the early years in the group's approach here –... read more

It's the mid 70s, and the Ohio Players were certainly turning out a lot of gold! Their move to Mercury Records from the smaller indie Westbound was a real winning move – as it gave them a smoother soul feel that only expanded their groove, not restricted it! This tasty "best of"... read more

Great work from the Ohio Players – and proof that moving to a big label could be a good thing for a funky group! This was the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years,... read more

A killer bit of crossover pop from the mid 60s – and the kind of groover that brought the Carolina beach sound to the top 40 charts! Includes the group's classic hit "Girl Watcher", a groover that we always enjoy hearing, plus other nice ones like "The Soul Clap", "Lo... read more

US issue of some of Sonny's African recordings from the early 80s. The groove here is afro-pop, with crisp guitars and a lighter beat than Fela's style of afrobeat, but with similar cascading horn parts. The production's a bit slicker too, with the vocals pushed way forward in the mix. Titles... read more

Easily one of the greatest albums recorded by Olatunji in the 60s – a set that's even more hard-driving than his classic records for Columbia, with an incredibly percussive groove all the way through! The group features an assortment of percussionists all driving along with Olatunji –... read more

Babatunde Olatunji's two classic percussion ensemble albums for Columbia collected in one set. The first LP was recorded in New York with a mix of drums, chants, and afro grooves. Olatunji's joined by Montego Joe and Baba Hawthorne Bey on percussion, and they're backed by a large group of... read more

A killer album of Afro Funky tracks, and certainly one of Olatunji's best! The record was recorded in the early 70s, and it features Olatunji breaking past his usual heavy blend of African percussion, into a vein that's a lot more tinged with jazz and soul touches. He gets some great help on the... read more

The follow up to the first Mondo Cane film – in case you couldn't tell by the title! Nino did part of the music for the first one, and the style here is very similar – mostly orchestral, but with a few lighter moments that get a little groovy. There's no big hit on this one, as with... read more

A great batch of harmony vocal tracks – nearly all of them with an upbeat, kind of silly approach – similar to The Coasters at their best! The Olympics owed a lot to the late 50s Atco recordings The Coasters did with Lieber & Stoller – and they had a similar tight-lipped... read more

The second LP by this obscure group from Chicago who never really managed to crack the big time, but who managed to be one of the bigger independent soul acts of the early 80's. Like their first, this one was recorded in Chicago with a sound that's similar to some of the other modern soul stuff... read more

Colombian music, both classic and contemporary – as a group of older all-star players comes into contact with Will "Quantic" Holland! The set's easily one of the most smoking Latin-styled projects we've heard from Quantic so far – recorded in Colombia with work from Fruko,... read more

The 101 Strings organization matches up with a groovy percussion ensemble, for a sound that's like some of the good RCA percussion bachelor pad LPs from the 50's. Tracks include "Voodoo Moon", "Ski Run", "Dizzy Fingers", "Roller Coaster", and "Bats In... read more

One of the greatest albums ever from Al Hudson and One Way – a set that still has the group bristling with loads of funky energy – yet also hitting a groove that's wonderfully smooth as well! One Way were really one of the top of the larger funk combos of the time – and this set's... read more

Mostly produced by Jam Master Jay, with lots of growling, yelling and shouting: includes "Bacdafucup", "Bichasniguz", "Throw Ya Gunz", "Blac Vagina Finda", "Slam" and "Shifftee" – 18 cuts in all.... read more

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A stunning album from Orquesta Harlow – one of their wildest of the 60s, and filled with delights! The record starts with this strange sound of a train pulling into a station, then rolls into a massive boogaloo groove that really sets the pace for the album – hitting hard with some... read more

A great testament to the depth and versatility of Orquestra Harlow in the 70s – and a record that shift easily between traditional modes and more contemporary styles! Larry Harlow is at the top of his game here – working with careful sensitivity on some of the more fragile numbers, but... read more

A great early record by Larry Harlow's famous combo – every bit the "smokin" set that the title might imply! Harlow and the group are in full force here – ripping through a set of short tracks that really groove with a darkly percussive edge. There's a surprising amount of... read more

Amazing sounds from this really unique ensemble – a group with a feel that's much looser than you might expect from the orchestra in their name – and a wonderful blend of electric and acoustic instruments, all with a feel that's as exotic and evocative as some of the best Ethiopian... read more

One of the most incredible African collections we've ever heard – almost more amazing than the African Scream Contest set from the same label! The package focuses on work by Orchestre Poly-Rythmo De Cotonou – a group who really live up to their name, by bringing in a host of... read more

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The Originals are hitting more of a dance-oriented groove here – a mix of disco, soul, and uptempo funk arrangements, but still maintaining their harmony sound, in the manner of other Detroit groups at the time, like The Fantastic Four or Detroit Emeralds. Titles include "Call On Your... read more

Titles include "Baby I'm For Real", "I'm Your Man", "The Magic Is You", "Share Your Love With Me", "Let Me Dance", and "Waiting On A Letter/Mr Postman".... read more

Warm bossa grooves – and the second album by Orlandivo, billed here on the cover as Orlann Divo! The album's a great batch of instrumentals – jazzy, with a mix of percussion, bass, and organ that's quite different from the usual bossa album of its type – much more expansive, and... read more

The Orlons recreate the sound of yesteryear – singing a dozen older doo wop and R&B hits, but taking the tunes in their own sweet mixture of male and female voices! The backings are a bit sparer than on other Orlons albums of the 60s – and really allow the vocals to come forward... read more

A great little album of boogaloos and hard Latin tracks – one of the few rare gems on the long-lost Speed label. The set features the work of the Orquesta Olivieri, led by trumpeter Herbie Olivieri, and featuring more trumpet, piano, and percussion, plus lead vocals by Angelo Jiminez and... read more

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With vocals by Rafael De Jesus, and trumpet and flute from Luiz Perico Ortiz!... read more

An obscure one from the great Riz Ortolani – a travelogue film with a bit of vocals too!... read more

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The landmark first album from Os Ipanemas – a runaway set of smoking bossa jazz – and a record that really helped set a whole new tone for the genre! The group here is a cooking quintet of Brazilian all-stars – including Astor Silva on trombone, Wilson Das Neves on percussion,... read more

Although there's been a few "best of" collections out already by this legendary Brazilian rock group – this volume still stands as the most nicely-selected batch of tracks, and it comes complete with great liner notes that help you really navigate and understand their music. There's... read more

Quite possibly the last truly sublime album ever recorded by Os Mutantes – a set that's a bit more rock-oriented then their first few, but still pretty revolutionary overall! The group have expanded to a quintet at this point, but haven't yet falling into the guitar-heavy groove of later... read more

Damn, we love these guys! And this time around, Osaka Monaurail sound harder and heavier than ever – very much back in their best 70s JBs mode – after a recent foray into 60s soul! The rhythms are incredibly tight – razor-sharp, with a forcefulness that few other funky combos... read more

Titles include "We Belong To Love", "Soweto", "You Should Be Mine", "Emotional", "A Second Chance", and "Love's Not Ready".... read more

Classic solo Ozzy with Randy Rhoads!... read more

Weird and spooky sounds from Oscillotron – a one-man outfit, but working here in sharply cinematic splendor! The music here takes plenty of cues from the late 70s/early 80s horror generation – with some wonderfully dark keyboard lines that resonate strongly throughout the entire set... read more

Nice mellow LA funk, played by Lee Oskar with help from a lot of his bandmates in the group War. The sound is similar to some of War's Chicano funk grooves – but with some very nicely punctuated rhythms that have the drums snapping out more than on War's albums from the time. Oskar's... read more

An unusual Oldsmobile promo album – featuring jazz wyrok by Phil Bodner, Urbie Green, Phil Kraus, Joe Wilder, and Romeo Penque!... read more

Some of the greatest funky work you could ever hope to find by Johnny Otis! The package brings together tracks recorded by Johnny in his fantastic post-R&B years – the late 60s and 1970s, when he was scrappling around a variety of small labels, but also getting the chance to use that... read more

The second album from Shuggie Otis – a wild and wooly batch of grooves that really stretches out the sound from the first! Shuggie's got much more of a hand in the arrangements here – and the tunes are grooving in a sweet blend of funk, rock, and soul – really drenched in the... read more

A classic album of bluesy funk – one that features the guitar of Johnny Otis' young son Shuggie, in a slightly tighter setting than he'd been getting on some of Johnny's own LPs! Shuggie here is still very much under the guidance of his dad – working in a mode that really emphasizes... read more

A great compilation of classic Shuggie – with 10 of the best tracks from the Here Comes Shuggie Otis, Freedom Flight and Inspiration Information records – all pressed up beautifully, with heavy wax and a great cover too!... read more

A huge creative leap forward from the debut Southernplayalisticadillacmuzik, with crazy free flowing, intelligent rhymes and soulful outer space grooves that still manage to stay grounded enough to aptly reflect the darker realities of the ATL. Most tracks have a laid back southern fried groove,... read more

2LP promo-only instrumental version of this classic from Outkast & Organized Noise! Instrumentals of all the cuts are here, 16 tracks in all: "2 Dope Boyz In A Cadillac", "Atliens", "Wheelz Of Steel", "Jazzy Belle", "Elevators", "Ova Da... read more

Probably the most hyped hip hop album by rock critics of the last decade – but don't hold that against Stankonia, because these ghetto grooves from planet P-Funk were exactly what the world needed in 2000! The millenium blowout party jam feel throughout is surely a nice change of pace from... read more

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An oft-overlooked and surprisingly soulful session on Atlantic – a sublime pairing of the talents of trumpeter Jimmy Owens and pianist Kenny Barron! The set's got a groove that's pretty unique – not really Blue Note or Prestige – but not like other Atlantic Records jazz as well... read more

An album that definitely packs a powerful punch – thanks to a compelling blend of sounds from both London and Kenya, brought together in a whole new formation of African groove! The album's a wicked reworking of an older aesthetic – in a spirit that's similar to the really inventive... read more

Truly, truly one of the most essential reggae albums of all time, and without a doubt one of our top dub albums. While we may be known for our hyperbolic comments on LPs here at Dusty, this album is very much deserving of the praise, and if you don't own it, you need to. Basically a collection of... read more

Given that Chet Baker's a singer himself, it's a bit surprising that he's working here with another vocalist – but that oddity aside, the album's a great little session that's got an intimate feel that's a bit different than Baker's own vocal work! Pace's voice is much fuller and richer than... read more

A cool collection of space-themed club tracks from Gene Page – and possibly one of his greatest albums of the 70s – dispite a gimmicky approach! There's a tightly soaring feel to most of the cuts that's Page at his best – arranging fully with styles borrowed from Barry White, but... read more

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A travel-themed set from Patti Page – and a pretty darn great one at that! Patti nicely shakes off some of cliches here – working with full, jazzy backings, and often hitting sounds that are a bit more mature than on her familiar pop numbers – modes that nicely match the global... read more

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Patti Page is working here to class up her image from the country waltz sound of her biggest hit – and is going instead for a waltzing mode that's more traditional, and which brings out the duskier side of her vocal talents! Don't get us wrong, there's not a lot of Strauss in the mix –... read more

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A nice solid record of traditional folk tunes with guitar, banjo, dulcimer, and autoharp instrumentation. Contains the songs "Who's That Knocking At My Window", "The Kicking Mule", and "The Cuckoo".... read more

The excellent early 80s side – with a tight Channel One production at the hands of Jah Thomas! Triston Palma is astandout singer, but nevertheless, he seems to have been relegated to the sidebar in reggae's history. Nice roots rock numbers from the cusp of the dancehall era, riding more... read more

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A darn tough one to find – and one of Charlie Palmieri's best records from the 60s! The session is an obscure one-off done for Atlantic in 1968 – and for some reason, the record was never issued as widely as some of Charlie's other sides for smaller labels during the time, making it... read more

A real scorcher from Eddie Palmieri – as much a transition as a superimposition – and the kind of record that would have a huge impact on Latin jazz in the 70s! Eddie's got one foot in the small group styles of his 60s work, but he's also reaching forward in a mode that's rootsy and... read more

Landmark work from Eddie Palmieri – a stunning performance by his Harlem River Drive band, recorded live before a very wild crowd at Sing Sing Prison! The feel here is a blend of the sound heard on the legendary Harlem River Drive album – a unique fusion of Latin, soul, and political... read more

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A weird and wild concept album – a 70s recasting of Bizet's Carmen, with some cool moogy touches, and vocals from Melba Moore!... read more

The second go 'round for this Kenny Clarke tribute group, but with Woody Shaw & Nat Adderley up front, along with Joe Henderson & Nathan Davis. The set's also got Idris Muhammad on the traps, and it's easy to forget what a great jazz drummer Idris can be, when you get so used to hear him... read more

The genius of Bird and strings is hard to describe – an edgey aproach that really goes far past most other "jazz with strings" projects, not a ballad-driven one, but a tensely strained one that brings out some of Parker's best soloing, almost in a moody soundtrack-type way. The... read more

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Unreleased live material – recorded in New Jersey in 1950 with an unknown group; in New York in 1953 with Charles Mingus on bass, Bud Powell on piano, and Candido on congas; and at the Hi Hat in Boston in 1954 with Herb Pomeroy on trumpet.... read more

One of the better of the many posthumous albums that Savoy issued after Bird's death. The set combines master takes and alternates of classic Parker material for the label, and includes pivotal bop tracks like "Parker's Mood", "Constellation", "Ah-Leu-Cha", "Perha... read more

A late 50s album that issues some killer combo material by Bird! One half of the album features work by a group that includes Red Rodney, John Lewis, Ray Brown, and Kenny Clarke – and the other features Parker with Miles Davis, Walter Bishop Jr, Max Roach, and Teddy Kotick. Tracks are short... read more

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One of the nicest records we've heard from Jeff Parker in years – a trio date with some wonderfully rich sounds, and a great showcase for some of the more lyrical sides of his music! Parker plays in these great chromatic modes throughout – using some slight effects with his hollow-body... read more

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Ray Parker steps out here with the other woman – with a groove that's somewhat different than his earlier sound with Raydio! There's a slightly sharper edge than before – almost a rockish influence in some of the instrumentation, which is a key factor in helping Parker's crossover in... read more

Titles include "Somebody's Calling My Name", "Said I Wasn't Going To Tell Nobody", "Shine On Me", "Set Me Free", and "Bridge Over Troubled Waters".... read more

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With Niels Henning Orsted Pedersen on bass and Tony Inzalaco on drums.... read more

A darkly-grooving killer from pianist Horace Parlan – and one of our favorite Blue Note albums ever! Although Parlan's always a great player on other sides for the label, this album has him stepping out with an extra edge that's really amazing – working with brothers Tommy and Stanley... read more

An oft-overlooked gem from Parliament – released during the year 1976, and sometimes hidden between monster LPs like Funkentelechy and Mothership Connection – but every bit as great as those two classics! The album's got that tightened-up P-Funk sound that was working so perfectly at... read more