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An amazing bit of music – and an incredible document of generations of creative jazz energy as well! The legendary Phil Cohran teams up here with Hypnotic Brass Ensemble – a collective made up of Cohran's sons, who follow strongly in the rich legacy of his own Artistic Heritage group... read more

Funky Latin breaks and very groovy grooves – the kind of record that you hear for only a second, and say "oh yeah, this is the stuff!" Coke were an obscure Florida combo who mixed together Latin, funk, and soul – served up in a crossover style that's halfway between the sound... read more

An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic... read more

An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic... read more

The mellower of Lyn Collins' two albums for the People label – but still pretty darn fantastic! At some level, it seems like Lyn's taking on the rest of the soul industry – showing them that she can kick some major booty on her interpretations of hits like "Backstabbers",... read more

The funkiest album ever recorded by Lyn Collins – one of the few sock-soul divas working with James Brown who got a chance to cut a full LP! The album's got Lyn shifting between heavy funk numbers and mellower soul cuts – really pushing things to the max with an incredibly deep take on... read more

Rare Afro Rock from Nigeria – a really cool fusion of African funk and dexterous guitar – served up with plenty of hypnotic touches! Although we've dug their tracks on compilations over the years, we've never been lucky enough to hear a full album by Colomach – and are blown away... read more

One of the best boogaloo sessions of the late 60s – and an early expression of genius from Johnny Colon! The album's got an electric bass sitting right at the middle – plucking with strong and soulful lines that set the pace for the record from the very first note. Johnny's hip young... read more

A landmark record that should be in any Latin collection! At the time of this album, Johnny Colon was a young trombonist just getting his start – working in the turbulent late 60s Spanish Harlem scene, and picking up on the wide range of styles going down in the hood. At one level, he was a... read more

A monster album of 70s salsa – and one that has bad boy Willie Colon taking the Latin world by storm – forging the new sound that would push him and the New York scene into the frontline of 70s Latin! Willie's got a strength on the set that's very much in keeping with his machine gun... read more

Great stuff – and a very sharp album cut by Willie during the Latin soul era, featuring a bunch of tracks that veer more towards the boogaloo side of things than his later albums! The groove is nice and hard – stripped down with the youthful energy that Willie brought to the scene at... read more

A roots-oriented 70s classic from Willie Colon – one of his standout albums of the decade! Willie continues his "life of crime" approach for the early 70s – moving into an old west look on the cover, and matching that with a slightly rootsier sound on the album! The real... read more

Brilliant early work from a young Willie Colon – a true hustler if there ever was one! The album has an amazing energy that really bridges a number of Latin scenes – it's part descarga jamming, part Latin soul, and part traditional Latin – put together with a no-nonsense approach... read more

A solid 70s session from Willie Colon – a combination of a few tracks from previous efforts, mixed with other new ones, all featuring lead vocals by the wonderful Hector Lavoe! The work on the album's the kind that was so influential at the time, it's almost hard to hear how important it was... read more

Swirling spiritual work from Alice Coltrane – an incredible trio album that features her heavily on harp, plus a bit of piano – in a trio with Ron Carter on bass and Rashied Ali on drums! The sound is wonderful – lush, yet contemplative – in a personal style that really... read more

John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really... read more

The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the... read more

One of the more obscure John Coltrane albums for Atlantic – but a beautiful batch of spiritual numbers that really show him pushing towards the sound of A Love Supreme! The date on the album's 1966, but the material was recorded earlier – in that key turning point year of 1960, when... read more

Sharp-edged John Coltrane at his best – a record that we'd rank right up there with Love Supreme, and which is a key transition point in Coltrane's musical ideas! There's a very strong edge to Coltrane's tone here – and even on the mellower ballads, he plays with a sound not always... read more

A classic – and virtually the blueprint for all spiritual soul jazz recordings of the 70s! John Coltrane's at a perfect point here – balanced between the modal hardbop of earlier years, and the freer soloing of his last few recordings. He links the traditions together with a majestic... read more

A magnificent record from John Coltrane – one of his earliest expressions of unbridled spirituality, and a session that we've treasured for years! As you might guess from the title, there's a slight Latin focus to the record – but not one that has congas and bongos creating choppy... read more

A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of... read more

3rd LP by the man who put Chicago on the map as a hip hop center. 2 LPs strong, and with a lot of guest appearances by folks like De La Soul, Q-Tip, Chantay Savage, Erykah Badu, and Cee-Lo. No I.D. produced most of this, and a few tracks were done by Doug Infinite. Includes "1 '2 Many"... read more

In 1994 when everyone seemed to be turning hardcore, Common Sense wasn't having it. Introspective tales of growing up and living on the South Side that fit perfectly with No I.D.'s mellow production and spiced up with two guest appearances by Y-Not aka Twilight Tone. Classic LP, solid all the way... read more

A nice 6 song mini LP/EP scorcher from Portsmouth, NH garage rockers The Connection! Seven Nights To Rock is a hook-filled blast – with a tight, no frills and no-nonsense style inspired by the greatests 60s garage sounds – and a tuneful delivery that's above and beyond so many of their... read more

Wonderful wonderful wonderful – and one of the best albums we've ever heard of modern bossa and soundtrack grooves! For years, Nicola Conte has been a seminal force in the new Italian scene – working as a DJ, promoter, producer, and sometimes recording artist under the odd 12"... read more

The genius of Nicola Conte gets the remix treatment – in this wonderful new album that steps off heavily from his massive Jet Sounds set of a few years ago! If you know know Nicola, he's the wunderkind behind the Schema label – and, probably more than anyone in the world right now, one... read more

Incredible work from Nicola Conte – Schema records maestro making his Blue Note debut with this set – and giving the label one of their best new albums of the 21st Century! The record's quite different than Nicola's programmed dancefloor work for Schema – and is much more of an... read more

A sublime album through and through – and another essential slice of work from the legendary Nicola Conte! Conte's only given us a few full length sets under his own name, but they've all been amazing, and this album's no exception – a record that mostly features live jazz... read more

Amazing! This album is one of the great lost classics of East Coast harmony soul of the 70s – and it always leaves us breathless! Continental 4 may not have been as big as some of their contemporaries, but the cut "(You're Living In) A Dream World" is one of the most sublime soul... read more

The third album from Alice Cooper and perhaps the first great one – starting the 70s sleaze show win streak with the massive "I'm Eighteen" and an LP full of great, gritty and grimy rock and roll. Bob Ezrin's producing for the first time, and if the songs and the whole show isn't... read more

Pre shock rock psychedelia from Alice Cooper – more of a Detroit reared answer to early Pink Floyd than it is a clue to the early metal horror show to come – and as such, it's actually a heck of a lot better than you might be expecting! Since most people never even heard Pretties For... read more

A great solo performance from Jerome Cooper – not just drums and percussion, but work on flute, balaphone, and other instruments too! Cooper really brings all of his most thoughtful elements into play here – working slowly, and covering space with ideas that really take some time to... read more

An excellent album of jazzy rock material from Detroit! The Corporation were definitely one of the hipper groups ever to record for Capitol during the late 60s, as you'll hear on their incredible version of John Coltrane's "India", done as a progged-out slightly funky instrumental, and... read more

The second album by Cortex – the obscure French jazz group that's been a favorite of funky collectors for years! The group's got a strong fusion-driven groove on this set – with plenty of tight drumming, hard riffing, and spacey keyboards that give the tunes a nicely soulful finish. ... read more

A very weird record – and one of the most compelling albums ever cut by organ whiz Dave Baby Cortez! The record's a mixture of many different styles – the pop soul instrumentals of Dave's earlier career, the funky soul jazz of the early 70s, and some trippier sounds that have a wild... read more

An obscure little album from Jack "Mr Bongo" Constanzo – his only entry into the Latin Soul genre, and a really nice batch of grooves! Jacko's working here with singer Gerrie Woo – who sings in English on about half of the album's tracks, giving the set a nice pop-styled... read more

A damn great little record from Clifford Coulter – a set that's much tighter and more soul-based than his earlier funk albums for Impulse Records – but which comes together beautifully, too – thanks to help from Bill Withers in the studio! Bill produced, and the record has this... read more

A funky funky classic from The Counts – and an album that has the group tightening up their sound from the Westbound years, but still keeping the groove plenty nice! There's a tight, bad-walking feel to most of the cuts on the set – one that almost comes across with a blacksploitation... read more

Hell, Boots, it's not a bother – we actually dig Sorry To Bother You as much as any Coup music since Steal This Album! There's a great vibe on Sorry To Bother you – with rebellious, progressive lyricism, of course – but musically, this one surpasses the preceding Coup album, in... read more

Slammin early soul from the great Lou Courtney – an artist who's recorded so much excellent work over the years, that we're never surprised when we find a overlooked chapter like this! The record's quite different from Lou's raspier southern soul of the 70s – filled with killer uptempo... read more

See-Saw and socking soul from a young Don Covay – working here with his killer early combo The Goodtimers – as one of the most self-contained acts on Atlantic Records in the 60s! The album's overflowing with classic numbers from Covay – soul tunes, but punched up heavily from the... read more

Amazing lost sounds from Detroit – a previously unissued album from pianist Kenny Cox – best known for his late 60s albums on Blue Note, but working here in a really righteous style, and using a fair bit of Fender Rhodes as well! The album's a lost gem from the Strata label –... read more

One of the greatest hip hop acts from the early days of Sugar Hill – but a group who don't often get the same sort of cred as the label's bigger names at the time! The Crash Crew have a youthful energy that really lives up to their name – a loose approach to rhyme that sounds... read more

A great little Brazilian group from the 70s – one who continues the harmony styles of Sergio Mendes in the 60s, but takes the music into some groovy new directions! The sounds here are more samba than bossa – with guitar and percussion dancing nicely together in the rhythms as group... read more

One of the most insanely wonderful soundtracks from the late 60's – filled with weird instrumental touches and sublimely groovy vocals that really match the mad spirit of the film! Although Bob Crewe's best known for his work as a producer for bigger names in the 60s, he really shines here... read more

Underground/outsider soundscapes from Crow44 on Stones Throw – a breezy, though unpredictable mix of low fi psych, new age-y instros and otherwise oddball melodic soundscapes – hard to describe, but pretty easy to get into! Crow44 is officially billed a compilation of recordings by a... read more

A massive set from Nigeria's CS Crew – and a set that definitely lives up to its title! The bass is super-heavy on these grooves – way more so than on other Afro Funk records of the time, and in ways that easily match, if not beat, the early best by Fatback Band and Kool & The Gang... read more

Seminal early work from the legendary Joe Cuba – highly percussive Latin tracks, served up in a small combo mode that really helped pave the way for the Latin Soul generation! Joe's shaking off most of Latin tradition here – going for a tightly focused sound that features plenty of... read more

The group were certainly doing something right – as this album has Joe Cuba's sextet at the top of their game, easily showing why they were one of the best groups on the New York scene of the 60s! The album's a pivotal one in the development of Latin Soul – as it sports the incredible... read more

A Latin classic from the word "bang"! This album was the one that busted Joe Cuba out of the Latin ghetto – into the sound of 60s soul, early funk, and beyond. The record's a stone winner – filled with boogaloo tracks delivered by Joe's firey young sextet, a killer ensemble... read more

Cyclist rides in with Bones In Motion – a joint release by Stones Throw and Leaving Records – an icy cool mix of early electro and housey influences with grittier, more experimental touches! The hypnotic approach and 80s era synth atmosphere bring Tour De France era Kraftwerk to mind... read more

Nicely priced reissue of this classic first album by the legendary British dub funk outfit Cymande – done with that gatefold cover and everything! A key part of the crumbling British colonial network that produced some excellent music in the postwar years, Cymande was comprised mostly of... read more

The second album of dubby funk by the legendary Cymande! This monster funk combo had a totally unique sound, with rolling bassy-grooves, and a very nice stoner-funk feel that had distinct Jamaican influences. This album's got some of their best tracks like "Anthracite", "Fug",... read more

The second LP from Cypress Hill, and as far as we're concerned, the last great one. Muggs' beats get a bit darker on this album, but are still sharp enough to cut through even the thickest clouds of smoke. 14 tracks in all, including "I Wanna Get High", "I Ain't Goin' Out Like... read more

A totally cool score from Philippe D'Aram – one that's heavy on electronics, amidst the usual horror movie moods – which gives the music a cold, stark feel that's really amazing – incredibly spooky at points, and nice and spacey at others! D'Aram doesn't just use the usual... read more

One of the greatest grooves from the legendary Desco Records years – a brilliant album of modern Afro Funk done by The Daktaris – in a groove that's just as hard-hitting as any of Fela's work from the 70s! The album was one of the first to bring back an older African style to current... read more

Enigmatic folk rock and soulful bluesy vocals from Karen Dalton – her legendary lost 1971 album that's credited with inspiring some the most idiosyncratic work by folk rock superstars and contemporary freak folk heroes alike! Karen was a fixture on the 60s NY folk scene – Dylan even... read more

Galactic funk & synth soul from Dam-Funk – his epic full length debut Toeachizown for Stones Throw – and a record that should be a game changer for the southern Cali ambassador of cosmic funk beats, heavy bass and synth grooves! Dam-Funk is part throwback to the electro era –... read more

Galactic funk & synth soul from Dam-Funk – his epic full length debut Toeachizown for Stones Throw – and a record that should be a game changer for the southern Cali ambassador of cosmic funk beats, heavy bass and synth grooves! Dam-Funk is part throwback to the electro era –... read more

Galactic funk & synth soul from Dam-Funk – his epic full length debut Toeachizown for Stones Throw – and a record that should be a game changer for the southern Cali ambassador of cosmic funk beats, heavy bass and synth grooves! Dam-Funk is part throwback to the electro era –... read more

Galactic funk & synth soul from Dam-Funk – his epic full length debut Toeachizown for Stones Throw – and a record that should be a game changer for the southern Cali ambassador of cosmic funk beats, heavy bass and synth grooves! Dam-Funk is part throwback to the electro era –... read more

Rare hard funky soul from early 70s titans Damn Sam The Miracle Man – and some of the rawest, fiercest funk we've ever heard! Damn Sam is actually a group – spearheaded by vocalist OC Tolbert – a man with a roaring voice and righteous delivery that could tear through brick –... read more

Groovy stuff! The album features Johnny Dankworth's fab score for Modesty Blaise – the sexy slinky British queen of international adventure, played by Monica Vitti in the 1966 film. The soundtrack's got some great jazzy numbers, a few variations on the theme, and some weird groovy tracks... read more

A world of rhythmic, danceable sounds from George Danquah – the legendary Ghanaian guitarist, composer and bandleader who had earlier played and/or toured with Benya Beats, Blue Monks and Uhuru Dance Band and other brilliant groups – and this rare mid 70s set is the only album billed to... read more

An amazing step sideways for London's Zoot Money – a move from mod to psych, with a trippy quality that's quite different from his jazzy sound a few years before! The group's got legendary fame – not just for the shift in styles by Zoot, but also for the fact that it features key work... read more

Beautiful stuff from singer Diana Darby – one of our favorite voices in the indie folk landscape! There's a hushed tone to Diana's voice that softens some fairly heavy lyricism – on personal songs that manage to speak the plain, sometimes harsh truths of love and spirituality with a... read more

Heavy funk from a Bay Area legend – and an EP that features 4 previously unreleased tracks by Darondo, none of which are on his previous reissue on Luv N Haight! The title track here is a nice loud mix of the snapping funky "Legs" – which is then presented in an even cooler... read more

A should-be Cali country rock classic by Chris Darrow – and a real rare gem of a record we'd put right up there with the best of its kind! Multi-instrumentalist Darrow might be best known to psych enthusiasts – as he was a founding member of Kaleidoscope – but as a session player... read more

The first-ever release of this lost soul treasure – a rare session from a late 70s group from Tulsa, recording in LA at the studio of Sly Stone! The set's got a groove that's way more than you'd expect from any Oklahoma combo – a mature, modern soul sparkle that's totally great –... read more

Mod mod 60s jazz – and 12 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great... read more

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on... read more

Killer work from Betty Davis – one of the most impressive female funk talents ever! If you ever needed a definition of funk, this record may well be it – snapping drums, sharp-edged guitars, and sex-filled basslines that slink and slide all over the bottom of the grooves – a... read more

Sweet disco and soulful jazz – the only album we've ever seen from Copeland Davis, a great talent on the piano, and a mellow soul singer with a clear inspiration from Marvin Gaye! The album's a pretty unusual one – in that the overall groove is instrumental, mostly tight rhythms and... read more

An incredible collection of work from the vastly-overlooked Geater Davis – and a set that definitely lives up to its title! Geater Davis is a tremendous singer from the south – but one who barely ever got his due back in the 70s – even though these recordings for the tiny House... read more

This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie... read more

A masterful meeting of 2 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans'... read more

One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers... read more

Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through... read more

Thelonious Monk wrote the title tune, but Miles Davis makes it almost his own here – blowing with a subtly moody magic that makes the album one of his true treasures from the early Columbia years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged... read more

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an... read more

An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous... read more

Sublime sounds from the legendary Stanton Davis – a rare 70s gem that's been a favorite of groovehounds for years! The set's got a really unique feel – part spiritual jazz, part soaring club – a blend that's similar to the sound you'd get on James Mason's legendary album too... read more

The debut album from Tyrone Davis – a supreme achievement for the Chicago soul scene of the late 60s, and a record with a sound that would set the standard for years to come! Tyrone had been bumping around as a blusier singer before this set – but here, working with arrangements by Don... read more

A massively wonderful album from Dayton – an album that has the group really getting their groove together – still sticking a bit in the older funk mode from the past, but also bringing in some warmer, deeper touches to their music too! There's a solidness here that's undeniable –... read more

The epic second De La Soul album – a slightly deeper record than the upbeat 3 Feet High And Rising, but to us it's just as irrefutably classic – and among the best hip hop full lengths ever! The trio is still working with Prince Paul, so despite the cover image and declaration of the... read more

Francesco De Masi's soundtrack to the original Inglorious Bastards, aka Counterfeit Commandos – the seedy little 70s Italian-made war yarn with Fred Williamson and Bo Svenson that influenced Tarantino's not-really-a-remake! De Masi's symphonic suite and live orchestrations bring a triumphant... read more

The best work so far from Rosalia De Souza – a session that features production and guitar from bossa legend Roberto Menescal, and a sound that's deeper and even more classic than any of Rosalia's other work! Most of the instrumentation here is in an older acoustic mode – piano,... read more

Beautiful bossa from Rosalia De Souza – and a set that's got a sweet little difference from some of her earlier Schema albums! This time around, the sound is warmly acoustic throughout – very jazz-based, and wrapped around Rosalia's vocals wonderfully – sometimes with a groove... read more

Some of the rawest sounds coming out of the Portland scene of the early 90s – served up in a solid way that avoids most of the pitfalls of their contemporaries on the scene! Dead Moon have all the wild energy of other Northwest groups of the time, but hone things down to a core essence that's... read more

Maybe the most perfect summation of the sound of Dead Moon – no-nonsense gritty work that definitely lives up to the image on the cover – and the kind of set that made the trio every bit as powerful as work coming from the New York or LA scenes of the late 70s! The retro punk vibe is... read more

A pre-punk bit of charged, hard grooving Motor City rock from Death – a lost record that takes a tightly coiled, blazing approach to their influences of garage rock and psychedelia – and a record that's all the better in that it was recorded way back in 1975! To put it bluntly, music... read more

Aggro hip hop/noise rock from Death Grips – one of the more surprising major label pick ups in years! Includes "Get Got", "The Fryer", "Lost Boys", "Black Jack", "System Blower", "Hacker", "Bitch Please", "F***... read more

Great grooves from Debo Band – a contemporary combo, but one who's steeped in older Ethiopian modes – particularly the best 70s sounds inspired by artists like Mulatu, Mohammad Ahmed, and Tilahun Gessesse! The album may well be the funkiest set ever issued by Sub Pop – and has a... read more

An album that's every bit as hip as you'd expect from its Sam Rivers-inspired cover image – a beautiful tribute to the modal jazz scene of the 60s, particularly the work of John Coltrane and some of his followers on Impulse Records! Apart from a cover of "Naima", though, the set's... read more

The amazing second album from Deep Jazz – and every bit as spiritual and soulful as the first! These guys really blew us away with their debut, and we're loving them even more this time around – and can honestly say that they're one of the few contemporary combos to ever get our... read more

The heavy groove of Deep Purple continues – in a style that's a bit more song-focused and guitar-led than the group's debut – but still pretty darn great nonetheless! Some of the rumbling bass of before has been toned down a bit, but that leaves plenty of space for more jamming guitar... read more

The mighty '69 self-titled set from Deep Purple – not as metallic or hard rock radio ready as their subsequent hit LPs – a deep effort that combined walloping intensity with a far flung blend classical element, proggy changes and bluesy rock! Deep Purple moved on to a much more... read more

The birth of a legend, and easily one of the heaviest records to hit the mainstream in the late 60s! The album's got a sinister quality that you can hear on the first few notes – a low-end, rumbling approach that brings in a lot more fuzzy bass than other groups of the time had ever thought... read more

The only full album ever recorded by the legendary Sam Dees – an artist who's probably best known for his songwriting skills on other records, but who really shines here as a lead star on his own! Dees' approach is wonderful – a bit rootsy, with some slight southern soul elements... read more