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An amazing moment from the Brazilian music scene of the 70s – an album that's both extremely personal for each of the artists involved, yet also a wonderful collaboration between a host of up-and-coming talents! There's a relaxed, intimate feel to the whole thing that's mighty nice –... read more

The coolest grooves we've ever heard from percussionist Henri Guedon – a really wonderful blend of Latin, Caribbean, and jazz-based influences – all filtered into a very special sound! There's plenty of percussion at the core, but there's also some sweet keyboards too – used... read more

Some of the best material from Gambian psych funk pioneers Guelewar – a double-length collection, pulled from stellar albums of the late 70s and early 80s! Guelewar's got a really great sound here – one that brilliantly blends heavy, hypnotic rhythms, passionate vocals, swirling... read more

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An excellent concept for a bossa album from the 60s – a set that mixes together a bunch of different great guitarists – all with some light and lovely rhythm backings that really hit a groove! Jack Marshall put the set together – and in addition to his own guitar, the record... read more

A hell of a great record – as you might already guess from the fact that Kassin produced the album, and it also features guest appearances by Chico Buarque and Tom Ze! Yet Thais Gulin is clearly the main draw here – a really lovely, inventive singer with a freshness that comes through... read more

Quite a rare set from this important Swedish player – one recorded in Sweden by Metronome, but issued here in the US on the short-lived East-West imprint of Atlantic. The tracks all feature Gullin on baritone sax – in a variety of settings that range through quartet, quintet, sextet,... read more

A genius album from Swedish baritone giant Lars Gullin – and a set that's from a period that was much less documented on our side of the Atlantic! Gullin was one of the undisputed masters of the instrument, and his American recordings on Mercury and Prestige stand as proof to his talent... read more

A beautiful solo record from pianist Ulrich Gumpert – quite different than some of the more offbeat or avant sounds he recorded with other players – and instead, a great illustration of his more personal, poetic style on piano! Parts of the record resonate strongly with Gumpert's... read more

Steve Gunn's first album with a full band – which seems a bit strange to say, given how warm and lived-in it feels – and pretty strong one! Steve's guitar is the focus, as it should be, as his playing is incredible – and his somewhat hushed vocals and inviting songcraft seal the... read more

A wonderful larger-concept piece from reedman Mats Gustafsson – and an important recording that really stands to only complement some of his freer, looser work of the time! The set's got a vibe that's similar to some of the best mixed composition/improvisation works of the 90s – put... read more

A stone classic from the great Gwen Guthrie – a singer who forged some brilliant vocals in the backdrop of other folks' soul sessions – then really exploded forth as a star on her own, with a handful of key albums in the early 80s! This cooker really shows off Guthrie's ear for the... read more

Classic work from Gwen Guthrie – a tight batch of keyboard-heavy cuts that sparkles with a strong 80s groove! Deodato's at the helm on production, and he clearly helps direct the sound of the set – giving it some of the sharpness and focus of his other 80s soul productions – and... read more

Early work from Gwen Guthrie – produced by Sly & Robbie, but with a sweet modern soul sound that's got a lot less of their influence than you'd guess! The sound is much more New York than Jamaica – and that's probably due to some great instrumental backing on keyboards by the likes... read more

Dirty beats with some sweet earthy touches – and a record that we like a lot more than usual for this sort of thing! Guts mixes it up with a host of classic influences – bits of spiritual jazz, cinematic soundscapes, 70s funk, dancehall, and electro – but all wrapped into... read more

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We're not normally ones to rave about electric blues albums, but this one's a lot nicer than you might think – recorded with plenty of deep soul touches, and even a dose of funk in the right places! We hate to admit it, but a big part of the credit here goes to Eric Clapton – who... read more

Once again the GZA shines as the true Genius of the Wu Tang Clan. He continues to move in a more straight ahead rhyme direction, but there's still some nice metaphorical, numerological and knowledge dropping moments sprinkled in between the all-up-in-your-face Wu attitude alongside his acronym... read more

One of the greatest moog albums ever – all original sounds and tunes from the legendary Bruce Haack! Haack had spent most of the 60s doing small label kiddie records on his own, but this late 60s gem on Columbia is probably his best known work – a masterpiece of short and groovy little... read more

Funky funky solo work from Joni Haastrup – an artist who's also known for his work in Monomono, and who sounds equally great on his own! Joni's got this tight approach that wraps together Nigerian grooves of the 70s scene, and some bolder soul star energy that would be right at home in the... read more

Way more than just a set of musical dialogues – as the record features duets between Haden's bass and the Portuguese guitar of Carlos Paredes – in a sound that's quite different than anything we might have expected! Paredes' instrument has some distinctly folksy overtones here –... read more

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Charlie Haden and Hank Jones reunite as a duo – working through a set of songs with spiritual sources, in ways that really seem to unlock the warmest elements of both players! Jones is no stranger to this sort of mode, especially in later years – and his gentle, spacious touch on the... read more

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Beautiful tones from pianist Noah Haidu – a player whose got a really magical approach to the keys! Noah finds a way to make each note ring out with great power – yet also has them all flowing together wonderfully – in these long-spiralling lines that carry lots of modal energy... read more

A really great change for saxophonist Nathan Haines – and that's saying a heck of a lot, given how much we already liked him before! The set's a straight jazz outing – of the kind that really lets Haines' strengths on reeds shine forth beautifully – soaring out soulfully in ways... read more

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A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at... read more

One of the coolest projects we've heard from Bongolian in years – a great collaboration with vocalist Fay Hallam, who really helps his grooves find a great sense of focus! Unlike other efforts of this nature – the usual "soul diva with funk group" outing – Fay and... read more

A gem of an album from trumpeter Matthew Halsall – his third on the Gondawa label, and like all the others, a set that we'd easily rank right up there with the best 70s spiritual jazz on labels like Strata East or Black Jazz! The set's got a fluid sound that's extremely compelling –... read more

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A label shift for Anthony Hamilton – and a bit of a shift in sound too – one that's slightly more rootsy at the bottom, almost a bit more grit than before – in keeping with the cover image and title of the set! The music's still very much in a contemporary R&B vein, but there'... read more

Chico Hamilton in the 70s just can't miss – he's really changed loads from his mellow 50s work in LA, and has a tendency to go for a hard grooving sound – but also one that's slightly left of center than the work of most other 70s jazz drummers – and we mean that in a good way! ... read more

Unusual material from Chico Hamilton – recorded around the same time as his groundbreaking work for Pacific Jazz – but for the smaller Crown/Modern label in LA! The format's a bit unusual, and changes a bit throughout the record – showing Chico's already-strong ear for creative... read more

Different is right – as this obscure early 60s side shows Chico Hamilton really opening up, moving past the modern chamber style of the late 50s, into the freer modal rhythms that characterized his incredible work of the 60s! The group's the beginning of that sound too – with Charles... read more

Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit... read more

An obscure release by Chico Hamilton – but with some really great moments that more than rival his famous sides for Pacific Jazz in the 50s! The set was issued on the obscure Crown label, and is a bit short on notes – but side one features work by Chico's early trio – a cool... read more

One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but... read more

Very interesting work from Chico Hamilton – one of his most compelling albums of the 50s! The three "faces" of Chico are as follows: his vocals, his solo percussion, and his quintet. Forget the vocals, because they're just OK (and Chico hardly embarked on a singing career after... read more

One of the best records that Chico Hamilton cut during the 50s – and one that features Eric Dolphy, who was with Chico's group for a short while! The record's got the quintet (which also includes the excellent Dennis Budimir on guitar) fronting larger string arrangements by Fred Katz (no... read more

A jazz soundtrack double-header – one that features both the small combo and larger band version of the soundtrack to The Sweet Smell Of Success! The first half of the CD features the Chico Hamilton Quintet's album of music – a wonderful bit of cinematic jazz from the 50s. The combo... read more

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Soulful reggae legend Beres Hammond – still going strong on 2012's double album One Love, One Life – which is a nice, timeless take on his tried-and-true mix of lover's rock and straighter soul – and well produced by Beres and Chris Chin! Honestly, pretty much everything we've... read more

Romantic reggae from a master of blending lover's rock and other soulful strains of reggae with an even more profound touches of classic-styled soul! Red Light once again finds Beres working well with producer Willie Lindo – with lean, crisp vibe – but it's never too glossy! A really... read more

Produced by Wilie Lindo, but rather than taking a soulful approach to his reggae, or infusing some soul numbers with an island vibe, this set is split between straight soul numbers and a handful of roots material – and it works well on both fronts! Surprisingly, the soul tracks come off... read more

An overlooked gem from the equally-overlooked Clay Hammond – a sweet 70s groover that offers up a great mix of modern and deep soul modes! Clay's vocals are still every bit as great as on some of his earlier soul singles, but the arrangements push things into tighter territory that's mighty... read more

An amazing bit of jazz funk from Johnny Hammond – and one of his greatest LPs! This is the first album that Johnny recorded with Larry Mizell, cut right before the pair of them went onto do the landmark Gears album. While this one never became as famous as Gears, it's got some fantastic... read more

Early work by Gunter Hampel and one of his greatest records! – Music From Europe has a sound that's free and propulsive, but not nearly as indulgent as on later albums. Recorded in 1966 in Holland, it tows the line incredibly well between abrasive soundscapes and a more controlled energy. ... read more

Paris was always a great city for Lionel Hampton – but it seemed like in the mid 50s, it was also a place where he cut some of his best work, too! The French New Sound pair of albums are both classics in Hamp's book – records that take off from the looser, longer-form style that he'd... read more

The classic jazz vibes of Lionel Hampton meets the soulful arrangements of the Chicago Brunswick studios – and the result is a great batch of funky instrumentals that have a similar sound to some of the classic Cadet albums from the same time! Willie Henderson and Tom Tom Washington did most... read more

The explosion in the title is definitely well-placed – as trombonist Slide Hampton makes his group groove with a tremendous amount of power here – all horns focused strongly on the rhythms, which themselves are wonderfully soulful! As with some of Hampton's best from the time, there's... read more

Sanctified, indeed – and just the kind of record to show why Slide Hampton was unlike any of his trombone-playing contemporaries! The set's got a tightness and punch that's really unique – not the compact quality of JJ Johnson and Kai Winding, but also not the hardbop of Curtis Fuller... read more

A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is... read more

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Soulful 70s work from Herbie Hancock – a record that tightens things up from the Headhunters and Sextant sessions, but which still retains a lot of their depth and charm! Players here including some previous partners – like Bennie Maupin on reeds and Paul Jackson on bass – plus... read more

Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all... read more

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A legendary bit of Latin from the New York scene of the 60s – recorded by a host of youthful players working under the direction of percussionist Montego Joe! The group's name is a contraction of "Harlem Youth" – a program in which all players participated, as part of an... read more

A legendary bit of Latin from the New York scene of the 60s – recorded by a host of youthful players working under the direction of percussionist Montego Joe! The group's name is a contraction of "Harlem Youth" – a program in which all players participated, as part of an... read more

The brass is definitely dynamic here – arcing, curving, and grooving in the best Sharps & Flats mode! The group's at their late 60s best on this well-titled set – really moving past conventional big band styles, and hitting a very groovy sound throughout – one that rivals the... read more

Fantastic work from a lost chapter of Coltrane's career! Sure, you may know his early work with Miles Davis, or his groundbreaking later recordings on Atlantic and Impulse – but in the late 50s, 'Trane recorded some fantastic sides with trumpeter Wilbur Harden for Savoy Records, and the... read more

Sax-heavy New Orleans R&B instrumentals from Herb Hardesty – the tenor player and secret weapon in Fats Domino's band – one of those incredible players whose name isn't as well known as the sound of his instrument! His sax sounds really great out front and in the lead –... read more

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Beautifully understated work from trumpeter Roy Hargrove – an open, laidback session that's easily one of the best he's done in years! Gone are the urban sounds of his RH Factor records, and the more cerebral modes of some of his other jazz sets – and instead, this time around Roy's... read more

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Nothing serious maybe, but a great set of straight jazz work from Roy Hargrove – released alongside the trumpeter's Distractions album by his RH Factor group – almost as a reminder that Roy's equally great at acoustic jazz! The album really benefits from some strong piano work from... read more

A legendary Latin funk album – spearheaded by Eddie Palmieri! The record is a landmark crossover album from the early 70s – cut at the end of the Latin soul era, but featuring that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk. The grooves are all... read more

Fantastic work from one of the most unique talents in jazz! Rufus Harley plays bagpipes – yes, that's right, bagpipes – in a modal Coltrane-esque way that's simply got to be heard to be believed. He uses the drone capability of the instrument to explore reed patterns in the same way... read more

Two dramatic scores from Leigh Harline – a sometimes-overlooked composer from the great years of Hollywood soundtracks! The Wayward Bus is put together with some really beautiful charts – filled with sadder tones and bluer notes amidst the orchestrations – that wonderful late 50s... read more

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The first full length collaboration between blues, soul and rock slide guitar eclecticist Ben Harper and harmonica master Charlie Musselwhite – and it's win for both – with a vibe that's rooted in many traditions, but feels right at home in both Harper's and Musselwhite's wheelhouses. ... read more

The first full length collaboration between blues, soul and rock slide guitar eclecticist Ben Harper and harmonica master Charlie Musselwhite – and it's win for both – with a vibe that's rooted in many traditions, but feels right at home in both Harper's and Musselwhite's wheelhouses. ... read more

Some of the best Billy Harper work of the past decade or two – a 3 volume series of live performances, all recorded in the Far East in 1991! This first volume features Billy recorded in Korea, with a group that includes Eddie Henderson on trumpet, Francesca Tanksley on piano, Louis Spears on... read more

A great title for this hip little record – one that definitely has the group coexisting together beautifully in the space of the set – working with well-fused energy that really makes the music shine! The set's got the soulful vibe of some of the best indie sets from the end of the 80s... read more

A spiritual jazz classic from the hip LA scene of the late 70s – led by saxophonist Billie Harris, and featuring a group that includes Horace Tapscott on piano! We don't know much about Harris, but he's got a freewheeling spiritual sound that's very much in the Coltrane-inspired mode, yet... read more

A classic session of music from the mighty Raymond Scott – performed here by a small combo led by Scott's old tenor player Dave Harris! All of the tunes here were written by Scott, and many are of the vintage that stretches back to his cool cartoon work – those jaunty, jagged little... read more

We can never get enough of Eddie Harris – and a record like this is a great reason why! Despite all the many different settings Eddie worked in at Atlantic, he still always stayed true to his roots – and a record like this is a perfect example of that – no electric horn, no funk,... read more

A 60s classic from the great Eddie Harris – and proof that his move to Atlantic Records was a very good thing! There's a punch here that Harris didn't have in his earlier sides for Vee Jay – a bite that shows an even stronger focus than before – a willingness to mix soulful... read more

Killer stuff – and an amazing album that not only showcases the varitone sax talents of Eddie Harris, but also features some fantastic arrangements by Chicago soul genius Charles Stepney! Harris plugs in right from the start – blowing an electric sax that comes up with some groovy... read more

A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some... read more

Funky, soulful, and completely sublime work from keyboardist Gene Harris – working here with some great help from Jerry Peters on arrangement and production – in a style that makes the album one of Harris' most compelling sets of the 70s! The backings are full, but tight too –... read more

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A great little solo set from Gene Harris – and a perfect example of that magical time after he'd left the Three Sounds, but hadn't yet hit the more standard styles of later years – a period when Harris was really experimenting with a wide range of keyboards and sounds! The set has... read more

Sweet sweet keyboards from the amazing Gene Harris – one of his seminal electric sides for Blue Note in the 70s – recorded between his earliest fame in the Three Sounds, and his later return to acoustic styles in the 80s! The sound here is equal parts jazz and soul – as Gene's... read more

Gene Harris in three different periods – the past, present, and future – served up here in a record issued under Gene's name as a leader, but which still continues the vibe of the later records by the Three Sounds! Most of the work is trio material – with just Gene on acoustic... read more