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A wonderful mid 70s set from Gladys Knight & The Pips – a soundtrack date written and produced by Curtis Mayfield, who really helps bring a lot of depth to their music! Curtis really helps Knight and the group get out of some of their hit cliches of the 70s, and find some hipper space... read more

An amazing blend of raspy vocals, rumbling backings, and hip late 60s Motown soul – proof that Gladys Knight's move to the label was one of the smartest of her career! Thanks to top-shelf production here from Norman Whitfield, Gladys gets a newer sound that's ultra-hip – a bit deeper... read more

Rock-solid Buddah work from Gladys Knight & The Pips – still pretty righteous on the vocal tip, but often a bit fuller and more polished than before! Knight shows a great talent for a mature ballad here – no big hits, but that's part of the charm of the set – as there's a... read more

After hitting big as a singer on the soundtrack for Claudine, Gladys Knight finally got her chance in front of the camera for Pipe Dreams – a record that featured her both as the star on film and on the soundtrack! The styles here are a bit more wider-ranging than the usual 70s soundtrack of... read more

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One of the greatest albums ever from pianist Ronnie Kole – a hip cat who played heavily on the New Orleans scene of the 60s and 70s – but who also had a soulful sound that was much more in keeping with piano work from the Windy City! This set has a nice crackle from the start –... read more

Righteous earth mama vibes from our hometown sweetheart Bonnie Koloc. Bonnie was part of the original folk cabaret scene around old town here in Chicago, and this is her first album, with her gutsy, folky vocals and songwriting underpinned by a groovy rock-inflected backing band, that features... read more

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Long heavy disco tracks with nice touches of African percussion. Cerrone produced, and the tracks include "Africanism", "Tatoo Woman", and "Dr. Doo Dah". European club disco, but not without some nice funky moments – largely due to the percussion!... read more

A rare "with strings" session for altoist Lee Konitz – recorded back in his great years with Verve, set to wonderful arrangements from a young Bill Russo! The style here is a bit darker and more spare than some of the other albums of this type from the time – and Russo brings... read more

Titles include "Me & My Baby", "Ten Percent", "Loopin The Loop", "Class", and "Razzle Dazzle".... read more

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A shameless dancefloor cash-in move – but with a few nice touches! You all know the big title cut "Ladies Night", so we won't bother to describe it – but we can say that the group wisely hooked up with Deodato, who produced, mixed, and even played keyboards on the album. ... read more

It's the mid 70s, and Kool & Co not only keep the funky groove up, but also expand their style into a moogy style that adds a nice dimension of spacey soul to their rich palette of funk. The funkier cuts – like "Street Corner Symphony" and "Rhyme Tyme People" –... read more

Way more than just a "boogie" album – as you might think from the title – and much more a hard-hitting batch of funky tunes, mixed with some even cooler laidback numbers! The album follows heavily off the style of Wild & Peaceful – mixing together the group's older... read more

Instrumental versions of the Sex Style LP, from yet another of Kool Keith's personalities. With "Don't Crush It", "Sly We Fly", "Plastic World", "Still The Best" and "Keep It Real. . .Represent".... read more

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Sparkling work from singer Irene Kral – and possibly the best album she ever cut! The backings here are by the Herb Pomeroy group – a slightly modern ensemble that still knows how to swing with a good dose of Boston soul – and the overall feel of the album's a lot more forceful... read more

Great work by a great singer – the far under-recorded Irene Kral, a lovely lady who really bridges a number of different camps in the vocal jazz world! At one level, Irene's got the coolness of a Christy or Connor, but at another, she's got a more open, swinging, and soulful style –... read more

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A nice little 50s album that compiles Gene's work from the early 40s – his groundbreaking early swing sides, some featuring singer Anita O'Day, others with the great Roy Eldridge on trumpet! Tunes are tight, lively, and feature some killer drum work (natch!) – and titles include "A... read more

Gene Krupa and Gerry Mulligan – hardly a pairing that we would have thought of – but one that works surprisingly well here, and which showcases Mulligan's increasing fascination for larger group settings! The album features Gene on drums with a set of players that include Kai Winding,... read more

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With Charlie Ventura on tenor, Nabil Totah on bass, and John Bunch on piano – and cuts that include "Undecided", "Tickle Toe", "I Love You", "Misty", "Flying Home", and "Cry Me A River".... read more

A killer trio set, with lots of excellent reed work from Eddie Shu!... read more

Steve Kuhn at his funky best! Over the years, you may have seen Steve's name turn up on collections of hip funky tunes from the early 70s – but probably have never been able to find the right record that offers that same sound. Well, search no further, because this is the record – and... read more

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This famous Latin combo hits the early 60s, and lays down a stock session of pachanga and charanga cuts, infused with lively guitar parts, and some lovely female vocals. Tracks include "Yo No Se", "Cafe Y Pan", "The Don Jose Pachanga", "Pachanga Pa'Gozar",... read more

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Includes "Love Symphony", "Living Double", "Look To The Rainbow", "What Can I Do For You", "If You Don't Know Me By Now", and "Where I Wanna Be".... read more

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A rather rare recording of Oliver Lake from the early 70s, recorded in Paris. Almost entirely alto solos, but one number that features accompaniment on synthesizer. We find ourselves returning to these early Lake recordings much more than his later work with the World Saxophone Quartet, as the... read more

A sharp late 70s duo session from Oliver Lake & Julius Hemphill – captured at Toronto's Eastern Sound in March of '78 – great material joint composed by the two and performed with muscular, tension and delicate melody. Hempill and Lake both play alto saxes on the great opening and... read more

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A lost chapter in the legendary Harold Land/Bobby Hutcherson relationship – and a record that often gets overlooked. The set is a great moody mellow bit of jazz funk, recorded with Buster Williams on bass, Bill Henderson on electric piano, and Billy Hart on drums. Mtume sits in on congas,... read more

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Killer stuff! This is one of Billy's earliest albums, and it's a monster batch of funky organ tunes with a much harder groove than on later works! The group is Billy's early Delegates trio – with Hank Swarn on guitar and Mel Brown on drums – and bad, bad grooves abound: including the... read more

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The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the... read more

A strange bit of funk from Yusef Lateef! The record was recorded late in the CTI electric years – and it's got Yusef fronting a funky jazz group on 5 tracks that have a decidely R&B-ish fusion twist. Dave Matthews – of James Brown funky fame – arranged the whole album, and... read more

One of our favorite Atlantic albums by the great Yusef Lateef – an incredible session that has him dipping back into his earlier exotic roots, yet still hitting the sweeter soulful groove of some of his other Atlantic sides! The sound is tremendous – wonderfully righteous, at a level... read more

One of the best of Yusef's Atlantic recordings, and one that offers a mix of his 2 different sides – his older spiritualist one, and his newer funkier one. Includes the tight groover "Live Humble", with nice conga work by Ray Barretto, plus the extended "Chandra" and... read more

One of Yusef Lateef's most fantastic records, and an album that grooves in a way that few of his other ones do. Recorded live in 1964, this material was part of the same session that comprised the classic Club Date LP, which included the track "Brother John" (not on this album). This... read more

Latimore couldn't help being a soul genius – and even on a record like this, which didn't really yield any hits, he still comes through loud and clear, with a deep rich soul voice, backed by some great mellow soul arrangements. The album includes a great slow mellow version of "I Get... read more

A beautiful little record from Hector Lavoe – one deepens his sound and emotion, but manages to do so without going into any schmaltzy territory! Some tracks here are full-on groovers, and others are mellower – but even these have a depth of feeling that really commands our attention... read more

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A wicked set from reedman Azar Lawrence – one of the few albums issued under his own name, and a great example of the waves he was making on the 70s west coast scene! There's a depth here that goes beyond most of the other Fantasy Records sessions of the time – a sound that would be... read more

A very nice bit of spacey funky jazz from sax player Azar Lawrence, and one of the great earlier productions by Skip Scarborough, with a feel that's very similar to Gary Bartz's work with Larry Mizell! Azar plays a mix of funk and spiritual soul jazz – and he's got some great electric... read more

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A strange little record – one that features a few tracks by Lawrence from Lord Of The Flies, The Great Chase, and David & Lisa – mixed with others from films that include To Kill A Mockingbird, Rat Race, Mutiny On The Bounty, and other films. Most of the material is pretty... read more

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A great little set of Latin jazz – and one of the strongest albums ever from flute man Hubert Laws! At the time of this recording, Laws was playing with Mongo Santamaria's group – and for this second solo outing, he borrows a lot of grooves from Mongo's bag – and also hits a few... read more

Sweet soulful flute from the great Hubert Laws – gliding high here in a great session from his post-CTI years! The album's a bit more soul-based than some of Hubert's earlier dates – but that change is a great one, and really helps Laws find some rich new energy – a focus in the... read more

A wicked mix of Latin influences, mod sounds, and 60s soul jazz – all set up beautifully to showcase the flute of a young Hubert Laws! The album's got a nice little bounce right from the start – with some traces of Atlantic soul elements – but it soon moves into some of the more... read more

One of the most sublime Hubert Laws albums for CTI – a set that features his incredibly soulful flute work floating over these beautiful large arrangements by Don Sebesky – all ticked by some sweet electric piano from Bob James! The sound is perfect – that balance of soul and... read more

A rare document of a short-lived slice of the King Kong myth – a Saturday morning cartoon in which Kong was the friend of some little kids in the jungle, and a much less threatening force than when climbing the Empire State Building! The soundtrack offers capsulized episodes of the show... read more

It may be Dixie, but the groove here is plenty darn unique – thanks to some great percussion work by Chico Hamilton, in a mode that really transforms the sound of the set! Yank's definitely playing with a trad jazz sound on his horn, but Chico's rhythms have plenty of bossa nova and Latin... read more

A tight batch of organ groovers with a raw R&B feel, recorded by the obscure St Louis organist Sam Lazar – with a very young Grant Green on guitar! The album's a bit different than Sam's other records for Argo – in that the tunes are all quite short, with a tight fast sound that's... read more

Titles include "Red Bulbs", "Menage A Trois", "Sugar Babe", "Love Is All I Need", "Brown Eyes", and "It's Me".... read more

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Hard rock perfected! It's around Led Zeppelin IV you can easily say that the group moved up from being incredibly great to flat-out legendary. On IV, they do a bit of what the did on each of the three preceding albums, but rather than starting to repeat themselves, they get better! Amazing. ... read more

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A 60s LP that compiles Julia's earlier sides for Capitol – a mixture of jump blues, swing, and R&B, recorded with players that include Red Norvo, Benny Carter, Vic Dickenson, and Baby Lovett. Titles include "Last Call For Alcohol", "After Hours Waltz", "King Size... read more

A 50s LP that compiles Julia's earlier singles for Capitol – a mixture of jump blues and early R&B, done with some nice jazzy touches that give the tracks a Kansas City groove. Titles include "Last Call For Alcohol", "I Was Wrong", "Tell Me Daddy", "Ain'... read more

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A sweet and slightly Latinized album from Peggy – one that features backings based around a variety of acoustic and electric guitars, with arrangements by Dave Grusin, Dick Hazard, Bob Bain, and Billy May. The album's got more varied moods than you'd expect for such a project – and... read more

Music direction by Lou Levy – which is quite a surprise – with arrangements by Dave Grusin, Lalo Schifrin, and Billy May – on some unusual tracks that include "My Sin", "The Boy From Ipanema", "Talk To Me Baby", "The Right To Love", "The... read more

Very groovy work from Peggy – a set of tunes tone with a nice little Latin flair! The tunes themselves are all Broadway hits of the late 50s and early 60s, but they're redone wonderfully here – so that they often bear little resemblance to the originals. Jack Marshall handled the... read more

An incredibly lovely later album from Peggy Lee – her first album for Atlantic, and proof that she was still growing tremendously as an artist, well into the 70s! The record's title track was a tune written for Peggy by Paul McCartney, who also produced the number for the record – and... read more

An incredible album from Peggy Lee – baroquely beautiful, in a way that builds massively off of her "Is That All There Is Period" – and take her into territory that's almost equal to Lotte Lenya! The whole album was written by the team of Lieber & Stoller, in a sad, boozy... read more

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A hip collection of tracks from Peggy Lee – featuring tunes recorded for Capitol during the late 60s and early 70s, put together as a special package for Placidyl sleeping pills! The album's hardly sleepy, though – and the standout cut is Peggy's awesome version of "Spinning... read more