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A nice little take on the "city symphony" mode that was big in American music a few decades back – served up by the Wynton Marsalis Septet of the early 90s, with decidedly modern touches! The double-length album's a three-tiered affair – with part one standing out as Wynton's... read more

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The classic debut of a young Wynton Marsalis – cut after a stretch when Wynton was working with Art Blakey, and had really sharpened his chops! The record's a wonderful return to straight jazz tradition for Columbia – but it also has some modern moments too – proof that the... read more

Another rough'n'ready Wackie's production, with the Wackie's rhythm section delivering some nice chunky riddims for Clive Field Marshall to ride with a tight sing-jay style of toasting. A dozen chubby 80s reggae numbers, including "State Trooper Style", "Love Is What You Want",... read more

Slinky pop from Marsmobil – tunes that bubble and bristle with a bit of downtempo energy, but which have a stronger focus overall – and some compelling female vocals sung in a breathy, laidback style! The album's a joint release from G-Stone and Compost – and it's got elements... read more

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Martino plays in a 2-guitar quartet – with Bobby Rose backing him up on guitar, plus rhythm accompaniment by Richard Davis and Billy Higgins. The sound's definitely in the trippier, post-hippie style of Martino's work, with a sort of looseness and fluidity that you either love or hate, but a... read more

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The latest from the groundbreaking Bristol crew! The sound on this outing isn't as dark as the last two albums, but there's still the unmistakable Massive vibe, with a full, deep bass, dubby elements, hip-hop & jungle inflected beats and atmospheric touches that spawned scores of copycats. ... read more

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2 lost sides of soul jazz – both of them rare gems on vinyl, and back-to-back here in one nicely priced CD package! Doin The Thang is an excellent bit of lost soul jazz piano work – featuring the highly underrated Ronnie Mathews, with a quartet that includes Freddie Hubbard on trumpet... read more

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Timeless soul from Maysa – who here lends her sweet molasses vocals to numbers made famous by Stevie Wonder, Teddy Pendergrass, The Isley Brothers, Chaka Khan, The Stylistics, Roberta Flack and others! Maysa fully employs the sophisticated mellow soul approach on this set – befitting... read more

It's always a sign of how huge Frankie Beverly was during the 80s that Capitol let him cut not one, but two double live albums during the early part of the decade. This one, his first, has the band grooving wonderfully before a crowd going mad in New Orleans. The tracks retain all the charm of... read more

Of all the MCs to emerge from the extremely rich French hip hop scene of the 90s, MC Solaar has certainly been the biggest – and this is the album that broke him out of the box worldwide. Titles include "Nouveau Western", "Prose Combat", "Relations Humains",... read more

Some of the best material ever recorded by pianist Less McCann – lifted from his groovy mid 60s recordings for the Limelight and Mercury labels – including many gems that were buried on albums that had otherwise weaker material. Lots of these tracks have added instrumentation over Les'... read more

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In our opinion, Jack McDuff never made a bad album – and this excellent later session is proof of that statement! The album's got a horrible cover – we'll state that from the start – but it's still a great batch of soul jazz organ tracks, played tightly by McDuff, with a group... read more

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A holy grail – and one of the only records ever cut by Donna McGhee, an incredibly soulful club singer who worked with both Patrick Adams and Roy Ayers! This album's her legendary side for the team of Adams and Greg Carmichael – and it's got a sweet and mellow groove that's unlike... read more

A key change for John McLaughlin – post-Mahavishnu, post-Shakti, and very much the electric guitarist promised in the title! The album's one of McLaughlin's more professional fusion outings of the 70s, but still has some of the earthiness of his roots – and despite a rather large... read more

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Early pre-Blue Note hardbop by Jackie McLean – and one of the few recordings to feature his sextet with Ray Draper! Draper was a real legend in late 50s jazz – a tuba (?) player, believe it or not, with a sound that was dark, brooding, and very modern – very unlike you'd expect... read more

A real classic by Jackie McLean – a record that's pulled from 2 different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with one 1959 session that featured Donald Byrd and Sonny Clark, and... read more

A real classic by Jackie McLean – a record that's pulled from 2 different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with one 1959 session that featured Donald Byrd and Sonny Clark, and... read more

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The first album by this enigmatic jazz funk trio from New York. Medeski's funky keyboards are firmly in place, and the group's got the usual tight rhythm groove, but the lineup's also expanded with some additional horn players, and some guest guitar by Mark Ribot. The album includes a great... read more

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Early work by Brazilian singer Luiz Meldoia – recorded in 1973 with a rootsy style that combines samba styles with some of the more sophisticated arrangements creeping into MPB at the time – making for a deeply soulful approach that works wonders with Luiz's unique vocals! The album... read more

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Mena's living her life with a really wonderful groove – one that's a bit jazzy at times, and always laidback and soulful – with a depth and complexity that goes beyond just simple Neo Soul, and which marks the lady as one of the more sophisticated soul singers of her generation! A few... read more

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The start of a legend – and the very first album by Sergio Mendes' Brasil 66 group, proudly brought to the world through the godlike talents of a young Herb Alpert! Sergio was no stranger to the recording studio by the time of this set, but the record marked a real shift in his music –... read more

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A completely solo album from Pat Metheny – but one that still sparkles with the same sort of energy as his fuller group sessions for ECM! At a point when Pat could be content to simply scrawl a few simple lines on the strings of his guitar, he instead does a great job of complicating things... read more

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Debut album from the much hyped MIA. 13 tracks total including "Pull Up The People", "Galang", "Bingo", and "Bucky Done Gun".... read more

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Music from Mozambique by two acts – Mil Quinhento 1500 & Conjunto Popombo De Nampula and Conjunto Nimala De Lalauah.... read more

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Fantastic – and one of Mingus' greatest albums ever! This one ranks right up with The Clown and Pithecantropus Erectus for sheer raw power and emotion – and Mingus' writing here is incredibly tight, giving soloists like Charlie Mariano, Jaki Byard, Richard Williams, and Jerome... read more

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The thing to do – is jam! Blue's sounding wonderful in this classic set for Blue Note – one of his best small group albums – recorded with a sound that's solidly in keeping with his lyrically melodic work in the Horace Silver group! The quintet features Chick Corea on piano... read more

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A warm and wonderful live date from vocalist Martha Miyake – one of the most important Japanese jazz singers of the 70s – and an artist with a great command for phrasing in English! Backings here are by a tight piano trio – and Miyake's got this mellow-toned, open-ended style... read more

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A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955... read more

A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955... read more

That's the Modern Jazz Sextet – not the Modern Jazz Quartet – although the group definitely borrows a bit of energy from the MJQ, and some personnel too! The group was only put together for this date – and combines the subtle touches of MJQ members John Lewis on piano and Percy... read more

Some of the earliest material ever recorded by the Modern Jazz Quartet – early 50s sides that were originally issued as 78rpm singles, then brought together in this self-titled LP! Some of the material was first released under the name of the Milt Jackson Quartet – but featured the... read more

Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their... read more

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The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative... read more

The first collaboration between Dieter Moebius and Conny Plank – and one of the best! The pair come together here in modes that are a lot more playful than some of the other German projects of this nature at the time – not as spare and sensitive as some of the others, and with a bolder... read more

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New recordings of older compositions by one of the greatest songwriters of our generation! The tracks are mostly of mid/late 80s vintage, when Momus was writing some of his best work – and the re-recordings here are very very different from the versions that appeared on the original Creation... read more