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Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on... read more

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One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but... read more

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One of our favorite Duke Ellington albums, and a sometimes-overlooked work that stands as one of his best compositions from the time. The whole 10" LP stands as one extended suite of tracks commissioned by the Liberian government for their centennial celebration in 1947. The piece starts... read more

Titles include "On A Turquoise Cloud", "Three Cent Stamp", "Lady Of The Lavender Mist", "New York City Blues", and "Hy'a Sue".... read more

Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength... read more

Excellent Duke Ellington work from the late 50s – written and recorded during a period in which he was reemerging with a stronger jazz vision than ever before! The set was written by Ellington and Strayhorn – and dedicated to the Shakespeare Festival in Stratford, Ontario – but... read more

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Previously unreleased late work from Ellington – with titles that include "Black Butterfly", "Dick", "Goof", "Blem", "Wanderlust", "Neo Creole", and "Mendoza".... read more

The question in the title is almost a moot point – because with the quality of a record like this, we hardly care if other bands come back at all! Duke's working here on a batch of older big band standards – as you might guess from the title – but the tracks all have a nice... read more

Nice French edition of vintage material by Duke Ellington!... read more

Nice French edition of vintage material by Duke Ellington!... read more

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A great Riverside LP that brings together early material from the 78rpm generation!... read more

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One of the most modern moments from Don Elliott in the 50s – a twin-trumpet album that's awash in counterpoint experiments of the time! Trumpeter Rusty Dedrick joins Don in the frontline – working together in tight head arrangements that have a strong chamber feel to them, but then... read more

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Fresh and modern big band work – with a nice dash of soul, and some of the early traces of funk that would later show up heavily in Ellis' 70s work! Tracks are long, and in compelling time structures – as indicated by the titles – and groove with an MPS-like approach to the work... read more

A quartet session – with Herb on guitar, Ross Tompkins on piano, Monty Budwig on bass, and Frank Butler on drums.... read more

A nice early set from jazz guitar greats Herb Ellis and Charlie Byrd – who would work together much more frequently in the years to come – but sharing a rare early 60s joint set on 1964's Guitar/Guitar! This is one of the earliest, if not the earliest pairings on record for these guys... read more

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Titles include "The Curse Of Baba Yaga", "The Old Castle", "Blues Variation", "Promenade", "The Sage", and "The Gnome".... read more

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Em's fourth album hits many of the same notes as its predecessor, signaling a bit of a comfort zone for the former Slim Shady. The beats largely fall on the darker-toned lilt of the now instantly identifiable sound. Tracks include "Just Lose It", "Mosh", "Evil Deeds"... read more

A nice collection of early work by The Emotions – pulled from their 2 early albums for Volt, as well as a few singles for the label. The set came out in 1979, and is clearly designed to catch the eye of late 70s customers hopped up on the group's disco hits – but the tracks were all... read more

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We have to admit we find these records to be a lot of fun, but no one could possibly buy the spiel in the liner notes about their "effect on the imagination and subconscious of the listener". Two extended soundscapes here: side one is "The Psychologically Ultimate Seashore",... read more

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Mindblowing work from Booker Ervin – one of our favorite albums ever from his years at Prestige, and a record that really earns its haunting title and cover image! Book's definitely headed out to space on this one – working in a freer mode than on some of his Texas tenor-styled albums... read more

An amazing record from the legendary Booker Ervin – and a set that really does a great job of bridging his modernist tendencies and soul jazz roots! The title track – "The Trance" – is an amazing 20 minute number that takes up all of side one of the record – and... read more

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Coke Escovedo's best album and a nice bit of groovy soul from the mid 70's. Patrick Gleeson produced, Harvey Mason plays drums, and the whole thing's got a nice laid back spacey soul sound. Includes covers of Lamont Dozier's "Why Can't We Be Lovers" and Leon Ware's "If I Ever Lose... read more

Groundbreaking sounds from the Norwegian scene of the late 60s – an album that's got George Russell's name on the cover, but which actually features brilliant performances from a quartet who'd go onto become huge names in the ECM scene of the 70s! Yet the sound here is quite different than... read more

The genius of Juan Garcial Esquivel is turned towards a host of tunes from a variety of global sources – including "Dark Eyes", "Hungarian Rhapsody No 2", "Torna A Sorrento", "In A Persian Market", "Tico Tico", "April in Portugal",... read more

The one and only album Kansas City singer songwriter Jeff Eubank – his rare, should be classic A Street Called Straight from 1983! The album was recorded in KC after Eubank spent some months puttering around the LA scene, and it's a low key, brilliant effort with a lot of love for the best... read more

Features Eubanks on tormbone and keyboards – with additional trombone from Slide Hampton and Clifton Anderson – plus alto from Steve Coleman, flugelhorn from Michael Mossmann, guitar from Kevin Eubanks, and percussion from Jerry Gonzales.... read more

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Tremendous work from Bill Evans – one of his rare non-trio sides of the 60s – and a stunning batch of tunes with backings from the mighty Claus Ogerman! Most of the tunes here are of classical origin, but they're recast by Evans and Ogerman with almost a soundtrack sensitivity –... read more

Fantastic stuff – and one of our favorite lost sessions from the 70s! The album's a completely unique work by pianist Bill Evans album – one that features him playing both electric and acoustic piano over stunning arrangements by Claus Ogerman! The sound is indescribably beautiful,... read more

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Features Hannibal Marvin Peterson on trumpet, Arthur Blythe on alto and soprano, George Dadams on tenor and soprano sax, Masabumi Kikuchi on organ, Pete Levin on clavinet and moog, and Gil Evans on electric piano!... read more

Gil plays Jimi? Sounds like a gimmick, but it comes off pretty darn great – and it helps you forgive him for trying to convince the kids that he's not as old as his grey hair might make you think! As always with Evans, the key to the album is a beautiful balance between the strength of the... read more

Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include some Evans originals – "Anita's... read more

Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include some Evans originals – "Anita's... read more

Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include two Evans originals – "Copenhagen... read more

A pretty great 70s album from Gil – with some nice electric playing, and a good groove on the best cuts! The overall approach is still very striking – a 70s equivalent to Gil's famous 60s work – and as always with Evans, the players in the ensemble are impeccably well-chosen,... read more

Titles include "West Side Story Medley", "Funky Night", "Without You I'm Nothing", "Teacher's Blues", and "Taunting Scene".... read more

Some slightly disco-ish tunes sung by Linda Evans and produced by David Williams and James Jamerson Jr. There is an array of musicians involved including Earl Van Dyke on keyboards and Eddie Bongo Brown on congas and bongos. Songs include "You Control Me", "You Got Me Dreaming"... read more

A rare early trio session from bassist Richard Evans – known much more famously for his late 60s soul and jazz arrangements at Chess! The set's not only unique for it's exposure of Evans as a jazz artist, but it also marks one of the first appearances of pianist Jack Wilson – still a... read more

A plenty groovy little record – an obscure indie soul set from the Detroit scene of the early 80s, served up in a nice blend of modern grooves and mellower moments! The vocals are really great on some numbers – with soaring harmonies that really bring a lot out of the tunes, especially... read more

An 80s pop treasure – and a real bright spot in a mainstream world that often had plenty of clunky moments! The album represents a great step forward for the duo of Ben Watt and Tracey Thorn – as Watt's arrangements are even fuller and more focused than before – still lots of... read more

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A lively bit of soca from Explainer – bubbling, jumpy, and a good version of the music that escapes many of the cliches that crept in later in the 80s. Titles include "Rasta Chick", "Not Tonite", "Heroes", "Getting Down", and "Panorama".... read more

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Dang, who the heck are these guys? They're great! The Exportations seem to have only popped up for this one album, but they've got a solid harmony soul sound that's right up there with the best groups of the 70s – and which in fact feels a lot more like indie work from the early part of the... read more

E&A return with a new full length with a few dizzyingly strong cuts – and a slew of others that aren't quite so hot. DJ Abilities lays down some pretty rocking beats. "Reintroducing", "Kept", "Now", "Exausted Love", "Star Destroyer"... read more

Instrumental versions of tracks from First Born – including "A Murder Of Memories", "Big Shots", "Liquid Sovereignty", "Music Music", "Read Wiped In Blue", "Void (Internal Theory)", "Void (External Theory)", "On This... read more

A live recording with a bit of a 70s loft jazz feel – Eyges on cello, in trio format with Byard Lancaster on reeds and Sunny Murray on drums. The strength of Lancaster's reeds carries the set, although Eyges does get in some nice bits on plucked cello from time to time. Titles include "... read more

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A classic killer from The Fabulous Rhinestones – a group with a plenty soulful approach to their music, even if the group was probably more of a rock outfit than a funk-based one! There's some heavy rhythms on most of the tracks – kind of a gentle funky groove that's mixed in with... read more

A rare album by the legendary guitarist John Fahey. Despite a cheesy cover, and the proclamation that the record features Fahey "and his orchestra", the record's mostly just has Fahey's spare haunting guitar – although a few tracks have some larger arrangements, with sort of that... read more

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Arranged by Van McCoy – with tracks that include "I'm Ready For A New Love", "Keep Me Baby", "Don't Pity Me", "You Never Were My Friend", "Find What You Need", and "People In Love Oughta Be Together".... read more

Good album by this female-male-female soul trio, with a lot of tracks written and arranged by Van McCoy, with the good New York soul sound that he was laying down with groups like this in the days before he hit the disco. Zulema's on vocals, and she also wrote a few tracks. Cuts include "God... read more

A groovy mix of funky jazz and vocals – with surprising appearances by Mark Lindsay and Steve Alaimo! Includes a version of "Get Out Of My Life Woman".... read more

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A real lost chapter in the career of singer Georgie Fame – mid 70s material recorded for Island Records! The sound of Fame during these years is a bit of an extension of his previous work at Columbia – not really the jazz or R&B of his roots, and more a complicated blend of hip pop... read more

A great little back to basics effort from the Fania All Stars – one that shakes off some of the electric and clubby influences that were creeping in during their years at Columbia, and returns the group to a mostly salsa groove! The sound here is bold and bright throughout –... read more

A landmark album – one that has the Fania All-Stars playing in a Latin club style that greatly influenced dance music for years to come! The title "Cross-Over" might make you think of this one as a sell-out attempt, but it's not – it's a brilliant effort by the New York Latin... read more

As the title implies, the Fantastic Four get a bit funky on this one – stepping up the bass in the way that a lot of other ensemble groups were using at the time – almost a shift to pre-80s groove modes from the more disco sound of the Alvin Stone set. The overall approach isn't bad,... read more

2 different slices of work from Tal Farlow! First is the 1955 album Red Norvo With Strings – originally issued under Norvo's name – a "with strings" session with a difference! This one's not the sleepy orchestral jazz set that you'd expect. Instead, it's a cool modernist... read more

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One of the nice Prestige 2-fer's issued in the 70s collecting great hard bop sides by Art Farmer. While we really dig Art's contemplative playing on the Untied Artists and Argo sides, he's displaying a more fire-y approach on these sessions, recording alongside a number of other greats playing at... read more

One of Art Farmer's hippest albums of the 70s – thanks to some incredible work from the rhythm section! The tracks here are all quite skittish and grooving – not really funky, but flowing with a wonderful sort of energy – and bouncing along on the bottom with more drive than you... read more

Overlooked genius from Art Farmer – a less-remembered session from the early 80s, and one that features him in a hip quintet with the great Sahib Shihab! The feel here is as lyrical and laidback as some of Art's other work from the time, but the presence of Sahib on soprano and baritone... read more

Fantastic stuff from Art Farmer, and a real return to more soulful playing, after noodling around a lot with other odd projects during the mid 60s. The group's stone cold and solid – with Cedar Walton on piano, Jimmy Heath on tenor, Walter Booker on bass, and Mickey Roker on drums –... read more

Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group,... read more

Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art and Jim play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk... read more

Killer CTI work from Joe Farrell – with grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion... read more

A key transitional record from Fatback – one that sits nicely between their earlier funk and later club years! The record clearly knows this aspect about itself – as side one is titled "Vintage – House Party", and features more longer-jamming takes on the grooves that... read more

Fatback flying like the Phoenix – but hardly rising from the ashes, given that the group's always on top! The sound here is a bit different – slightly leaner than before, but in a good way – with lots of core keyboards from Bill Curtis, who also handles most of the lead vocals... read more