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Two of the later Blackbyrds LPs on one CD! Action's one of their great ones, and it's got a cool mellow vibe that's different than their earlier funkier stuff. It also includes the great cut "Mysterious Vibes", which was sampled by someone not too long ago. Also with the cuts "Supe... read more

A fantastic album from this legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an amazing jazz-inflected funk groove that still leaves us breathless after all these... read more

One of the greatest sides of The Blackbyrds' music – their mellower, more chilled-out tunes – all tracks that we like almost as much as their funkier classics! Although the combo first earned their name for upbeat, sharp-edged funky fusion, they also had a wonderful way with a laidback... read more

A great album of funky dancefloor tunes! Originally issued in 1978, and clearly for the New York dancefloor crowd – the record takes the earlier work of funk group The Blackbyrds, and remixes the tracks slightly to pump up the groove a bit for the dancers. While the approach might not sound... read more

A great album of funky dancefloor tunes! Originally issued in 1978, and clearly for the New York dancefloor crowd – the record takes the earlier work of funk group The Blackbyrds, and remixes the tracks slightly to pump up the groove a bit for the dancers. While the approach might not sound... read more

A solid duo instrumentals project from Georgia Anne Muldow and DJ Romes – working together as Blackhouse – and delivering one of the best records yet on the prolific Mello Music Group label! Georgia's a restless creative spirit, and true to form, the beats and production she delivers... read more

A solid duo instrumentals project from Georgia Anne Muldow and DJ Romes – working together as Blackhouse – and delivering one of the best records yet on the prolific Mello Music Group label! Georgia's a restless creative spirit, and true to form, the beats and production she delivers... read more

A jazz funk masterpiece, and THE record by the legendary Don Blackman – the only one issued under his own name for many many years, and a famous little set that's been sampled endlessly over the years, and for good reason! The vibe here is one that's barely been matched again – a blend... read more

A jazz funk masterpiece, and THE record by the legendary Don Blackman – the only one issued under his own name for many many years, and a famous little set that's been sampled endlessly over the years, and for good reason! The vibe here is one that's barely been matched again – a blend... read more

Includes "No Diggity", 'This Is How We Roll", "Good Lovin", "Let's Stay In Love", "Never Gonna Let You Go", "I Wanna Be Your Man", "I'll Give It To You", "Motherlude" and "Happy Song (Tonite)".... read more

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Ruben Blades's first album – recorded shortly after his arrival in New York from Panama, with top-notch backing by the band of Pete Rodriguez! The album's an interesting one, in that it catches Ruben shortly before the salsa era, singing in a mix of styles that reminds us of some of Jimmy... read more

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Hard hard hard soul from the great Cicero Blake – a singer who's better known these days for his down-home blues work, but who was a heck of a great soul artist in the 60s and 70s! This wonderfully-done set collects together 23 singles from Cicero's diverse recordings of the 60s and 70s... read more

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Nicely-structured performances between pianist Ran Blake and guitarist David Knife Fabris – done with plenty of free-thinking elements, including those bold-ringing tones that we've always loved in Blake's recordings – yet still based around some relatively tight song structures overall!... read more

The tenor sound of Seamus Blake is always a treat – and he really stretches out here on a set of long, live tracks with a great group! Most titles go way past the ten minute mark, and the always-inventive Blake manages to make plenty happen with all that time – working deftly in a... read more

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Killer work from the classic late 50s years of the Jazz Messengers – and an album that Blue Note didn't choose to release until the end of the 70s! The record's a historic one – as it mark's Wayne Shorter's first session with the group, and the first time that they recorded his great... read more

Killer work from the classic late 50s years of the Jazz Messengers – and an album that Blue Note didn't choose to release until the end of the 70s! The record's a historic one – as it mark's Wayne Shorter's first session with the group, and the first time that they recorded his great... read more

One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his... read more

Quite an unusual record from Art Blakey – a rare big band session, recorded with a lineup that's quite different than the usual Jazz Messengers! Turns out, Blakey's quite good in this setting – and has the same firey energy to direct a larger ensemble that he has when working with a... read more

One of the many albums that the Jazz Messengers recorded live at Birdland, and one that features a transitional lineup for the band that has new guard players Lee Morgan on trumpet and Bobby Timmons on piano, and old guard player Hank Mobley on tenor. Everyone grooves in a very hard fashion... read more

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A rare Jubilee Records album from Art Blakey – one of his non-Blue Note sets from the late 50s, cut during the year of 1957 – a time when the Jazz Messengers were hopping around a lot of different labels! This version of the group is searing and soulful – and features Johnny... read more

Proof that the genius of Art Blakey never falters! This obscure gem was recorded in the mid 80s – but rarely saw proper issue until the time of this CD – and it features Blakey leading a hip group of young lions with all the care and confidence of some of his best Jazz Messenger sides... read more

Killer material from the 1964 edition of the Jazz Messengers – an incredibly hard-hitting sextet that features Freddie Hubbard, Curtis Fuller, Wayne Shorter, Reggie Workman, and Cedar Walton. The mix of players is amazing, and Walton's warm lyricism is a haunting combination with the sharp-ed... read more

A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on... read more

The rarest of all of Art Blakey's percussion group projects – and quite possibly the best, too! The session features Blakey at the head of a strong mix of jazz and percussion players – with Art Taylor and Philly Joe Jones on the regular drum kit, Donald Byrd on trumpet and Ray Bryant... read more

A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass –... read more

One of the most obscure mid 60s sides by Blakey – but a great one! The record features a strangely-chosen lineup of the Jazz Messengers that includes Lee Morgan, Freddie Hubbard, Lucky Thompson, and John Hicks. Thompson's in his very soulful "just returned from Europe" phase, and... read more

A classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham – one of the earliest and purest versions of Blakey's hardbop vision, touched with the slightly exotic lyricism of Silver, which gives the tracks a wonderful edge.... read more

A reissue of one of Blakey's best non-Blue Note sides from the late 50s, a killer album that sports a great lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, Bill Hardman, Sam Dockery and Spanky DeBrest. The three of them sparkle and shine with the sort of brilliance that... read more

One of Art Blakey's best non-Blue Note albums of the 60s – a hard-wailing live set that fully exploits the best talents of the six-piece version of the Jazz Messengers! The group here is that tremendous sextet that featured Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter... read more

One of Art Blakey's best non-Blue Note albums of the 60s – a hard-wailing live set that fully exploits the best talents of the six-piece version of the Jazz Messengers! The group here is that tremendous sextet that featured Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter... read more

A landmark concert from the mid 80s – one held to honor the resurrection of the Blue Note label, featuring a wealth of some of the best players for the label – from the 80s back to the 50s bebop years. This is the third of 4 LPs, issued both separately and in a box set format. This... read more

A drum-heavy spectacular – featuring four of the top hardbop drummers of the late 50s, all recorded live at Birdland, soloing back and forth in larger groups that really make the whole thing cook! Although the cover and title might make you think the record's a novelty, it's way more than... read more

The continuing evolution of Terence Blanchard – a trumpeter who's had a great sense of restraint in recent recordings – which makes each new musical moment a very nice surprise! This is the first small group set we've heard from Terence in a number of years – and it's got a fresh... read more

Core grooves from trumpeter Terence Blanchard and combo – but mixed with some compelling words from Cornel West and Bilal! The record's a jazz album at its core, but the presence of West and Bilal makes for a bit of a change, too – kind of an added level of consciousness on top of... read more

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Brilliant later work by Bobby Blue Bland – done with backings that are much fuller than on his earlier albums – a mixture of strings and horns that really expand the sound! That doesn't keep things from being soulful, though – as Bobby's in incredible form vocally, really rising... read more

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A lost southern soul gem – cut at the end of the 70s, in that rare blend of southern and modern styles that few performers could really carry off well! Frederick Knight produced the album, and it really steps off of his own mellow work of earlier years – taking things even further,... read more

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Two great new tracks from Gyedu Blay Ambolley – both reworks of older Afro Funk classics! "Mumunde" features sharp arrangements from Ebo Taylor – and a tight groove that has the vocals wrapped firmly around the tune's infectious rhythms – a blistering blend of bass,... read more

A great new album from this 70s Afro Funk legend – work that shows that Gydeu Blay Ambolley hasn't lost a bit of his groove over the years! There's a really great approach to the album that keeps things fresh – a sound that's lean and stripped-down, and not overproduced at all –... read more

A fantastic bit of soul and house that was woefully overlooked at the time of its release – and one of our favorite albums of the past 25 years! The Blaze production team had been hitting the underground club scene hard for a few years with their raw New Jersey house singles – then... read more

A fantastic bit of soul and house that was woefully overlooked at the time of its release – and one of our favorite albums of the past 25 years! The Blaze production team had been hitting the underground club scene hard for a few years with their raw New Jersey house singles – then... read more

Incredible work from Blaze – one of their most soulful records in years! In a way, the album's a return to the group's roots in the New Jersey garage scene of the late 80s – a smooth blend of styles that has the feel of an instant classic club record – pumping forth majestically... read more

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Other players include Roswell Rudd on trombone, Carlos Ward on alto and tenor, Michael Mantler on trumpet, Eric Gale and Cornell Dupree on guitars, and Richard Tee on piano and electric piano.... read more

A blasting barrage of sound from Paul Bley – a fierce session that's right up there with the most dynamic ESP work of the 60s – and quite different from some of Bley's more introspective music! The group here is a quintet – with bold work from Marshall Allen on alto sax and Dewey... read more

2 of the trippiest albums ever recorded by Paul Bley – both of which feature a good dose of electric work! By the time of these early 70s recordings, Bley had already made a name for himself through a spacious approach to modern jazz work on piano – introducing a new sense of time and... read more

One of Bley's best records from the 60's, and a great session recorded in Rome with Barry Altschul on drums and Mark Levinson on bass. We think of this era in Bley's career as sort of his middle period, after some important time spent with Ornette, one of the few pianists Coleman ever used, and... read more

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17 tracks in all, including "Family Affair", "Love", "Steal Away", "No More Drama", "Testimony", "Dance For Me", "Flying Away", and "In The Meantime".... read more

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One of the hippest groups of the Nigerian scene of the 70s – presented here in two classic albums, back to back on a single CD! Chapter One is a landmark set of African grooves – very unusual in both conception and execution – with a feel that's unlike anything we can think of! ... read more

A 70s Afro Funk classic from Blo – really trippy grooves from this legendary Nigerian trio – and arguably their greatest album ever! Rhythms here are tremendous – not the usual sort of Afro style, and instead tightly focused at the roots, and coming off with this blistering blend... read more

Collected work by Blo – a hip Nigerian funk ensemble from the mid 70s! The group have a more complicated sound than some of their contemporaries – adding in dubbier stylings and bits of psychedelic guitar to the more common Afro-Funk percussion – in a mode that almost sounds like... read more

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Nocturnal boombap from Blockhead – a sleepless, samples and electic-beats heavy survey of an after hours metropolis – finding Blockhead as insistently inventive and timeless in approach as ever! We love that Blockhead's work kind of exists in it's own world, yet clearly shows love for... read more

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Out of New York rock and roll ideas, Debbie Harry decides to pilfer the subcultures to make her sound a bit more interesting! Fortunately for us, she got some help from guitar maestro Chris Stein on the track "Rapture" – and Stein's real interest in the music gave it a stone old... read more

With "Rapture", "One Way Or Another", "Heart Of Glass", "Call Me", "Atomic", "Rip Her To Shreds", "Hanging OnThe Telephone", "The Tide Is High", "Dreaming" and more.... read more

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A stone classic from Blood Sweat & Tears – and a record that went onto have a tremendous impact in jazz, rock, funk, and soul! The group's format is plenty darn famous – adding a lot of horns to hip riffing grooves – but despite countless plays on oldies stations over the... read more

A wild debut from Blood Sweat & Tears – one of those records that forever changed the face of popular music! The set's noteworthy not just for early vocals from Al Kooper – who was a key part of the group at their start – but also for key production work from a young John... read more

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The wild first album from Bloodstone – a much trippier affair than some of the group's later work, as you might guess from the image on the cover! There's a really heavy vibe going on with some of the tracks here – almost an echo of psychedelic soul from the Norman Whitfield camp, with... read more

Bloodstone moving into a whole new thing – a funkier groove than before, and one that really points the way towards the group's clubby direction at the end of the 70s! Although best known as a sweet harmony group, Bloodstone shine equally well in this upbeat mode – a territory that's... read more

A great later album from Bloodstone – recorded after their initial classics for London, but in a sweet and mellow soul mode that's totally outta site! Part of the strength of the set is the mighty Al Johnson – who provides arrangements here that push the group firmly into a more modern... read more

Bloodstone's augmented here by a heck of a lot of studio players – more than enough to fill out the needs of the soundtrack to this so-so film from the mid 70s. A few cuts still have the group singing in their better harmony style, but more than a few numbers are remakes of 50s vocal group... read more

A killer late set by Bloodstone – one that holds on to all the excellent harmonies they brought to their 70s work, but which pushes their groove forward in a whole new direction! There's a warm modern glow to the set – one that works perfectly with the vocals – and the quintet... read more

Some nice surprises here – including "Do It Any Way You Wanna (parts 1 & 2)", "Soleful Moments", "Bossa Fuego", "Shake Your Bootie", "Low Down", and "Foxy Funk".... read more

Excellent stuff from Blow Fly – and a great bit of funk that's a hilarious parody of disco! Blow's band funks it up with riffs that you'd hear from The JBs, BT Express, or other groups of the time – while Blow himself sings these very off-color, and very funny lyrics that rip off the... read more

Here's a record we wish they would have used for the soundtrack to Happy Days – Blowfly cashing in on the 50s craze in the 70s, and offering up his own off-color version of a number of classic oldies! The sound is pretty darn goofy, but also has links to Blow's roots as singer Clarence Reid... read more

Well of course the guy's a porno freak – after all, his albums of the 70s were as close to audio porn as you'll ever get! And on this album, Blowfly's certainly keeping things below the belt – working in a style that's a bit tighter than before, and with some nice P-Funk touches, plus... read more

Blowfly changes up his groove nicely for the 80s – taking on a tightly-stepping approach to funk that's clearly inspired by some of the changes on the west coast scene – using Zapp-ish rhythms in a mode that ends up working pretty darn well for his off-color spoken lyrics! There's... read more

Tried-and-true underground hip hop mixed with more experimental beathead touches from Blu – with collaborations and production by Exile, Shafiq Husayn, Flying Lotus, Dibia$e, Daedalus and more – plus appearances by U-God, J*Davey, Co$$, Pac-Div and more. Titles include "Doin... read more

Crispy, creative work from the team of Blu & Exile – a duo who may well be one of the most creative studio talents we've heard in years! There's loads of warm acoustic samples dropped into the mix – set against a sharper edge from the production, but still delivered with plenty of... read more

A very strange one for Stax! The record came out on Stax's Truth subsidiary – and like most of the records on that imprint, it had a religious bent to it. However, unlike most of the other acts on the label, who were Memphis based, this one appears to be British – and also followers... read more

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Boy, does the heavy slab psychedelic sludge grooves of Blue Cheer ever sound wonderful, even more than 40 years since it originally walked the earth! Outsideinside hit not too long after the classic Vincebus Eruptem, and damned if we can determine why it's not as celebrated as the debut. That... read more

The start of a tremendous run from Blue Magic – easily one of the greatest harmony groups of the 70s, a quintet we'd place in a rare class with heavy hitters like The Stylistics or The Moments! The album's smooth and sweet, but never slick – perfectly arranged by the great Norman... read more