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The third great album in the trilogy that includes Off The Wall and Thriller – and a set that still has Michael Jackson running strong at the height of his solo powers! Quincy Jones is still at the helm, and Michael more than proves that he can still come up with a pop tune without going too... read more

One of those records that we remember dismissing at the time – but honestly, it really lives up to repeated listenings in later years! Sure, Michael Jackson's no longer working with Quincy Jones – and instead goes for Teddy Riley and some other (then) contemporary producers – but... read more

One of those records that we remember dismissing at the time – but honestly, it really lives up to repeated listenings in later years! Sure, Michael Jackson's no longer working with Quincy Jones – and instead goes for Teddy Riley and some other (then) contemporary producers – but... read more

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Michael, if only you'd stayed at this level! This 1979 solo album by Michael is a killer batch of soul grooves – one of best moments ever, and a crowning cap to a stellar 70s run – both as a younger solo act, and with the whole Jackson family! Quincy Jones produced, and the album's... read more

Michael, if only you'd stayed at this level! This 1979 solo album by Michael is a killer batch of soul grooves – one of best moments ever, and a crowning cap to a stellar 70s run – both as a younger solo act, and with the whole Jackson family! Quincy Jones produced, and the album's... read more

Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory... read more

Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory... read more

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A killer for the Joneses – probably their strongest album all the way through, thanks to some great production and arrangements by Bobby Eli! This one's got the group taking the fragile harmony style of their earlier records, and filtering it through the Philly powerhouse groove to create a... read more

Probably the biggest album ever from the brother/sister team of Katreese and Jerry Barnes – working here as Juicy, in a sweet smooth 80s groove style that's mighty nice! Deodato produced the album, and it's similar to some of the other soul material he was handling in the 80s – slick... read more

A mind-blowing collection of work from Kaleidoscope – the ultra-hip psych combo who recorded some great work for Epic Records at the end of the 60s! This package not only features all the group's important albums, but also includes a wealth of rare singles too – including some... read more

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An unlikely bit of southern funk! Richard Newell – aka King Biscuit Boy – is a white Canadian blues performer, and not the kind of guy we'd normally rate – but on this album, he's lucky enough to get production from Allen Toussaint, who goes full-out to make this a fine fine... read more

Poppy passion from Krystol – a sweet 80s trio with a definite way with a hook! The set's got a well-balanced mainstream sound – one that helps the vocals find a fullness right away, either on the leads or harmonies – both woven together over the top of the tight, beat-heavy... read more

Bumping, bouncing soul from Krystol – one of the strongest female groups of the 80s, and one of the few who really helped push the sound further at the time! The groove here is equal parts funk and soul – and has a brashness that a girl act wouldn't have had a decade before –... read more

A late 70s gem from Patti Labelle! Although the album's recorded right in the height of the disco years, Patti's really shining on the mellower cuts – hitting a serious soulful side that shows that her move to a solo act really let her move into more sophisticated material. There are... read more

A rare document of a short-lived slice of the King Kong myth – a Saturday morning cartoon in which Kong was the friend of some little kids in the jungle, and a much less threatening force than when climbing the Empire State Building! The soundtrack offers capsulized episodes of the show... read more

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Genius jazzy soul from Webster Lewis – one of his amazing late 70s sets for Epic Records! By this point in his career, Lewis had honed his keyboard craft to perfection – and on albums like this one, he laid down some excellent smooth soulful fusion that soared in a righteous way that... read more

Genius jazzy soul from Webster Lewis – one of his amazing late 70s sets for Epic Records! By this point in his career, Lewis had honed his keyboard craft to perfection – and on albums like this one, he laid down some excellent smooth soulful fusion that soared in a righteous way that... read more

A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other... read more

A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other... read more

Classic club from Webster Lewis – and much more of an all-out disco affair than some of his later work! The record introduces Lewis' all-encompassing style – as he writes, arranges, and produces the album at a level that easily matches that of Barry White – who would later emerge... read more

Webster Lewis takes off wonderfully here – finding a completely unique groove that's equal parts club, soul, and fusion! The album's almost as sublime as Roy Ayers' best from the time – and has a similar balance that's perfectly done – a depth of thought that goes way beyond... read more

A classic bit of Chicago house goes mainstream – and a suprisingly big hit from the late 80s. The main reason most folks bought this album was for Louis' "French Kiss", a sex-sound infused house cut with a "fast-then-slow-then-fast" groove that was endlessly dropped into... read more

A couple of wonderfully mellow, smooth house-inflected numbers from the mind of Lil' Louis.... read more

A wonderfully well-rounded set from Lil Louis – one of the few early Chicago house artists with enough imagination to break into a wider soul audience and still hold their ears over the course of a full LP! The record's a strongly-crafted batch of tunes that mixes mellow ballads with more... read more

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Heavy funk from Teena Marie – a self-produced killer for mid 80s Epic Records – done with some even bolder grooves than before, in ways that definitely show the hallmarks of the Prince generation! The 80s was a hell of a good time to be a female funk artist on her own – and Teena... read more

Teena Marie steps out strongly on her own – really knocking it out of the park on this initial album for CBS – entirely written, arranged, and produced by Lady T! The grooves are as funky as before, but possibly have a leaner quality overall – a tighter 80s groove approach to the... read more

Teena Marie steps out strongly on her own – really knocking it out of the park on this initial album for CBS – entirely written, arranged, and produced by Lady T! The grooves are as funky as before, but possibly have a leaner quality overall – a tighter 80s groove approach to the... read more

A stunning solo effort – Teena's second on Epic, and proof that she could still put out the goods on her own! Don't worry about the absence of Rick James here – as things are mighty tight, and right on the money – that wicked blend of funk and soul that got Lady T a great start... read more

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Melba Moore is on fire here – eschewing ballads altogether for the first time – and lighting up a scorching late disco vibe! Burn is a tight, club-ready soul set from '79 that finds Melba with more input on the songwriting than she had on previous records. It's also a nice step in a... read more

An overlooked set from Melba Moore – an Epic session from the start of the 80s, and one that's served up with a nicely understated groove! There's a bit of disco in the mix, but the sound's never too far over the top – and in a way, Melba's working in the same sophisticated territory... read more

An overlooked set from Melba Moore – an Epic session from the start of the 80s, and one that's served up with a nicely understated groove! There's a bit of disco in the mix, but the sound's never too far over the top – and in a way, Melba's working in the same sophisticated territory... read more

A sweet set from Melba Moore at Epic – a handful years before her biggest hits era, and really nice work that should have hit bigger! It's Melba's first album for Epic, but it's her second with production and songwriting powerhouses McFadden & Whitehead – who seem to have a really... read more

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Sweet funky work from Mtume – a set that's nicely heavy on the keyboards, and which really set a new standard in 80s groove at the time! The keyboards are great, and the basslines are too – and Mtume's jazz roots are still nicely in place here – bringing a bit more sophistication... read more

A certified 80s groove/slow jam classic, and one of our all time Mtume favorites, from the period where he'd really established himself as a force to be reckoned with in commercial soul production!... read more

A great little album from James Mtume – a bit more complicated and righteous than some of his previous albums on Epic, and with a real mix of styles that works nicely together! The album starts off with "Theme For Theater Of The Mind", a sort of 80s take on the spiritual/political... read more

A great little album from James Mtume – a bit more complicated and righteous than some of his previous albums on Epic, and with a real mix of styles that works nicely together! The album starts off with "Theme For Theater Of The Mind", a sort of 80s take on the spiritual/political... read more

Proof that the move to soul was actually a great thing for James Mtume – because although the set's miles from his spiritual jazz work of the 70s, it more than makes up for that shift with a sophisticated approach to 80s soul! The group's a small one, with lots of keyboards from Mtume, and a... read more

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Definitely the sort of album to make you feel better – given the tight, soulful sounds of Ndugu Chancler and this Chocolate Jam Company! The album's got roots in jazz – Ndugu's a drummer with work on countless other albums – but also steps out with plenty of soul, too –... read more

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One of those bright, charismatic Billy Ocean records from a couple years before his massive pop soul crossover – just a sublime 80s club groover that pumps along at a nice mid tempo clip – a real favorite around these parts! This was Billy's debut for Epic and there's plenty of... read more

Easily one of the most successful albums of the British jazz rock years – but still a longtime favorite of ours as well! Mike Oldfield sets a whole new standard here for concept rock – not only by working on a single album-length composition that spans all of sides one and two, but... read more

Excellent funky LP cut by Johnny Otis and his late 60's version of "The Johnny Otis Show". Shuggie's playing guitar, Delmar Evans is singing, and Sugarcane Harris even shows up on a few tracks. The LP contains two excellent funky 45 cuts, "Cuttin Up", an instrumental with... read more

The second album from Shuggie Otis – a wild and wooly batch of grooves that really stretches out the sound from the first! Shuggie's got much more of a hand in the arrangements here – and the tunes are grooving in a sweet blend of funk, rock, and soul – really drenched in the... read more

A classic album of bluesy funk – one that features the guitar of Johnny Otis' young son Shuggie, in a slightly tighter setting than he'd been getting on some of Johnny's own LPs! Shuggie here is still very much under the guidance of his dad – working in a mode that really emphasizes... read more

An insanely wonderful album! Shuggie Otis is the son of Johnny Otis – the LA R&B maestro who was moving heavily into funk at the end of the 60s – and he has this tripped out, super-dope guitar style that he played to strong effect on Johnny's albums of the late 60s and early 70s,... read more

An insanely wonderful album! Shuggie Otis is the son of Johnny Otis – the LA R&B maestro who was moving heavily into funk at the end of the 60s – and he has this tripped out, super-dope guitar style that he played to strong effect on Johnny's albums of the late 60s and early 70s,... read more

A treasure trove of rare funk – a massive package that not only includes the legendary Inspiration Information album by Shuggie Otis, but which also adds in four bonus tracks to that classic – plus a full other album of unreleased vintage work! Shuggie Otis is the son of Johnny Otis... read more

This is the one that really nailed it for Jaco Pastorious – a brilliant showcase for all his many talents on the bass, and a key illustration of the way that he influenced an entire generation! Sure, Jaco in Weather Report was already pretty darn great – but here, on his own, he really... read more

This is the one that really nailed it for Jaco Pastorious – a brilliant showcase for all his many talents on the bass, and a key illustration of the way that he influenced an entire generation! Sure, Jaco in Weather Report was already pretty darn great – but here, on his own, he really... read more

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A heck of a cool group – with a really wonderful sound! The Peddlers were a late 60s British trio, with a sound that's part soul, part jazz, part supper-club vocals – all done with a clean, clear, hard-grooving approach – and strong instrumentation that often includes a heavy... read more

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The classic agit-rap-rock debut of Rage Against The Machine – with the most fiery political lyricism and imagery of any massively popular record of its time – and as great of a pairing of revolutionary rap and heavy guitars as there ever was! It's hard to imagine now, but there were... read more

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12 tracks in all, including "Housecall", "Telephone Love Deh Pon Mi Mind", "The Jam", "Girls Whine", "Get Up Stand Up & Rock", "Pay Down Pon It", "Ting-A-Ling" and "Roots & Culture". Less slackness on this... read more

A pair of post Philly International gems from Lou Rawls on Epic – Now Is The Time from '82 and Close Company from '84 – in a single set! Now Is The Time is a solid soul effort from Lou, still working wonders here in the early 80s on a record that stands the test of time surprisingly... read more

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After Minnie Riperton's heavenly first album on Cadet – the sublime Come To My Garden – this one's got to be her most perfectly realized full LP! The album's a sparkling work of jazzy soul, with touches of the heavenly production that Minnie got in years past, and lots of smooth mellow... read more

Minnie Riperton's first album for Epic – and the record that broke her from a hip Chicago underground artist into one of the seventies' biggest soul divas! The record moves past the baroque soul of Minnie's early years with Rotary Connection and Charles Stepney – and hits a mix of... read more

Along with Perfect Angel and Adventures In Paradise, this is one of the key albums of Minnie's career – recorded when she was at the height of her power, forging a whole new soul sound that mixed her incredible voice with jazzy modern arrangements that were a few years ahead of most of the... read more

A killer set of heavy Latin numbers from the great Hector Rivera – hiding under the guise of a simple dance record! Back in the late 50s and early 60s, Hector was always getting tagged for the big fads by labels – and made to produce albums that had him jumping on a dance fad bandwagon... read more

The only album we've ever seen by Johnny Robinson – a rare non-Hi Records set produced by Willie Mitchell, with a sound that's as deeply soulful as some of the best indie work coming out of the Memphis scene in the 60s! Willie's style here is rougher than that used with Al Green or Ann... read more

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Rose Royce are certainly plenty strong at this point in their career – working with a tight modern soul groove on Epic Records – away from their previous placement on the Whitfield label, even though Norman Whitfield's still very actively handling production here! The album does a... read more

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Double vinyl collection with 14 tracks of the best of the RZA productions from 1993-95, reminding us just how dope RZA and the rest of the Wu-Tang were back then. Each side starts out with spoken Wu-history lesson from RZA. Includes RZA "Wu-Wear" (non-lp track), GZA "Liquid... read more

Still beautiful, even in the early 90s. In fact, at this point, Sade gets a nicely updated style that borrows a bit from the NuSoul groove of some of the British groups that were hitting the scene – adding in some warmth on the percussion that works perfectly with her vocals. Some of that... read more

Sade's last LP from the early 90s before she went into her brief recording and performing hiatus. Like the preceding records, the approach is heavy on the jazz side of things, with a crisp, spare touch on the production and a wonderfully soulful feel to the songwriting. At this point she no... read more

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Includes the tracks "Nightmare", "The Blues", and "Shoot The Likker To Me, John Boy".... read more

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Killer early work from Horace Silver – and a rare non-Blue Note session from the 50s! The album's Horace's only date for Columbia, and it's got a feel that's similar to some of the Jazz Messengers' hardbop recordings for the label at the time – cooking with a soulful intensity at the... read more

Late 80s boogie funk from Cameo guitarist and keyboardist Charlie Singleton & Modern Man, though Charlie himself may very well be this Modern Man, as he also wrote and produced the record – with allstar assistance from his Cameo partners, Peabo Bryson and others! Nothing Ventured,... read more

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Sly's leaping into the air on the cover of this one – and for good reason too, given the overall groove of the set! The album's a bit more stripped-down and upbeat than the previous few – almost more of a return to the simple funky style of the first albums, but with a slightly more... read more

Hard to find a stronger early album by Sly – as this one has him still funking hard, but also getting his soul bag together a bit more, hitting some really righteous vibes that mix together politics and partying in an incredibly seductive way. The album's filled with anthemic numbers like... read more

A wonderful album from Sly and crew – moving way past the straight funk approach of earlier records, into a complicated crossover soul style that's filled with warmth and righteousness. Despite the political tone implied by the "riot" in the title and the co-option of the American... read more